Film

Lars and the Real Girl

A shy, isolated young man in a snowbound small town brings home a life-sized doll and introduces her as his girlfriend. Rather than shatter his delusion, his family and neighbours quietly choose to play along - and the film turns that decision into something unexpectedly moving. Funny, sad, and sincere in ways that sneak up on you; for anyone who likes their comedies with real ache underneath.

TMDb rating7.2

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The Station Agent2003

A dwarf train dispatcher moves to a sleepy town and slowly gathers an unlikely found family of misfits, told with the same patient tenderness and dry humor.

But Very quiet and almost eventless; if you're craving plot momentum or big emotional swings, this will feel too still for you.

The Station Agent poster

Safety Not Guaranteed2012no page yet

A skeptical journalist investigates a man's claim to be a time traveler, and the film treats his delusion (or is it?) with the same generous curiosity as Lars's town treats his doll.

But The tone flirts between mockery and sincerity longer than some viewers will have patience for.

Little Miss Sunshine2006

A shambling family road trip full of misfits, failures and one very determined kid, held together by the same belief that love means showing up for someone's strangeness.

But Broader and more overtly comic than Lars, with quirkiness dialed up loud enough that some may find it exhausting.

Little Miss Sunshine poster

The wildcard

Something you would not have found on your own.

Harvey1950

Decades before Lars, this is the original town-humors-a-delusion story - a man's invisible six-foot rabbit companion, and the neighbors who decide indulging him is kinder than curing him.

James Stewart at his most gentle plays a man whose 'imaginary' friend forces everyone around him to question what sanity is actually for, in a black-and-white comedy that's warmer than it has any right to be.

But Old-fashioned pacing and its stage-play origins show; some jokes land softer than they're meant to today.

Harvey poster
More like this (8)

Ruby Sparks2012no page yet

A lonely writer conjures the girlfriend of his dreams onto the page and she becomes real - a sharper, funnier interrogation of what it means to love something you've invented.

But Turns thornier and far more uncomfortable about control and possession than Lars ever risks being.

Paddleton2019no page yet

Two isolated, socially awkward neighbors build a friendship around pizza and kung-fu movies that becomes the only intimacy either has ever managed - small, unshowy, quietly devastating.

But Almost nothing happens for long stretches, and the ending doesn't soften the sadness at all.

The Peanut Butter Falcon2019no page yet

A young man with Down syndrome runs away to chase a wrestling dream, and the strangers who join him form the same kind of unearned, patient community Lars finds in his town.

But More adventure and scenery than psychological interiority; it wears its heart very openly and unguarded.

Big Fish2003

A dying father's tall tales blur fantasy and truth, and the people around him choose to believe rather than correct him - the same tender complicity Lars's neighbors offer.

But Tim Burton's whimsy is thicker and far more theatrical than Lars's understated, low-key realism ever attempts to be.

Big Fish poster

Punch-Drunk Love2002

Adam Sandler plays a man so socially stunted his rage and tenderness barely fit inside him, and the film finds a strange, specific love story inside that awkwardness.

But Anxious, abrasive editing and sound design make it a much more uncomfortable watch than Lars ever is.

Punch-Drunk Love poster

Harold and Maude1971

A death-obsessed young man falls for a septuagenarian free spirit, and the film insists - with total sincerity - that unconventional love deserves no one's permission.

But Its dark comedy and 1971 sensibility about age and death won't sit easily with everyone.

Harold and Maude poster

Guys and Dolls1955

This documentary follows real owners of silicone companion dolls - the actual subculture Lars's film borrows its premise from - asking the same tenderness question with no fiction to soften it.

Watching real men explain, without irony, why a doll is the safest place they've found for love recontextualizes everything Lars was gently arguing - that the need for connection is the point, not the object.

But There's no narrative arc to carry you; it's observational and occasionally uncomfortable in ways fiction lets you look away from.

Guys and Dolls poster

May2003no page yet

Same engine as Lars - a friendless, closed-off person builds a companion to fill an unbearable loneliness - but run through body horror instead of small-town kindness, showing what happens when nobody plays along.

Angela Bettis is heartbreaking as a woman so starved for connection she starts assembling her own perfect friend from parts of people she likes, and the film never lets you stop rooting for her even as it curdles.

But It's a horror film with real gore and a much bleaker ending - no community steps in to make this okay.

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