Film
Late Night with the Devil
A 1977 late-night talk show descends into supernatural chaos during a live broadcast. Shot as found footage, it captures the mounting dread as host Jack Delroy's desperation for ratings collides with genuine demonic forces. It's a brilliantly constructed pressure cooker that weaponizes the format itself—the liveness, the trapped studio, the audience watching at home. For anyone who loves horror that builds methodically and trusts the viewer's intelligence.
If you liked this
Sinister2012
Haunted-house horror with a genuinely original hook: a man discovers snuff films while researching a crime. Like Late Night, it builds from curiosity into something that feels actively dangerous.
But The scares rely heavily on disturbing imagery of children. Effective, but punishing in a way that doesn't let you leave the theater happy.

The Wailing2016
A masterclass in mounting dread set during a mysterious plague. South Korean, operating on a completely different narrative logic, but shares that same sense of something unknowable seeping into the everyday.
But It's long, structurally complex, and deliberately refuses to answer every question. Demands your full attention and rewards it unevenly.

Possession1981
An 80s gem about a marriage collapsing while something genuinely alien moves through it. Visceral, strange, and treats the horror as metaphor without ever winking. Andrzej Żuławski doesn't make it easy, but it stays with you.
But Difficult and deliberately ugly. The pacing is deliberately disorienting, and the performances are so committed they can feel unsettling in ways that have nothing to do with scares.

Not sure tonight? Get a pick in a minute, starting from Late Night with the Devil
The wildcard
Something you would not have found on your own.
Ghostwatch1992
Both use the liveness and immediacy of broadcast format as the actual horror engine—the audience at home is trapped with performers who can't break character, who can't stop.
A BBC 'live' investigation of a haunted house aired as if it were happening in real time. Presented as a special event broadcast, it weaponizes that same format trust that Late Night exploits. When it aired, people believed it was real.
But Shot on video in 1992, so the technical quality is genuinely hard to watch. Deliberately slow. Feels more like a prank than entertainment, which some viewers never forgive it for.

More like this (8)
The Haunting1963
Mid-century psychological horror that suggests rather than shows. A group of investigators in a house slowly realize something is fundamentally wrong. It proves that the best scares live in silence and implication.
But No jump scares, no gore, very little actually happens. If you need constant action or explicit violence, this will feel slow.

Host2020
A Zoom séance during lockdown that weaponizes the format exactly as Late Night does with live TV. Clever concept executed with genuine tension. Short and focused enough to stick the landing.
But Found-footage on computer screens can feel gimmicky, and the novelty wears off if the scares don't land for you personally.

Insidious2011
A family trapped in a nightmare where the real horror isn't what's in their house but what their son can see. James Wan builds genuine dread and the climax is visually audacious in ways that still hold up.
But Descends into jump-scare territory in the second half. If you loved the slow-burn first act, the tonal shift will frustrate you.

A Dark Song2016
Two strangers in an isolated house attempting an occult ritual. Feels like chamber drama meets cosmic horror. Patient, deeply strange, and emotionally devastating when it needs to be. Lacy Doyle's only feature film, and it shows remarkable confidence.
But Contemplative to a fault. Long stretches of quiet tension will feel like nothing is happening if you're waiting for conventional scares.

The Machinist2004
An insomniac factory worker slides toward madness or possession—the film never fully clarifies which. Christian Bale's skeletal performance and the industrial nightmare aesthetic create creeping dread without supernatural explanation.
But Bleak, repetitive, and deliberately ambiguous in ways that can feel punishing. The ending doesn't resolve so much as stop.

Noroi: The Curse2005
Japanese found-footage horror spanning years of a paranormal investigator's descent. Genuinely unsettling in register, with practical effects that still disturb. A cult favorite that deserves wider recognition.
But Found-footage fatigue hits hard here; it's nearly two hours of grainy footage. Subtitled, and some scares land culturally specific. Takes patience.

The Phantom of the Opera1925
Both are about a live performance venue where something unstoppable moves through the proceedings. The theater itself becomes a character, and the show must go on—because the audience is watching.
Lon Chaney in the silent era's most ambitious production: a serial killer haunting an opera house. Pure spectacle and genuine menace with no dialogue to hide behind. Watching it is watching an entire genre being invented.
But Silent, from 1925. The pacing assumes you've seen this format before. If you're not prepared for acting and staging as the entire visual language, it will feel mannered.

The Jinx: The Life and Deaths of Robert Durst2015
Both create horror from performance and hidden intentions—a person speaking into a camera while something true and terrible lurks beneath the surface. Both trust you to feel the wrongness before anyone says it aloud.
A six-part HBO documentary where a wealthy man convicted of murder is followed by filmmakers, and something genuinely sinister emerges in real time. You watch a confession happen on camera without anyone admitting it. Feels like horror because it's real.
But True crime about actual murdered people. Unsettling not because of scares but because you're watching real suffering. The subject is charismatic in the most disturbing way possible.

People
Cast
David DastmalchianJack Delroy
Laura GordonJune Ross-Mitchell
Ian BlissCarmichael Haig
Fayssal BazziChristou
Ingrid TorelliLilly D'Abo
Rhys AuteriGus McConnell
Georgina HaigMadeleine Piper- Josh Quong TartLeo Fiske
Steve MouzakisSzandor D'Abo
Paula ArundellDiane
Tamala SheltonCarol
Directing
- Cameron CairnesDirector
- Colin CairnesDirector
- Andrew PowerFirst Assistant Director
Writing
- Cameron CairnesWriter
- Colin CairnesWriter
Production
- Leigh PickfordCasting
- Ben RossExecutive Producer
- Darius FamilyExecutive Producer
- David DastmalchianExecutive Producer
- Joel AndersonExecutive Producer
- Julie RyanExecutive Producer
- Rami YasinExecutive Producer
- Paula SaliniLine Producer
- Adam WhiteProducer
- Derek DauchyProducer
- John MolloyProducer
- Mat GovoniProducer
- Roy LeeProducer
- Steven SchneiderProducer
- Paige GibsonProduction Coordinator
- Matthew B. MaguireProduction Secretary