Film
Timing
A 12-minute film about two people whose paths cross repeatedly during celestial alignments, until an eclipse finally forces them to see each other. It's a quietly poetic meditation on loneliness, timing, and whether we recognize connection when it appears. Contemplative, visual, for anyone who believes in the weight of small moments.
Should you watch it?
Watch it if you like short romances built on a single quiet conceit, where a cosmic accident does the work that dialogue would otherwise have to do.
Skip it if you want sharp dialogue or fleshed-out characters; this is a slight, wistful sketch that leans on its premise and gives its two leads little room beyond their solitude.
What it asks of you: Twelve minutes of patient, hushed attention, with little happening on the surface and the quiet doing most of the talking.
Not sure? Find tonight's pick in a minute.
If you liked this
Arrival2016
Dense, philosophical sci-fi about language and time. It moves slowly, builds understanding in whispers, and ends with a question about whether knowing the future changes who you are. Stunning cinematography.
But It's measured to the point of glacial. If you want plot momentum or conventional tension, you'll find it maddening.
The Secret of Kells2009
A gorgeously animated film about a boy who ventures into an enchanted forest. It has the same sense of small human moments against a mythological backdrop, with visual storytelling that speaks louder than dialogue.
But It's aimed at children, which might make it feel lightweight if you go in expecting something darker.
Lost River2015
Ryan Gosling's directorial debut about a mother and son in a flooded town. Dreamlike, weird, visually hypnotic. It prioritizes mood and image over narrative clarity in a way that mirrors celestial storytelling.
But It's deliberately opaque and style-heavy. Some will find it self-indulgent; it doesn't hold your hand.
Not sure tonight? Get a pick in a minute, starting from Timing
The wildcard
Something you would not have found on your own.
Stalker1979
Both are about invisible forces arranging meetings between people and the vast indifference of the universe watching. Both trust the audience to sit with ambiguity.
Andrei Tarkovsky's masterpiece about three men journeying through a mysterious zone. It moves at the speed of thought, uses space and silence as characters, and asks what we're actually searching for when we search for meaning. Hypnotic.
But It's 163 minutes of contemplative Soviet sci-fi with long takes and philosophical monologues. You will need patience and quiet.
More like this (8)
The Eternal Memory2023
A documentary about a couple where one is losing his memory to Alzheimer's. It's about time, recognition, and whether love persists when the person you knew begins to disappear. Achingly tender.
But It's a film about cognitive decline and grief. Go in prepared for something that will sit with you uncomfortably.
A Ghost Story2017
A man returns as a ghost to watch his wife move through the house they shared. It's about time, presence, connection, and the unbridgeable distance between people. Hypnotic and strange in the best way.
But It's deliberately slow and bleak. The famous pie-eating scene divides audiences; some find it profound, others find it pretentious.
Nocturnal Animals2016
A woman reads a manuscript written by her ex-husband and falls into its violent world. Formally brilliant, it plays with time and perspective to explore how we fail to see the people closest to us.
But It's graphically violent in places. Also: it's more interested in craft than clarity, so you'll need to work.
Moonlight2016
Three chapters in a Black man's life, each set under different light. Intimate, musical, about recognition and the moments when someone finally sees you. Visually stunning and emotionally precise.
But It's introspective and quiet. If you're expecting plot-driven drama, you'll be disappointed.
The Light Between Oceans2016
A lighthouse keeper and his wife raise a child washed ashore, unaware of the family searching for her. It's about chance, moral weight, and whether we can know the right thing to do when fate intervenes.
But It's melodramatic in places. Some find it overripe; the score can feel like it's doing too much emotional work.
Spring2014
An American drifter meets a mysterious woman in Italy and everything becomes strange and beautiful. It's a romance for people who like cosmic horror and philosophical ambiguity mixed into their love stories.
But It's a low-budget indie that wears its limitations obviously. Also genuinely unsettling in ways that might undercut the romance if you're not prepared.
Under the Skin2014
Both use isolation as their subject. Both are about the moment when someone finally notices you—and what that recognition might cost. Both trust visual storytelling over plot.
Scarlett Johansson drives through Scotland in a van, speaking to lonely men. It's genuinely unsettling body-horror sci-fi, but also a film about being observed and unseen. Minimalist, strange, unforgettable.
But There's almost no dialogue and the plot is deliberately opaque. Some sequences are deeply disturbing. It's an endurance test, not entertainment.
Persona1966
Both are about two people unable to connect until something forces recognition. Both use silence and visual metaphor to explore what it means to really see someone.
Ingmar Bergman's film about an actress who stops speaking and a nurse who talks constantly, isolated in a house by the sea. It's about identity, the masks we wear, and whether two people can truly know each other. Enigmatic and devastating.
But It's a black-and-white Bergman film from 1966. It's formally demanding, sometimes abstract, and will challenge your patience.
People
Cast
Emmanuel RestrepoMarco
Alejandra ChamorroIsabel
Directing
- Valentina Moreno LealAssistant Director
- David Moncada VarelaDirector
Writing
- Alejandra ChamorroWriter
- David Moncada VarelaWriter
Production
- Maria Paula FrankyProducer