Film
Cold Prey
- Slasher
- Survival thriller
- Very dark
A sharp Norwegian slasher that treats its setup with real intelligence. Five snowboarders trapped in an abandoned lodge discover they're prey to something in the dark. Cold Prey is genuinely scary, tense, and refuses the genre's usual contempt for its characters. It's for people who love horror but crave suspense over jump-scares.
Should you watch it?
Watch it if you like slow-burn survival horror where the dread comes from cold, isolation and a group quietly falling apart, more than from gore or jump scares.
Skip it if you want a fast, relentless chase from the opening minutes; the first act is spent on ordinary friendship bickering and a long wait before anything frightening happens.
What it asks of you: Roughly ninety-seven minutes with patience for a gradual build, then a tense second half that moves quicker, all of it shot in bleak, snowy daylight and dim interiors.
Not sure? Find tonight's pick in a minute.
If you liked this
The Descent2005
A claustrophobic horror masterpiece with an all-female cast fighting for survival in impossible circumstances. Incredible set design, genuine dread, and a finale that shatters you.
But Intensely bleak and physically suffocating to watch. Contains disturbing imagery that lingers.

Hostel2006
Another European horror-tourism nightmare. Aja's film shares Cold Prey's smart structure: ordinary situation, escalating danger, nowhere to run. Relentless and clever.
But Graphic violence that feels gratuitous to some. The moral setup is more interesting than the payoff.

The Wailing2016
A South Korean mystery-thriller that keeps twisting. Like Cold Prey, it respects the audience's intelligence and refuses easy answers. Masterfully paced, deeply unsettling.
But Nearly three hours. Ambiguous in ways that infuriate some viewers. Requires attention.

Not sure tonight? Get a pick in a minute, starting from Cold Prey
The wildcard
Something you would not have found on your own.
Pan's Labyrinth2006
Both films from the same year treat isolated locations as moral proving grounds. Both refuse to separate the supernatural threat from the human one.
A fairy tale set in Francoist Spain where a girl encounters monsters in the woods. Like Cold Prey, it treats horror as metaphor without softening it. Del Toro's masterpiece merges myth and fascism into something unforgettable.
But Spanish-language with subtitles. The violence includes children. It's a war film dressed as fantasy—heavier than it initially appears.

More like this (8)
28 Days Later2002
Siege horror without a house. Humans in fear, hunted by something relentless. Shares Cold Prey's commitment to character and atmosphere over spectacle.
But Dated CGI in places. The second half pivots away from what made the first half work.

The Ritual2017
Friends in a forest, paranoia mounting, something hunting them. Strong character work and a genuinely unsettling creature design. Atmospheric dread throughout.
But Slow burn that tests patience. The monster reveal divides viewers sharply.

Martyrs2008
A French-Canadian nightmare that escalates relentlessly. Bleak, inventive, and morally uncompromising. For viewers who want horror that sticks in their ribs.
But Extreme violence and suffering as narrative fuel. Not cathartic. Some find it nihilistic to the point of cruelty.

A Tale of Two Sisters2003
Korean gothic horror about two sisters in a house with a stepmother. Gorgeous cinematography and a twist that recontextualizes everything. Dreamlike and deeply disturbing.
But Deliberately paced and cryptic. If you need clarity, this will frustrate you.

The Invisible Man2020
Leigh Whannell's update is tense, clever, and contemporary. Like Cold Prey, it's about being hunted in spaces you thought were safe. Builds dread methodically.
But Less interested in scares than in sustained tension. Some find it intellectually engaging but emotionally distant.

Goodnight Mommy2015
An Austrian horror film about two boys and their mother with bandaged face post-surgery. Domestic unease that turns into something else entirely. Visually stunning and deeply wrong.
But The twist divides audiences. Some feel cheated, others mesmerized. Deliberately alienating.

Them2006
Both are stripped-down survival stories where the location becomes a maze and you cannot escape. Both keep the threat partially abstract to maximize dread.
A French couple's home is invaded by unseen attackers in the night. Raw, visceral, almost real. Nine minutes of pure siege horror. Tiny cast, single location, maximum terror.
But Brief and brutal with no resolution. The attackers' motives remain unknowable. Leaves you in a worse mood than you started.

The Tunnel2011
Same DNA as Cold Prey: ordinary people in a confined space discovering they've walked into something's home. Both make you feel the walls closing in.
An Australian found-footage film about reporters exploring abandoned tunnels beneath Sydney. Claustrophobic, genuinely frightening, and it trusts its premise. Cheap, clever, and devastating.
But Shaky-cam fatigue is real. The film's confidence in its gimmick won't convert found-footage skeptics. Low budget shows in some moments.

People
Cast
Ingrid Bolsø BerdalJannicke
Rolf Kristian LarsenMorten Tobias
Tomas Alf LarsenEirik
Viktoria WingeIngunn- Rune MelbyThe Mountain Man
- Erik SkjeggedalThe Boy
- Tonie LundeThe Mother
Hallvard HolmenThe Father
Directing
- Roar UthaugDirector
- Therese MesselScript Supervisor
Writing
- Marit HaugCo-Writer
- Roar UthaugCo-Writer
- Jan Eirik LangøenIdea
- Magne LyngnerIdea
- Martin SundlandStory
- Roar UthaugStory
- Thomas MoldestadStory
- Thomas MoldestadWriter
Production
- Celine EngebrigtsenCasting
- Axel HelgelandExecutive Producer
- Magne LyngnerProducer
- Martin SundlandProducer
- Gudrun AustliProduction Coordinator