Film
Just Wright
- Romantic comedy
- Light-hearted
Queen Latifah plays a physical therapist who falls for her famous basketball patient—a charming romantic comedy about being underestimated and overlooked. It's warm and funny without pretending to be anything grander than it is. Made for anyone who loves a Cinderella story with actual chemistry and a heroine who doesn't need fixing.
If you liked this
Think Like a Man2012
Kevin Hart and an ensemble cast mine genuine laughs from modern dating dynamics. Smart, propulsive, and—like Just Wright—centres Black characters and relationships with real affection and wit.
But The plot mechanics can feel formulaic, and some jokes land harder than others. It's crowd-pleasing rather than surprising.

Hitch2005
Will Smith coaches a shy accountant through dating, with the same blend of humour, heart, and romantic sincerity that Just Wright nails. Charming without being saccharine, funny without undermining emotion.
But The gender dynamics feel dated now, and parts of the movie don't age brilliantly. It's a product of its time in ways that show.

Brown Sugar2002
A basketball player and a music critic reunite and rediscover each other against the backdrop of friendship and ambition. Warm, witty, and genuinely grounded in the lives it depicts.
But The pacing meanders in the middle act, and some plot threads resolve too easily. It asks for patience in stretches.

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GLOW2017
Both centre overlooked women finding their value through an unlikely arena (physical therapy, wrestling), with romance secondary to self-discovery and genuine ensemble chemistry.
A 1980s female wrestling league serves as backdrop for a found-family ensemble comedy about ambition, reinvention, and belonging. It mines real character work and emotional depth from what could be pure spectacle—Common's presence here wouldn't feel out of place.
But The first season takes time to gel, and some wrestling sequences go on longer than the narrative needs. You're asking for commitment before the show earns it.

More like this (8)
Two Can Play That Game2001
Vivica A. Fox and Morris Chestnut spar in a battle-of-the-sexes rom-com with real chemistry and snappy dialogue. Just Wright has the same appetite for fun within commitment.
But The battle-of-wills setup can feel repetitive, and the film leans on genre conventions rather than subverting them.

Jumping the Broom2011
Paula Patton reunites with the ensemble warmth and family-focused storytelling of Just Wright. A wedding brings together two families, and the film finds humour and genuine feeling in their collision.
But It's structured like a sitcom, and the Central conflicts resolve a bit too neatly. The film knows its lane and doesn't venture far from it.

The Best Man Holiday2013
A reunion of old friends navigates love, loyalty, and growing up. Character-driven and surprisingly tender, with the same warmth and ensemble chemistry Just Wright brings to its world.
But It's lengthy and sometimes loses focus among multiple subplots. You have to be invested in the friendships for the film to work.

Set It Up2018
Two assistants play matchmaker for their bosses and fall for each other instead. A modern rom-com with genuine charm, quick wit, and the same pleasure in watching people work out what they actually want.
But It trades in familiar rom-com beats and doesn't reinvent the form. If you've seen dozens of these, nothing here will surprise you structurally.

All About My Mother1999
An ensemble of joyful actors sings ABBA songs on a Greek island. It's unabashedly feel-good—like Just Wright, it trusts that fun and genuine emotion aren't in competition.
But If ABBA's music doesn't work for you, you'll spend two hours resisting rather than surrendering. The plot is almost irrelevant.

Dreamgirls2006
A spectacular ensemble piece about ambition, love, and the cost of fame, with outstanding performances. It shares Just Wright's investment in Black narratives and romance with real stakes.
But It's a heavy film—operatic in scope and emotional register. The tone is far more serious, and the ending is bittersweet rather than buoyant.

Fried Green Tomatoes1991
Both celebrate women who are underestimated or overlooked and allow them to become the centre of their own story rather than supporting players in someone else's.
A woman discovers her voice and agency through an unexpected friendship, set against a backdrop of food, Southern life, and quiet revolution. Kathy Bates' transformation mirrors Leslie's—the 'plain' woman's story taken seriously.
But The framing device feels dated, and the film's treatment of sexuality is oblique to the point of evasion. It belongs to another era in what it can show and say.

The Five-Year Engagement2012
Both pair romantic comedy with real obstacles—not manufactured drama, but the genuine friction between two people's lives and needs. Both let love be complicated and still worth pursuing.
Jason Segel and Emily Blunt navigate love across distance and ambition, with genuine warmth and humour rooted in character rather than premise. It takes the romantic plot seriously while staying funny about commitment's complications.
But The runtime is indulgent; it needs trimming by twenty minutes. It also occasionally mistakes introspection for momentum, and some jokes don't land.

People
Cast
Queen LatifahLeslie Wright
CommonScott McKnight
Paula PattonMorgan Alexander
James Pickens Jr.Lloyd Wright
Phylicia RashādElla McKnight
Pam GrierJanice Wright
Laz AlonsoMark Matthews
Mehcad BrooksAngelo Bembrey
Michael LandesNelson Kaspian
Dwight HowardDwight Howard
Dwyane WadeDwayne Wade
Rashard LewisRashard Lewis
Directing
- Sanaa HamriDirector
- Christo MorseFirst Assistant Director
- Catherine GoreScript Supervisor
- Annie TanSecond Assistant Director
- Raymond L. NegronSecond Second Assistant Director
- Tony PhillippeSecond Second Assistant Director
- Mark Robert EllisSecond Unit Director
- Rebecca StricklandSecond Unit First Assistant Director
Writing
- Michael ElliotScreenplay
Production
- Ranjani BrowADR Voice Casting
- Wendy HoffmanADR Voice Casting
- Noreen Souza-BaileyArt Department Production Assistant
- Chris CoyneAssistant Location Manager
- Graham GoetzAssistant Location Manager
- Avy KaufmanCasting
- Leeba ZakharovCasting Associate
- Sabrina HymanCasting Associate
- Gaylyn FraicheCo-Producer
- Jarrod MosesCo-Producer
- M. Blair BreardCo-Producer
- Monica DelgadoFirst Assistant Accountant
- Bruno MichelsKey Set Production Assistant
- David MatthewsLocation Assistant
- Jake SilverLocation Assistant
- Alicia Van CouveringLocation Coordinator
- Eric KnappLocation Coordinator
- Sam HutchinsLocation Manager
- Linda ToonPayroll Accountant
- Natalie MathesPost Production Accountant
- Debra Martin ChaseProducer
- Queen LatifahProducer
- Shakim CompereProducer
- Bill BostProducer's Assistant
- Marthe FidlerProducer's Assistant
- Matt GrimmProducer's Assistant
- Sandy TateProducer's Assistant
- Joyce HsiehProduction Accountant
- Christopher SarliProduction Assistant
- Mark JeanProduction Assistant
- Jennifer CrammerProduction Office Coordinator
- Kelsi RussellProduction Secretary
- Anita SumProduction Supervisor
- Sean FogelProduction Supervisor
- Regan SharpSecond Assistant Accountant
- M. Blair BreardUnit Production Manager