Film

Possessed

Name: Possessed
Genre: Animation, Comedy, Horror
Released: 2015
Cast: Anabel Alonso, Josema Yuste, Santiago Segura, Álex Angulo, Conchita Goyanes

Other titles called Possessed: the 1931 film, the 1947 film, the 2009 film.

Drama

A Spanish animated horror-comedy about a flamenco dancer possessed by a demon, blending grotesque body horror with slapstick absurdity and religious satire. It's deliberately crude and chaotic, swinging wildly between disturbing and ridiculous. For anyone who loves their comedy transgressive and their horror unserious.

TMDb rating

3.0

If you liked this

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But It's a blockbuster sequel that assumes you've seen the first film. The tone whiplash between action sequences and quiet character moments won't work for everyone.

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Sam Raimi's masterclass in slapstick horror—grotesque, funny, and completely unafraid to be dumb and brilliant in the same frame. Possessed shares that anarchic energy and body-horror comedy.

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What We Do in the Shadows2014

Taika Waititi's vampire mockumentary finds horror comedy in the mundane. Like Possessed, it respects its monsters while letting them be ridiculous, and it never condescends to the joke.

But The mockumentary format can feel gimmicky. It's also very dry—if you need immediate laughs, the pacing might feel too mannered at first.

Not sure tonight? Get a pick in a minute, starting from Possessed

The wildcard

Something you would not have found on your own.

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Denis Villeneuve's devastating exploration of trauma, violence, and how the past possesses the living. It's a complete tonal opposite to Possessed—serious, operatic, geometric—but both examine how we are haunted by forces beyond our control.

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Beetlejuice1988

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The Monster Squad1987

A joy-filled horror-comedy about kids fighting classic movie monsters. It's genuinely funny without being clever, respectful to the source material while being completely silly about it.

But It's a kids' film with dated special effects and obvious plotting. If you need a sharp script and aren't charmed by earnest enthusiasm, it'll feel thin.

Fright Night2011

A vampire film that's comedy and genuine fright in equal measure. It moves at a real clip and commits to both the laughs and the stakes without winking at the camera.

But It's a remake of a beloved 1985 film, and comparison is inevitable. The CGI shows its age, and if you prefer practical effects, some moments feel plasticky.

Shaun of the Dead2004

Edgar Wright's zombie-comedy is a perfect genre blend: genuinely funny, genuinely scary, and made with real craft. It earned the template that everyone since has tried to copy.

But It's been absorbed into the culture as a classic, so it might feel familiar or overpraised. The jokes sometimes coast on quirk rather than landing hard.

Army of Darkness1992

Bruce Campbell fights deadites through time. It's horror-comedy as pure ID release—one-liners, gore, slapstick, and zero self-awareness in the best possible way. Possessed shares that shameless energy.

But The effects are dated and intentionally cheap-looking. The misogyny hasn't aged well, and the pacing is deliberately herky-jerky in ways that can feel tedious.

The Wailing2016

Both films take possession seriously as a spiritual and psychological phenomenon while maintaining complete uncertainty about whether demons are real or metaphorical. The difference is Possessed laughs at the uncertainty while The Wailing drowns in it.

Na Hong-jin's Korean horror-mystery treats demonic possession, faith, and uncertainty with the same intensity most films reserve for actual apocalypse. It's visually sumptuous, narratively complex, and philosophically unsettling.

But It's two hours and forty minutes of mounting dread with an ending that refuses to resolve. If you need clarity or can't tolerate ambiguity as a feature, this will frustrate you deeply.

Loving Vincent2017

Both are Spanish-language animated films that use genre (horror-comedy, mystery-drama) to explore psychological damage and trauma through unconventional visual styles. Both prove animation can carry serious emotional weight while being formally inventive.

An animated oil-painting investigation into Van Gogh's death, entirely hand-painted by 125 animators. It's a murder mystery told through art history, visually stunning, and genuinely moving about mental illness, art, and legacy.

But The painterly animation, while gorgeous, can feel static or claustrophobic. It's slow, contemplative, and more interested in mood than plot. Impatient viewers will find it precious and overlong.