Film

Lovely & Amazing

A razor-sharp portrait of four women in one family, each wrestling with insecurity, desire, and the gap between who they are and who they think they should be. Nicole Holofcener's film moves between comedy and quiet devastation without flinching, finding humor in desperation and tenderness in failure. It's for anyone who's ever felt like they weren't enough.

TMDb rating3.0

Should you watch it?

Watch it if you like low-key family comedies that find humor in small, awkward moments and let characters stay messy rather than tidy up their problems.

Skip it if you need plot momentum or a clear through-line, since this drifts from one vignette to the next and its sharp, self-absorbed women can wear thin over ninety-two minutes.

What it asks of you: Patience is the currency here: women who are often unlikable before they become sympathetic, moving at an unhurried, conversational pace that rewards close attention.

If you liked this

Wanderlust2012

A couple tries to reinvent themselves in a bohemian community, discovering that escape from your problems is impossible. Paul Rudd and Jennifer Aniston nail the messy comedy of self-delusion and mismatched expectations.

But It veers too broadly comedic at times, and the commune premise can feel contrived. Some jokes land harder than others.

Wanderlust poster

Tiny Furniture2010

Lena Dunham's debut about a directionless twentysomething living with her family in New York. Raw, funny, and unafraid to make its protagonist deeply unlikable while remaining sympathetic.

But The low budget shows, and the pacing drags in places. It's deliberately unglamorous in ways that can feel punishing.

Tiny Furniture poster

The Savages2007

Laura Linney and Philip Seymour Hoffman as siblings forced to confront their aging, failing father. Manages to be both darkly comic and genuinely moving about family obligation and resentment.

But It's bleak. The humor emerges from discomfort, and if you need warmth from your family dramas, this won't provide it.

The Savages poster

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The wildcard

Something you would not have found on your own.

Mona Lisa Smile2003

Both explore the specific pain of women trying to become the versions of themselves they think the world demands, rather than who they actually are.

Julia Roberts as an art history professor at Wellesley in the 1950s, trying to convince young women that their own desires matter more than their assigned futures. A glossier film than Lovely & Amazing, but grappling with the exact same anxieties about female ambition, self-worth, and the lies women internalize.

But It's sentimental where it should be radical, and the period detail occasionally swallows the emotional truth. It wants to inspire you, which can feel manipulative.

Mona Lisa Smile poster
More like this (5)

Enough Said2013

Julia Louis-Dreyfus and James Gandolfini as middle-aged divorcés figuring out love again. A smart, funny film about real people with real complications, written and directed by Nicole Holofcener again.

But It's quiet and character-driven; there's no plot engine pushing you forward. And it requires patience with its own meandering rhythms.

Enough Said poster

Please Give2010

Catherine Keener again, this time as a woman paralyzed by guilt about her place in the world, waiting for her elderly neighbor to die so she can expand her apartment. Holofcener once more finding comedy in moral confusion.

But It circles the same anxieties repetitively. The lack of resolution frustrated some viewers who wanted the character to actually grow.

Please Give poster

Celeste & Jesse Forever2012

A divorcing couple tries to stay best friends, only to discover that's emotionally impossible. Rashida Jones and Andy Samberg have real chemistry, and the script captures the ugliness beneath amicable separation.

But It's uneven in tone, and some supporting characters feel sketched in rather than fully realized.

Celeste & Jesse Forever poster

Christine2016

Rebecca Hall as a real 1970s TV journalist self-destructing in real time. Bleak and precise, watching someone actively choose wrong repeatedly despite knowing better.

But It's suffocating by design. There's no relief, and the character's decline offers no catharsis or insight, only pity.

Christine poster

The Fits2016

Like Lovely & Amazing, it understands that desperation and self-doubt are often silent, enacted through the body rather than articulated. Both films trust the audience to read what isn't said.

A debut feature about an 11-year-old girl joining a dance team in Cincinnati, told almost wordlessly through movement and observation. Hypnotic and strange, it captures the hunger to belong and the mysterious ways bodies betray us when we're desperate.

But It's willfully obscure about its central premise. If you need plot clarity, you'll leave frustrated. And at 72 minutes, it trusts you to fill in what it refuses to explain.

The Fits poster

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