Film
Girl Rising
Girl Rising is a 2013 documentary that follows nine girls across continents—Afghanistan, Cambodia, Ethiopia, Haiti, India, Nepal, Pakistan, Peru, and Sierra Leone—as they navigate poverty, tradition, and hope. Nine directors craft their stories in distinct styles. It's intimate rather than preachy, lyrical rather than lecturing, and it trusts young women to be the architects of their own narratives.
Should you watch it?
Watch it if you want a film that lets nine girls from different corners of the world speak through close, intimate portraits, and you respond better to a human case for schooling than to statistics alone.
Skip it if you need a fast-moving story with a single protagonist, since this one moves between nine lives in a steady rhythm of voiceover and portrait that can feel repetitive.
What it asks of you: Roughly a hundred minutes, sitting with nine separate lives in turn, with the emotional register staying heavy for long stretches and little room for lightness.
Not sure? Find tonight's pick in a minute.
If you liked this
Wadjda2012
A Saudi girl wants a bicycle. The film moves with her quiet determination through a society built to stop her, finding humour and humanity in the smallest acts of defiance. Devastatingly real.
But It's slow and contemplative—there's no swooping orchestral score telling you how to feel. The change is internal, which some find frustrating.

Slumdog Millionaire2008
A young man from Mumbai's slums finds his way through game shows and memory, interweaving poverty with possibility. Dazzling filmmaking, genuine affection for its characters, and rhythms that pull you forward.
But Its sentimentality can feel calculated. Some see it as tragedy-to-triumph poverty porn dressed up as inspiration.

Beasts of No Nation2015
A boy forced into an African militia speaks directly to camera, visceral and unflinching. Cary Joji Fukunaga directs with unforgettable visual power. This is what childhood stolen looks like—not prettified.
But Brutal violence involving children. Not for those seeking comfort or gentle stories. It demands something from you.

Not sure tonight? Get a pick in a minute, starting from Girl Rising
The wildcard
Something you would not have found on your own.
Pumzi2009
Both insist that girls' futures matter, and both resist the poverty-porn industrial complex by imagining possibility—Girl Rising through testimony, Pumzi through imagination.
A 9-minute film from Kenya set in a climate-ravaged future where a woman tends the last plant. Sci-fi, poetic, and startling—it imagines resilience not as individual survival but as environmental custodianship. Utterly different medium and format.
But At under 10 minutes, it's not a full evening. Also, the speculative premise might feel tacked-on if you prefer grounded stories. Some find it too abstract.

More like this (8)
Born into Brothels: Calcutta's Red Light Kids2004
Photographers teach children of sex workers in Kolkata to document their own lives. What emerges is joy, dignity, and the revolutionary act of letting kids hold the camera. Extraordinary and earned.
But Some find it patronising—well-meaning Westerners 'helping' by teaching. The ethical tensions aren't fully resolved on screen.

The Road Home1999
A rural Chinese woman's journey to find her husband's village, told through her memories and the son who listens. Gentle, gorgeously shot, and moving in the way only small moments can be.
But Its quietness is extreme. Long stretches with minimal dialogue. If you need plot momentum, this will feel like watching paint dry.

Whale Rider2003
A Maori girl in New Zealand fights to claim her place in tradition. Keisha Castle-Hughes is magnetic, and the film finds real tension between honouring heritage and demanding change from it.
But The pacing is uneven. Some scenes drag while others feel rushed, and the resolution relies on magical realism that lands better for some viewers than others.

Capernaum2018
A Lebanese street child sues his parents for the crime of giving him life. Raw, angry, and alive—this is trauma and resilience without sentimentality. Brilliant and devastating.
But Relentlessly bleak for long stretches. The anger never softens, and some find the film's bitterness exhausting rather than cathartic.

Difret2014
An Ethiopian lawyer defends a girl who shot her kidnapper before he could force her into marriage. Confronting, necessary, and anchored by a powerful performance from the lead.
But The subject matter—child marriage, assault—is heavy, and the film doesn't always balance gravity with visual interest. Can feel didactic.

Sunset Song2015
A Scottish girl in 1911 endures cruelty and small rebellions on a rugged farm. Terence Davies' direction is painterly and severe. It's about survival and the hardness required of young women.
But Austere and difficult. The landscape is beautiful but unforgiving, the tone rarely lightens, and its arc is tragic rather than triumphant.

Schooling the World: The White Man's Last Burden2010
Girl Rising celebrates girls' education as salvation; Schooling the World asks what kind of education, imposed by whom, and at what cost. They're in conversation, not agreement.
A documentary that interrogates education systems imported to the Global South, asking whether school liberation is truly liberatory or a form of cultural erasure. Makes you rethink what 'helping' means and whether the solutions the West exports are solutions at all.
But It's genuinely polemical—not interested in balance or showing multiple sides. Some find its critique too sweeping; others think it doesn't go far enough.

The Act of Killing2012
Both use distinct directorial voices to examine how power shapes the lives of the young and the vulnerable. Act of Killing shows the damage colonialism and authoritarianism inflict; Girl Rising shows young people reclaiming agency despite it.
Indonesian death-squad perpetrators re-enact their murders for the camera, slowly confronting what they've done. Not about victims or survivors, but about the moral collapse of the perpetrators. Avant-garde, devastating, and philosophically searching.
But It's structured like an experimental art film, not a conventional documentary. Three hours. Watching killers perform their kills is conceptually grueling, and the slow revelation of conscience is not cathartic.

People
Cast
Liam NeesonNarrator (voice)
Anne HathawayNarrator - Afghanistan (voice)
Freida PintoNarrator (voice)
Alicia KeysNarrator - Cambodia (voice)
Meryl StreepNarrator - Ethiopia (voice)
Cate BlanchettNarrator - Haiti (voice)
Priyanka Chopra JonasNarrator - India (voice)
Kerry WashingtonNarrator - Nepal (voice)
Salma Hayek PinaultNarrator - Peru (voice)
Selena GomezNarrator - Sierra Leone (voice)
Chloë Grace MoretzYasmin (voice)
Sammy SheikOfficer Mansoor
Directing
- Richard RobbinsDirector
Production
- Nishima ChudasamaAssociate Producer
- Sam SakoCasting
- Begad OmranCo-Producer
- Beth OsisekCo-Producer
- Dyu D'CunhaCo-Producer
- Gina NemirofskyCo-Producer
- Tess JosephCo-Producer
- Bryan BashamConsulting Producer
- Antonio CanobbioExecutive Producer
- Chris PrynoskiExecutive Producer
- Holly GordonExecutive Producer
- Jody AllenExecutive Producer
- Juno John LeeExecutive Producer
- Paul G. AllenExecutive Producer
- Rachel SteeleExecutive Producer
- Shannon PrynoskiExecutive Producer
- Tom YellinExecutive Producer
- Vinnie MalhotraExecutive Producer
- Anna JungLine Producer
- Norah El KhateebLine Producer
- Vaibhav GuptaLine Producer
- Amy Andres CunninghamProducer
- Louise LovegroveProducer
- Martha AdamsProducer
- Michelle CurrinderProducer
- Priyanka Chopra JonasProducer
- Ramaa MosleyProducer
- Richard RobbinsProducer
- Bonnie Benjamin-PharissSupervising Producer
- Christina LowerySupervising Producer