Film
Army of Crime
- Drama
- Very dark
A 2009 French historical drama about Missak Manouchian, an Armenian woodworker who led a ragtag immigrant resistance cell in occupied Paris, executing thirty operations against the Nazis in 1943. It's meticulously crafted, emotionally grounded, and moves with the momentum of a thriller—but this is a film about real people marching toward a known tragedy. For anyone who loves resistance stories told without mythology.
Should you watch it?
Watch it if you want a war film built around ordinary people, a close-knit group of immigrants and communists, where the moral weight comes from loyalty and quiet courage rather than set-piece battles.
Skip it if you want a fast, action-driven resistance thriller; this is talky, deliberate and carries the grim gravity of its real history, with little room for lightness.
What it asks of you: It runs close to two and a half hours and moves at a patient, character-led pace, so it rewards sustained attention more than casual viewing.
Not sure? Find tonight's pick in a minute.
If you liked this
Inglourious Basterds2009
Tarantino's gleeful reimagining of WWII gives you the cathartic Nazi-killing fantasy. It's pure cinema, brilliantly acted, endlessly rewatchable—a reminder that sometimes you want wish-fulfillment, not history.
But It's aggressively ahistorical and tonal whiplash for anyone wanting something grounded. The fun can feel glib if you're in a serious mood.

The Battle of Algiers1966
A masterpiece about insurgent resistance that influenced how every resistance film gets made. Shot in crystalline black-and-white, it's tense, formally brilliant, and morally unafraid to show both sides.
But It's from 1966, which means the film stock and pacing ask for patience. The politics are explicit and unmodulated.

Defiance2008
Another resistance-through-community story: Jewish brothers hide in forests and build a functioning society. Daniel Craig and Liev Schreiber anchor it, and it has the same focus on survival through unity.
But It's competent rather than inspired. Feels like a well-made TV movie at times, and the action sequences don't quite sing.

Not sure tonight? Get a pick in a minute, starting from Army of Crime
The wildcard
Something you would not have found on your own.
Son of Saul2015
Both follow ordinary people choosing resistance knowing it will cost them everything, but Son of Saul removes all hope of victory—it's about dignity in the face of certain death, which is what makes the choice real.
A Hungarian film about a Sonderkommando at Auschwitz performing one act of resistance. It's cinematically unlike anything else—the camera stays claustrophobically close, the sound design is suffocating. It asks what resistance means when you're already condemned.
But It's relentlessly, almost unbearably dark. The intimate camera work creates nausea by design. This is not cathartic; it's harrowing.

More like this (3)
A Prophet2009
Also 2009, also French, also about a young man entering an organized resistance network (in a prison). The way it builds tension and shows how ideology and survival intertwine is remarkable.
But It's brutal, sometimes hard to follow, and two-and-a-half hours of moral uncertainty. Not cathartic the way you might want.

Detective Dee and the Mystery of the Phantom Flame2010
A lesser-known Soviet film about a resistance network in occupied territory. The Soviet perspective on WWII resistance offers something genuinely different from Western treatments.
But It's Soviet-era propaganda dressed as history. The politics are heavy-handed and the subtitles are imperfect on available versions.

Bitter Lake2015
Army of Crime shows people resisting occupation through moral clarity. Curtis asks: what happened to that clarity? How does the story of resistance become the story of intervention? It's the unsettling sequel to every resistance film.
Adam Curtis's essay-film traces how the West built the modern world through covert operations and failed interventions. Not about WWII, but about how the mythology of heroic resistance gets weaponized into justifications for empire.
But It's experimental, digressive, and demands active intellectual engagement. The visual style is intentionally unsettling. Curtis's voice-over can feel pretentious if you're not already in his register.

People
Cast
Simon AbkarianMissak Manouchian
Virginie LedoyenMélinée Manouchian
Robinson StéveninMarcel Rayman
Lola NaymarkMonique Stern
Adrien JolivetHenri Krasucki
Pierre NineyHenri Keltekian
Olga LegrandOlga Bancic
Alexandru PotoceanAlexandre le mari d'Olga
Jean-Pierre DarroussinInspecteur Pujol
Yann TrégouëtCommissaire David
Pascal CervoInspecteur Bourlier- Paula KleinMadame Rayman
Directing
- Robert GuédiguianDirector
- Jean-Christophe DelpiasFirst Assistant Director
Writing
- Gilles TaurandAdaptation
- Gilles TaurandDialogue
- Serge Le PéronIdea
- Gilles TaurandScenario Writer
- Robert GuédiguianScenario Writer
- Serge Le PéronScenario Writer
Production
- Jacqueline VicaireExtras Casting
- Gaëlle BaudExtras Casting Assistant
- Sophie HansenExtras Casting Assistant
- Dominique BarneaudProducer
- Malek HamzaouiProduction Manager
Recommended by
Europa Europa, Stalingrad, Stolz der Nation, The Last Rescue, Le Petit Soldat, General Della Rovere, Black Angel, La Marseillaise, 12 Strong