Film

Before Stonewall

A foundational documentary that excavates queer life in America before Stonewall made it impossible to ignore. Through archival footage, film clips, and testimony from those who lived it, *Before Stonewall* reveals a vibrant, desperate, ingenious community that existed in shadows and code. Essential viewing for understanding how we got here.

TMDb rating3.3

Should you watch it?

Watch it if you want history told through archival footage, old film clips and first-person memories, and you are happy to let a community's own voices carry the story rather than a narrator steering it.

Skip it if you need a tightly plotted story or a steady pace; this is a patchwork of clips and recollections that drifts from one thread to the next and can feel loosely assembled.

What it asks of you: Ninety minutes of mostly looking and listening, with few hooks and no single protagonist, so it rewards patience more than it rushes you toward a conclusion.

If you liked this

Paris Is Burning1991

Jennie Livingston's documentary captures the Black and Latina trans and gay ballroom scene of 1980s New York with such intimacy and joy that it becomes a portrait of resilience, artistry, and chosen family against impossible odds.

But The film doesn't cushion its subjects' suffering or pretend survival isn't often tragic. It requires patience with people whose lives don't resolve neatly.

Paris Is Burning poster

The Times of Harvey Milk1984

Rob Epstein's Oscar-winning film follows Harvey Milk's rise to political power in San Francisco and the assassination that shook the movement. It's a perfectly constructed political biography that earns every emotional beat.

But It ends in tragedy and rage. If you're looking for a triumphant feel-good story, this isn't it—and shouldn't be.

The Times of Harvey Milk poster

The Queen1968

Frank Simon's documentary follows contestants preparing for a 1967 Miss All-America Camp pageant—a trans beauty pageant—with a directness that feels almost shocking now. It's funny, touching, and utterly unsentimental.

But It's in black and white, handheld, sometimes hard to hear. The pacing is deliberate. It requires you to sit with people rather than be entertained by them.

The Queen poster

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The wildcard

Something you would not have found on your own.

Mädchen in Uniform1931

Both documents queer life in repressive eras—one through clandestine cinema, one through testimony and archival recovery. Both ask what love and community look like when the world forbids them.

Leontine Sagan's German film about desire between a teacher and student at an all-girls boarding school predates Stonewall by four decades. It's luminous, tender, and remarkably frank about queer longing—cinema's first genuine lesbian love story.

But It's in German with subtitles, shot in soft-focus 1930s expressionism. The pacing is deliberate. It requires you to read desire in glances and proximity rather than dialogue.

Mädchen in Uniform poster
More like this (8)

The Celluloid Closet1996

Rob Epstein and Jeffrey Friedman's film demonstrates how Hollywood spent decades depicting queerness as pathology, tragedy, or punchline. It's a masterclass in visual analysis and cultural forensics that makes you see old films completely differently.

But Watching homophobia encoded into beloved classics can feel depressing. Some of the clips are genuinely painful, and there's no redemptive arc—just evidence.

The Celluloid Closet poster

Common Threads: Stories from the Quilt1989

This documentary about the AIDS Memorial Quilt lets people tell their own stories about loss through the panels they made. It's a direct, moving memorial that trusts silence as much as speech.

But It's a film about sustained, incomprehensible loss during a plague. There's no way to watch it without feeling the weight of what was stolen.

Common Threads: Stories from the Quilt poster

Tongues Untied1990

Marlon Riggs's experimental documentary blends poetry, performance, archival footage, and testimony to explore Black gay identity and community. It's formally inventive and spiritually urgent in a way that standard documentaries rarely achieve.

But It's deliberately fragmented and poetic rather than explanatory. If you want a linear history lesson, you'll find this frustrating.

Tongues Untied poster

We Are the Best!2013

Lukas Moodysson's fiction film about teenage girls starting a punk band in 1980s Stockholm isn't overtly political, but it's quietly radical—funny, tender, and genuinely interested in how young people imagine freedom.

But It's a Swedish indie film with a slow pace and no traditional plot momentum. Teenage awkwardness is the whole point, which some find charming and others find insufferable.

We Are the Best! poster

Milk2008

Gus Van Sant's film about Harvey Milk is more dramatically conventional than Epstein's documentary—Sean Penn's performance is extraordinary, and it captures the giddy possibility of political organizing alongside the looming tragedy.

But Some feel it smooths out the rough edges of Milk's life and politics for mainstream palatability. It's a more comfortable film than the subject matter might warrant.

Milk poster

Chasing Amy1997

Kevin Smith's romantic comedy genuinely engages with lesbian identity and desire in ways most mainstream films still don't. It's funny, explicit without being exploitative, and the chemistry between the leads is undeniable.

But It's a '90s indie film with Smith's trademark dialogue-heavy style. If you don't like his voice, you won't like this. Some also find the ending problematic in retrospect.

Chasing Amy poster

Looking for Langston1989

Both films excavate erased queer histories through unconventional means. Before Stonewall uses personal testimony; Looking for Langston uses cinema itself as an archaeological tool. Both insist that queer history didn't begin at Stonewall.

Isaac Julien's experimental film-essay uses archival photographs, poetry, and performance to explore the Harlem Renaissance and the queer Black artistic tradition largely erased from history. It's visually stunning and structurally daring.

But It's deliberately oblique and associative rather than explanatory. There's no linear narrative. It demands active interpretation rather than passive consumption.

Looking for Langston poster

Word Is Out: Stories of Some of Our Lives1977

Where Before Stonewall looks backward at pre-1969 life through archival fragments, Word Is Out is queer people speaking their own present moment immediately after liberation became possible. Together they form a before-and-after portrait of consciousness itself.

Made just eight years after Stonewall, this collective portrait of 26 queer people talking directly to camera is surprisingly radical—no narrator, no mediation, just lives and voices that gay cinema had never centered before. It's intimate and urgent.

But It's entirely composed of talking-head interviews with no dramatic structure. Pacing is slow. For those wanting plot or spectacle, it will feel like a static record rather than a film.

Word Is Out: Stories of Some of Our Lives poster

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