Film
Hamlet
Olivier plays chief mourner and reluctant avenger in a Denmark shot like a noir thriller, all high-contrast shadow and prowling camera. He trims Shakespeare's four hours to a lean two and a half, favouring cinematic momentum over reverent recitation. This is Hamlet as psychological suspense — brooding, handsome, and surprisingly quick on its feet.
If you liked this
Henry V1944
Olivier again, directing himself, four years earlier, turning the St Crispin's Day speech into one of cinema's great rallying cries. Where Hamlet broods, this one charges — same command of the verse, entirely different temperature.
But It's wartime propaganda dressed as history, made to stiffen British resolve in 1944 — stirring, but its patriotism can feel dated and unsubtle now.

Hamlet1996
Branagh restores every line Olivier cut, stages it in a mirrored Victorian palace, and surrounds himself with a starry, occasionally bizarre cast. It's the fullest, most maximalist Hamlet ever filmed, and a sharper, angrier prince.
But Four uncut hours of iambic pentameter is a real commitment, and the starry cameos can occasionally pull you right out of the tragedy.

Richard III1955
The final part of Olivier's loose Shakespeare trilogy, and his most purely enjoyable performance — a limping, grinning villain who lets you in on every scheme. Pure theatrical relish after Hamlet's inward misery.
But The Technicolor staginess and deliberately heightened performances feel more like a period piece than Hamlet's moodier black-and-white cinema.

The wildcard
Something you would not have found on your own.
The Lion King1994
Both tell the exact same story — a ghost-haunted prince who runs from his duty rather than face his uncle — forty-six years and one wildly different register apart, one in trembling blank verse, the other in songs about hakuna matata.
Same skeleton as Hamlet, played entirely straight for eight-year-olds: a murdered father returning as a spectral vision, a usurping uncle, a prince paralysed by guilt who flees his kingdom before finally reclaiming it. Astonishingly faithful once you notice.
But It's a Disney musical with talking warthogs and zero soliloquies — if what you loved was the language and the poetry, this obviously isn't that.

People
Cast
Laurence OlivierHamlet - Prince of Denmark / Voice of Ghost
Basil SydneyClaudius - The King
Eileen HerlieGertrude - The Queen
Norman WoolandHoratio - His Friend
Felix AylmerPolonius - Lord Chamberlain
Jean SimmonsOphelia
Terence MorganLaertes
Peter CushingOsric
Stanley HollowayGravedigger
Russell ThorndikePriest
John LaurieFrancisco
Esmond KnightBernardo
Directing
- Peter BoltonAssistant Director
- Laurence OlivierDirector
Writing
- Laurence OlivierScreenplay
- William ShakespeareTheatre Play
Production
- Reginald BeckAssociate Producer
- Herbert SmithExecutive In Charge Of Production
- Laurence OlivierProducer
- Anthony BushellProducer's Assistant