Film
Chuck & Buck
A deceptively dark comedy about obsession and arrested development. Mike White plays Buck, a man in his thirties who becomes fixated on reconnecting with his childhood best friend Chuck after their mother dies. What begins as nostalgia curdles into something uncomfortable and unsettling—a precise, cringe-inducing portrait of neediness and boundary-crossing that feels both funny and genuinely disturbing.
Should you watch it?
Watch it if you like uncomfortable character studies where the comedy comes from excruciating social awkwardness, and you'd rather sit with a lonely, off-kilter man than be let off the hook by him.
Skip it if you want warmth or a tidy plot, since this stays squirmy and deliberately unsettling, and its discomfort rarely lets up for a laugh or a release.
What it asks of you: Expect a lean 96 minutes, long stretches of stillness, and a steady, unblinking gaze that keeps watching when you would rather look away.
Not sure? Find tonight's pick in a minute.
If you liked this
Happiness1998
Todd Solondz's sprawling ensemble dark comedy explores suburban misery and sexual dysfunction with the same unflinching specificity. Like Chuck & Buck, it finds horror in ordinary people and refuses to look away.
But Deeply uncomfortable subject matter and a tonal whiplash between comedy and genuine dread. Not designed to make you feel better.

Welcome to the Dollhouse1996
Solondz again—this time following an unpopular middle-schooler through social humiliation. Same skeletal style, same willingness to let awkwardness be genuinely painful rather than cute.
But The protagonist is a child and the social torture is relentless. Bleak in ways that feel almost punitive to watch.

Funny Ha Ha2003
Andrew Bujalski's mumblecore debut captures aimlessness and low-stakes social dysfunction with documentary realism. Characters who aren't quite pulling their lives together, conversations that loop without resolution.
But Almost nothing happens. The humor is microscopic and the narrative is genuinely nonexistent. Patience required.

Not sure tonight? Get a pick in a minute, starting from Chuck & Buck
The wildcard
Something you would not have found on your own.
The Straight Story1999
Where Chuck & Buck shows what happens when adult connection fails, The Straight Story shows what it looks like when two people finally try. Both films center male emotional life with unusual gravity.
David Lynch's strangest work: a gentle, elegiac film about an old man's cross-country journey to reconcile with his estranged brother. It's about adult men reckoning with damaged connection and unresolved childhood bonds—but from a place of wisdom rather than sickness.
But It moves like molasses. There's no conflict, no suspense, no twist. Pure tone, which you either surrender to or actively resent.

More like this (6)
Drinking Buddies2013
Joe Swanberg's improvisational comedy about attractive people being selfish and immature. Watches like real life—awkward, funny, sad, and weirdly compassionate about people's failures.
But The characters aren't especially likeable and the plot is gossamer-thin. Feels formless if you're looking for actual story momentum.

The Daytrippers1997
Greg Mottola's ensemble comedy follows a family into Manhattan after discovering a suspicious note. Warm, funny, alive with specificity—excellent supporting performances and a genuine heart beneath the comedy.
But Lighter and less psychologically twisted than Chuck & Buck. Might feel conventional if you're after darker material.

Flirting1991
John Duigan's Australian teen romance is genuinely romantic and funny without being saccharine. Smart, warm writing and a real sense of place. Noah Taylor and Thandie Newton have terrific chemistry.
But It's fairly straightforward. No surprises narratively, and if you're in the mood for something darker, this might feel too sweet.

The Good Girl2002
Mike White himself delivers a fantastic supporting performance here alongside Jennifer Aniston. Dry, character-driven comedy about infidelity and small-town mediocrity. Feels lived-in and genuinely funny.
But The plot meanders and Jake Gyllenhaal's character is deliberately irritating. Some people find it tedious rather than contemplative.

Spanking the Monkey1994
David O. Russell's debut about a young man's dysfunctional summer with his parents. Crude but clever, deeply uncomfortable, committed to wringing comedy from genuine psychological damage.
But The subject matter is deliberately provocative and gross. It's trying to offend you, which either works or it doesn't.

Lovely & Amazing2002
Nicole Holofcener's debut ensemble about a family of women navigating appearance, worth, and love. Funny and sad in equal measure, with excellent performances from Catherine Keener and Brenda Blethyn.
But Plotless and meandering by design. If you want shape and resolution, you won't find much here.

People
Cast
Mike WhiteBuck
Chris WeitzChuck
Lupe OntiverosBeverly- Beth ColtCarlyn
Paul WeitzSam
Maya RudolphJamila- Mary WigmoreDiane
Paul SandBarry- Gino BuccolaTommy
- Annette MurphyTommy's Mom
Glory SimonWitch- Douglas KiefferMark
Directing
- Alberto GiecoAssistant Director
- Miguel ArtetaDirector
Writing
- Mike WhiteWriter
Production
- Abby SchwarzwalderAssociate Producer
- Gina KwonAssociate Producer
- Jason ZolovAssociate Producer
- Jocelyn JansonsAssociate Producer
- Charles J. RusbasanCo-Executive Producer
- Judith ZarinCo-Executive Producer
- Michael EscottCo-Executive Producer
- Thomas BrownCo-Executive Producer
- Beth ColtCo-Producer
- Scott M. CortCo-Producer
- Jason KliotExecutive Producer
- Joana VicenteExecutive Producer
- Matthew GreenfieldProducer
- Alberto GiecoProduction Supervisor