Film

Pleasure

Other titles called Pleasure: the 2021 film.

A 15-minute Swedish comedy-drama set behind the scenes of an adult film production. It's workplace intrigue played straight—office politics, professional tension, and ego collisions, except the office happens to be a porn set. Funny and oddly touching, it treats its characters as real people with genuine stakes, not punchlines.

TMDb rating2.5

Should you watch it?

Watch it if you enjoy deadpan workplace comedies where the petty politics of a crew matter more than the job itself, and you like a sharp satire that finds the awkward humanity in an unusual setting.

Skip it if you are uneasy with sexually explicit material, since the film treats its subject frankly and rarely looks away from the set's bodies and business.

What it asks of you: Over almost before it settles at fifteen minutes, so there is no time to warm up; keep your attention on the small, dry exchanges, which carry the jokes.

If you liked this

Spa Night2016

A young man navigates family pressure, shame, and desire at a Korean bathhouse. Like Pleasure, it finds humanity and dark comedy in spaces built around the body, treating its subject with unflinching respect and tenderness.

But Slow, intimate, and deliberately unglamorous. Some will find it too quiet or too uncomfortable to sit with.

Spa Night poster

4 Months, 3 Weeks and 2 Days2007

Romanian masterpiece about two women navigating an illegal abortion. It has Pleasure's documentary-like eye for behaviour in high-pressure situations, and the same refusal to look away from difficult realities or judge its characters.

But Deliberately paced, morally complex, and genuinely bleak. This is not entertainment in the conventional sense.

4 Months, 3 Weeks and 2 Days poster

Godless2017

A Western where the town is run by women, and power dynamics are everything. It has Pleasure's interest in how people perform for cameras and authority, and the same dark humour about who gets to decide the rules.

But Tonal whiplash between comedy and violence. Some storylines collapse under their own weight.

Godless poster

Not sure tonight? Get a pick in a minute, starting from Pleasure

The wildcard

Something you would not have found on your own.

Show Me Love1998

Both are Swedish films about desire and performance that refuse to be cynical about their characters' bodies or choices.

Lukas Moodysson's Swedish debut about two teenage girls falling in love in a small town. Like Pleasure, it's funny and warm while dealing with shame, desire, and the gap between who you are and who you're expected to be. The connection is Moodysson's unironic tenderness toward his characters' bodies and choices—he never punches down.

But If you come to it expecting teen romance, the specificity of its 1990s Swedish setting might feel provincial or slow.

Show Me Love poster
More like this (8)

Chungking Express1994

Wong Kar-wai's neon-lit romance about connection and longing. Like Pleasure, it finds profound emotion in small, everyday moments between people, and it's willing to be strange and funny without losing sincerity.

But Deliberately oblique storytelling. If you want a straightforward narrative, this will frustrate you.

Chungking Express poster

The Souvenir2019

A film student in 1980s London falls for an older, controlling man. Both films examine performance, power, and how we misread the people we desire. Sharp, darkly comic, and quietly devastating.

But Deliberately mannered style. Some viewers will find the artifice pretentious rather than illuminating.

The Souvenir poster

Shame2011

Michael Fassbender as a Manhattan man wrestling with sexual compulsion and isolation. Like Pleasure, it refuses to moralize while exploring intimacy, shame, and the gap between public and private selves.

But Graphic sexual content. More importantly, it's bleak and offers no catharsis or redemption.

Shame poster

Tangerine2015

Shot on an iPhone, following two trans sex workers in Los Angeles over 24 hours. It has Pleasure's guerrilla energy, dark comedy, and insistence on seeing marginalised people as fully human and funny and worthy.

But Deliberately rough aesthetic. The dialogue is naturalistic to the point of being hard to parse for some viewers.

Tangerine poster

The Girlfriend Experience2009

Siu Lim Wong plays a Chelsea escort in Manhattan. Steven Soderbergh's locked-down, observational style mirrors Pleasure's documentary approach—clinical, non-judgmental, focused on the work and the person doing it.

But Glacially paced. Deliberately uneventful. If you want plot momentum, this withholds it.

The Girlfriend Experience poster

Ken Park2003

Larry Clark's unflinching portrait of American teenagers. Raw, confrontational, and genuinely interested in how young people navigate bodies, desire, and morality without flinching from contradiction or discomfort.

But Extremely graphic sexual content involving minors. Genuinely difficult to watch, and many will find it exploitative rather than illuminating.

Ken Park poster

Stories We Tell2012

Both examine how cameras change behaviour and how people perform versions of themselves, but Haneke makes it a meditation on family, memory, and truth itself.

Michael Haneke's documentary-drama about his own family's mythology and sexual secrets. It has Pleasure's interest in what we perform for the camera, and how the medium itself shapes reality. Genuinely moving about how families construct narratives.

But Defiantly austere. Haneke's style is glacial and withholding; this asks patience and surrender rather than engagement.

Stories We Tell poster

The Wrestler2008

Both treat people who monetise their bodies with genuine dignity, finding pathos and dark humour in the gap between the performance and the person.

Darren Aronofsky's portrait of Mickey Rourke as an aging wrestler performing his body for money. Like Pleasure's characters, he's doing a job—a performance, a routine—that requires him to hurt himself. The film loves him anyway, and finds grace in the work and the worker.

But Brutally depressing. There's no redemption arc, only the slow recognition that some damage can't be undone.

The Wrestler poster

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