Film
50 First Dates
A high-concept Adam Sandler comedy that turns a genuinely sad premise — a woman whose short-term memory resets every night — into something sweet rather than exploitative. It's slapstick and gross-out gags stitched around a surprisingly tender love story, reuniting Sandler and Drew Barrymore's easy chemistry from The Wedding Singer. Good for a lazy Sunday when you want to laugh and maybe well up a little.
If you liked this
The Wedding Singer1998no page yet
The original Sandler-Barrymore pairing, and honestly the better film — funnier, tighter, with the same warmth but less padding. See where the chemistry started.
But Very 80s-nostalgia-dependent jokes that land less if you weren't around for the decade being mocked.
Groundhog Day1993
The daily-reset structure done as pure comic philosophy — a man forced to win the same woman over and over until he becomes someone worth winning.
But No romance-at-first-sight rush; it's slower and more contemplative than a typical date-night comedy.

Blended2014no page yet
The third Sandler-Barrymore collaboration, if you want to see the dynamic aged into a family comedy with kids and chaos thrown in.
But Weaker writing than their earlier films — the chemistry is doing most of the heavy lifting here.
The wildcard
Something you would not have found on your own.
Away from Her2007
Same central ache — loving someone whose memory of you keeps disappearing — played completely straight, with no comic scaffolding to soften it.
Julie Christie plays a woman sliding into Alzheimer's, and her husband must, like Henry, keep falling in love with someone who forgets him — except here there's no cure by third act.
But It is devastating and unhurried, built entirely around loss rather than laughs — the polar opposite mood.

More like this (8)
The Notebook2004
Swaps comedy for full melodrama but circles the same idea — loving someone who may not remember loving you back. Bring tissues, not popcorn.
But Unapologetically a weepy; if you came for jokes about walruses, this will feel like a genre transplant.

Just Go with It2011no page yet
Another Sandler rom-com built on an elaborate lie sustained for love, with the same broad, family-friendly comic engine and beach-set glow.
But Thinner premise, more predictable beats — comfort food rather than anything that'll surprise you.
Crazy, Stupid, Love.2011no page yet
Sharper, more grown-up rom-com ensemble with real wit underneath the charm, for when you want the genre with slightly more bite.
But Multiple intersecting storylines mean less pure screen time for any single couple's chemistry.
Click2006no page yet
Same Sandler high-concept trick — a magic device instead of amnesia — used to ask what you'd sacrifice for a shortcut through life.
But Tonal whiplash between broad comedy and sudden gut-punch sincerity that some find jarring rather than moving.
Big Daddy1999no page yet
Peak lazy-Sandler-guy-forced-to-grow-up comedy, if the appeal here was really just watching him bumble toward decency.
But Cruder, more dated humor with far less romantic substance than the film you just watched.
While You Were Sleeping1995no page yet
A gentler, earlier-90s rom-com about loving someone under false or confused pretenses, with the same big, generous heart.
But Quieter and more old-fashioned — no slapstick, no gross-out, just a soft-spoken city fairy tale.
Random Harvest1942
The exact same engine — memory loss as an obstacle to romantic repetition — built by Hollywood eighty years earlier, minus a single joke.
A classic Hollywood melodrama in which amnesia forces a man to fall in love with the same woman twice, decades before Sandler ever tried it, and just as swooning.
But Black-and-white pacing and old-studio dialogue will feel slow if you're used to modern comic rhythms.

Memento2000
Uses the same neurological quirk that drives Lucy's condition as the engine of a revenge thriller, proving how genre-elastic the premise really is.
Christopher Nolan's breakout thriller runs the identical premise — no short-term memory, relearning your life daily — through neo-noir paranoia instead of romance.
But Fractured, backwards-told structure demands real attention; it's a puzzle box, not a comfort watch.

People
Cast
Adam SandlerHenry Roth
Drew BarrymoreLucy Whitmore
Sean AstinDoug Whitmore
Lusia StrusAlexa
Dan AykroydDr. Keats
Amy HillSue
Allen CovertTen Second Tom
Blake ClarkMarlin Whitmore
Maya RudolphStacy
Pomaika'i BrownNick- Joe NakashimaOld Hawaiian Man
Directing
- Matthew D. SmithAdditional Second Assistant Director
- Peter SegalDirector
- Adam DruxmanFirst Assistant Director
- Nancy KarlinScript Supervisor
- Joseph J. KontraSecond Assistant Director
- Timothy Grant EngleSecond Second Assistant Director
- Jim BissellSecond Unit Director
Writing
- George WingScreenplay
Production
- Steven ButenskyAssistant Accountant
- Claudia BestorAssistant Location Manager
- Demelza CroninAssistant Production Coordinator
- Kevin GradyAssociate Producer
- Roger MussendenCasting
- Kendra CarterCasting Assistant
- Elizabeth BoykewichCasting Associate
- Larry KennarCo-Producer
- Scott BankstonCo-Producer
- Daniel LupiExecutive Producer
- Jay RoachExecutive Producer
- Michael EwingExecutive Producer
- Brad KennyExtras Casting
- Mele K.T. LoceyExtras Casting Assistant
- Rodney Brown AlamoLocation Assistant
- Tim HillmanLocation Manager
- Michael RoccuzzoPayroll Accountant
- Mady Manson BurzaPost Production Accountant
- Jack GiarraputoProducer
- Nancy JuvonenProducer
- Steve GolinProducer
- Megan MathewsProduction Accountant
- Scott BerrieProduction Assistant
- Susan EhrhartProduction Coordinator
- Kerri SmeltzerProduction Secretary
- Will WeiskeProduction Supervisor
- Kenny GallagherSecond Assistant Accountant
- Georgina MarquisTravel Coordinator
- Daniel LupiUnit Production Manager