Film
Seems Like Old Times
- Screwball comedy
- Light-hearted
A gleeful 1980 romp where Chevy Chase's wrongly accused writer must hide out with his ex-wife (Goldie Hawn) while her new husband, a straight-arrow politician, entertains cops downstairs. It's lightweight, silly, and built on the chemistry of watching smart people navigate absurd situations. Perfect if you want to laugh without thinking.
If you liked this
Paper Moon1973
Ryan O'Neal and Tatum O'Neal play con artists running elaborate schemes through Depression-era America. Charming, witty, and built on the pleasure of watching clever people outwit each other. The chemistry crackles.
But It's a quieter, more character-driven film than a pure comedy. Some find it uneven, and Tatum's screen presence—brilliant as it is—isn't for everyone.

The In-Laws1979
Peter Falk and Alan Arkin as frantic, improvising men caught in an escalating caper. Wildly inventive, fast-paced, and genuinely funny without relying on cynicism. Paul Mazursky directs with perfect energy.
But It's very much of its time, and the plot is deliberately thin—some viewers want more substance beneath the chaos.

Midnight Run1988
Robert De Niro and Charles Grodin (yes, that Grodin) star as a bounty hunter and his target driving across America. Hilarious buddy comedy chemistry, great action setpieces, and surprisingly warm-hearted underneath.
But It's a bit long, and the plot can feel familiar if you've seen many road-trip comedies. De Niro's dramatic presence might surprise you.

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The wildcard
Something you would not have found on your own.
Foul Play1978
Same leads, same year's energy, same blend of romance and comedy-thriller momentum. 'Foul Play' just lets them play against the world together.
Goldie Hawn starring opposite Chevy Chase in a comedy-thriller where they're caught up in a murder plot. Same leads, similar energy to 'Seems Like Old Times,' but here they're actually solving a mystery together instead of hiding from one. Romantic, genuinely suspenseful, and proof they had real chemistry as a pair.
But It tries to be both a thriller and a rom-com, which means it doesn't fully commit to either. Some plot threads feel scattered, and if you're not charmed by the leads, you're adrift.

More like this (8)
The Pink Panther1963
Peter Sellers as the bumbling Inspector Clouseau trying to catch a jewel thief. Improvised, physical, endlessly inventive, with Blake Edwards directing at his peak. Pure comedy confidence.
But The humor is very broad and slapstick. If you prefer wit to pratfalls, this won't land for you.

Overboard1987
Goldie Hawn reunites with Kurt Russell in this absurd premise: she's a snooty amnesiac heiress, he's the carpenter she wronged who convinces her she's his wife. Genuinely inventive and surprisingly sweet.
But The core concept relies on something that would never fly now. The gender politics are very 1987, which some will find uncomfortable.

Splash1984
Tom Hanks and Daryl Hannah fall in love despite her being a mermaid. Charming, beautifully shot, and manages to be both funny and genuinely romantic. John Candy steals every scene.
But The fish-out-of-water premise is more whimsical than comedic. Some will find it too sincere for a movie with a mermaid.

Quick Change1990
Bill Murray and Randy Quaid pull off the perfect bank robbery in New York, then spend the rest of the film trying to escape the city. Murray's deadpan is perfect for the premise. Clever and genuinely funny.
But It's episodic and sometimes feels more like a sketch show than a cohesive story. The third act loses momentum.

The Graduate1967
Dustin Hoffman vs. Anne Bancroft in a comedy-drama about seduction, confusion, and terrible life decisions. Stylish, genuinely funny, and unafraid to blend comedy with real anxiety and shame.
But It's a film from 1967 about a young man sleeping with an older woman—some of the sexual politics feel dated, and it's not consistently comedic.

Wrongfully Accused1998
Leslie Nielsen stars in this joke-a-minute spoof of 'The Fugitive,' with visual gags and absurdist humor piled so high it collapses into genuine charm. Pure silliness executed with commitment.
But It's a bottom-shelf spoof that relies entirely on quantity of jokes. If most of them miss, you're left with nothing. Divisive film.

Marty1955
Both are comedies about men and women trying to navigate each other beneath surface chaos. 'Marty' is the version that stops laughing and just listens.
Ernest Borgnine as a lonely butcher who meets an equally lonely schoolteacher. It's a comedy, sort of—gently funny about modern dating awkwardness—but it's also sincere, touching, and about real people trying to connect. Made for TV, then released as a film. The inverse of 1980s high-concept comedy: low-concept, utterly human.
But It's slow by modern standards, dialogue-heavy, and there's no plot—just two people talking. If you need high energy or a driving narrative, this will bore you.

After Hours1985
Both follow a protagonist caught in escalating complications trying to clear their name or escape, but 'After Hours' treats it as nightmare rather than lark. Same engine, opposite register.
Griffin Dunne spends one insane night in downtown Manhattan navigating increasingly surreal obstacles. It's a comedy built like a thriller where nothing works out, everyone is impossible, and the tone keeps shifting. Directed by Martin Scorsese. Darkly funny in a way 'Seems Like Old Times' isn't—where the joke is that the universe is against you.
But It's claustrophobic, alienating, and genuinely hostile to the protagonist. Not comforting. Some will find it grim and joyless rather than funny.

People
Cast
Goldie HawnGlenda Parks
Chevy ChaseNick Gardenia
Charles GrodinIra Parks
Robert GuillaumeFred
Harold GouldJudge John Channing
George GrizzardGovernor
Yvonne WilderAurora De La Hoya
T.K. CarterChester
Judd OmenDex
Marc AlaimoBee Gee
Bill ZuckertGas Station Attendant
Jerry HouserGas Station Attendant
Directing
- Jay SandrichDirector
- Jack AldworthFirst Assistant Director
- Venita Ozols-GrahamSecond Assistant Director
Writing
- Neil SimonWriter
Production
- Margaret BoothAssociate Producer
- Jennifer ShullCasting
- Roger M. RothsteinExecutive Producer
- Ray StarkProducer
- Roger M. RothsteinUnit Production Manager
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