Film
Loving Vincent
Loving Vincent is the first fully oil-painted animated feature, its 65,000 frames hand-painted by over a hundred artists working in Van Gogh's own style. A postman's son investigates the painter's final days through the townspeople who knew him. It's less biopic than moving gallery — hypnotic, mournful, gorgeous to look at, and best suited to anyone who wants to watch a painting breathe rather than race through a plot.
If you liked this
At Eternity's Gate2018
Willem Dafoe's fevered, Oscar-nominated performance puts you inside Van Gogh's own perception — shaky, luminous, obsessive — the closest an ordinary camera has come to painted vision.
But Impressionistic and meandering by design, with barely any plot — frustrating if you wanted the investigative structure Loving Vincent gave you.

Mr. Turner2014
Mike Leigh's biopic of J.M.W. Turner treats genius as a daily grind rather than tragic myth — grumpy, tactile, gorgeously lit, with Timothy Spall grunting his way to greatness.
But Slow and unsentimental across 150 minutes of very British reticence — don't expect catharsis or clean emotional beats.

Frida2002no page yet
Salma Hayek anchors this vivid, stylised life of Frida Kahlo, using surrealist visual flourishes to fuse art and biography the way Loving Vincent fuses painting and story.
But Leans on more conventional biopic beats than you might want, and the visual daring occasionally tips into melodrama.
The wildcard
Something you would not have found on your own.
Waltz with Bashir2008
Another animated investigation into a death nobody wants to fully remember, using unconventional animation to make memory strange and unstable rather than comforting.
An Israeli filmmaker uses stark, hallucinatory rotoscoped animation to dig into his own suppressed memories of a 1982 wartime massacre — animation deployed for horror rather than beauty.
But Bleak, adult war material that's genuinely upsetting — nothing like the gentle melancholy of Loving Vincent's palette.

More like this (8)
Pollock2000no page yet
Ed Harris directs and stars as Jackson Pollock, chronicling the toll of a singular creative obsession with genuine physical commitment to the paint-splattered process.
But Dour and claustrophobic in its focus on addiction and marital collapse, with little of Loving Vincent's visual wonder.
Big Eyes2014no page yet
Tim Burton's tale of art fraud and stolen credit is lighter, weirder and stranger than it sounds, with Amy Adams terrific as the wronged painter.
But Its true-crime irony plays broader and campier than the hushed reverence Loving Vincent brings to its subject.
Girl with a Pearl Earring2003no page yet
A quiet, painterly film about the tension between an artist and his muse, gorgeously lit until it practically looks like a Vermeer come to life.
But Very slow and repressed — a chamber piece, with far less overt drama than a death investigation.
Basquiat1996no page yet
Julian Schnabel, himself a painter, directed this eulogy for Jean-Michel Basquiat, sharing the same outsider curiosity about a doomed genius's final years.
But Jeffrey Wright is superb, but the downtown-80s milieu and drug-fuelled tragedy feel worlds from provincial 1890s France.
Amadeus1984
A rival's jealous, unreliable account of Mozart's decline gives you the same pleasure Loving Vincent does — piecing a genius's death together through gossip and resentment.
But Broader, funnier and more theatrical than anything in Loving Vincent's hushed palette — this is an opera, not a eulogy.

Vincent & Theo1990no page yet
Robert Altman's take on Van Gogh focuses on the fraught bond with his devoted brother, a quieter companion piece filling in the family history behind the letters.
But Slower and more clinical than Loving Vincent, with Tim Roth's prickly performance keeping sentiment at arm's length.
Rashomon1950
Structurally, this is Loving Vincent's ancestor — a death investigated through multiple witnesses whose accounts contradict each other, leaving certainty permanently out of reach.
Kurosawa's classic uses four irreconcilable versions of one crime to ask whether truth is even recoverable — the same puzzle-box device driving the postman's investigation.
But A Japanese period drama built on courtroom-style testimony; the samurai setting is a world away from rural France.

Lust for Life1956no page yet
The original Hollywood attempt to paint this exact life on screen — same subject, six decades earlier, before anyone thought to tell it in oil paint itself.
Kirk Douglas gives a ferocious, Oscar-nominated performance as Van Gogh in vivid Technicolor, made when Hollywood believed prestige biopics needed movie stars, not brushstrokes.
But Melodramatic and stagey by modern standards, with none of Loving Vincent's formal daring — a straight, old-fashioned tearjerker.
People
Cast
Douglas BoothArmand Roulin
Robert GulaczykVincent van Gogh
Eleanor TomlinsonAdeline Ravoux
Helen McCroryLouise Chevalier
Saoirse RonanMarguerite Gachet
Chris O'DowdPostman Joseph Roulin
John SessionsPere Tanguy
Jerome FlynnPaul Gachet
Aidan TurnerBoatman
Holly EarlLa Mousmé
Cezary ŁukaszewiczTheo van Gogh
Martin HerdmanGendarme Rigaumon
Directing
- Michał CzerwonkaAssistant Director
- Terry BamberAssistant Director
- Weronika AlwinAssistant Director
- DK WelchmanDirector
- Hugh WelchmanDirector
- Rebecca SheridanScript Supervisor
Writing
- DK WelchmanWriter
- Hugh WelchmanWriter
- Jacek DehnelWriter
Production
- Vanessa BakerADR Voice Casting
- Arkadiusz DomanusAssistant Production Manager
- Cleone ClarkeAssociate Producer
- Jonathan FerozeAssociate Producer
- Richard LondesboroughAssociate Producer
- Jennifer DuffyCasting
- Sylwia CzaplewskaCasting Director
- Robert BanasiakCo-Producer
- Charlotte UbbenExecutive Producer
- Claudia BluemhuberExecutive Producer
- David ParfittExecutive Producer
- Edward NoeltnerExecutive Producer
- Gerd SchepersExecutive Producer
- Ian HutchinsonExecutive Producer
- Laurie UbbenExecutive Producer
- Magda SobolewskaExtras Casting
- Marcin SkośGrip Production Assistant
- Tomasz WochniakHead of Production
- Hugh WelchmanLine Producer
- Tim DennisonLine Producer
- Zofia SyrokaPost Production Coordinator
- Jędrzej SablińskiPost Production Producer
- Rafał GolisPost Production Producer
- Hugh WelchmanProducer
- Ivan MactaggartProducer
- Sean M. BobbittProducer
- Jack DingleyProduction Accountant
- Agnieszka NiewadzilProduction Coordinator
- Anna SzadkowskaProduction Manager
- Brigitte SofianouProduction Manager
- Faidon SofianosProduction Manager
- Konstantinos VassilarosProduction Manager
- Dominika NowakowskaProduction Secretary
- Marcin J. SobczakPublicist
- Agnieszka KikUnit Production Manager
Recommended by
The Illusionist, Cold War, Portrait of a Lady on Fire, Fantasia, Andrei Rublev, At Eternity's Gate, Mr. Turner, Fantasia 2000