Film
Cane Toads: An Unnatural History
A gleefully weird 1988 documentary about how Australia imported giant poisonous toads to solve a pest problem, then watched helplessly as the toads became the actual plague. Narrated with dry wit and stuffed with footage of the creatures themselves, it's a portrait of ecological hubris that's somehow both darkly funny and genuinely alarming. Perfect for anyone who enjoys nature gone wrong.
Should you watch it?
Watch it if you enjoy a dry, deadpan documentary that treats an ecological disaster like a slow-burning absurd comedy, with the joke landing on human folly rather than on the toads.
Skip it if you want a fast, polished, modern nature film; this 1988 documentary is low-budget in feel, talky, and its wry humour depends on patience with its unhurried tone.
What it asks of you: Under fifty minutes and unhurried, it rewards close attention to its interviews and its dry asides rather than offering a steady stream of visual spectacle.
Not sure? Find tonight's pick in a minute.
If you liked this
My Octopus Teacher2020
A filmmaker develops an intimate relationship with an octopus over a year, exploring intelligence, creativity, and connection across species. Gorgeously shot and genuinely moving, without ever losing sight of the animal's wild otherness.
But Slower paced than you might expect, and the emotional beats are earned rather than manufactured. Some find the film's gentleness too restrained.

Planet Earth II2016
Attenborough's series documents global ecosystems with extraordinary cinematography and a sobering undercurrent about climate change. Each episode could stand alone, but they build a powerful cumulative argument.
But At times the scope feels so vast it becomes abstract. The framing occasionally softens hard truths for accessibility.

Chernobyl2019
An unflinching drama-documentary hybrid about nuclear disaster, incompetence, and sacrifice. Tense, meticulously researched, and furious about institutional failure in ways that feel contemporary.
But Grueling to watch—full of radiation sickness, body horror, and the casual cruelty of bureaucracy. Not escapist in any sense.

Not sure tonight? Get a pick in a minute, starting from Cane Toads: An Unnatural History
The wildcard
Something you would not have found on your own.
Ratatouille2007
Both are about invasive species that shouldn't work in their new environment but become impossible to ignore. Both ask: when something arrives unbidden, do we see a pest or a miracle?
A Pixar film about a rat who becomes a chef in Paris—it's fundamentally about the chaos of desire overwhelming social order, told with visual genius and genuine warmth. The rat's invasion of human space is treated as both ridiculous and profound.
But A children's film is not everyone's entry point to serious ideas, and some find the comedy undercuts the stakes. Animation itself doesn't work for everyone.

More like this (6)
The Overstory
A miniseries adaptation of Richard Powers' novel about environmental activism and old-growth forests. Ambitious, visually striking, and genuinely strange in its willingness to take trees seriously as characters.
But The narrative is deliberately fragmented and the pacing uneven. Some viewers find the mystical undercurrent pretentious.

Blackfish2013
An investigation into killer whales in captivity that functions as both environmental critique and thriller. Builds a damning case with footage and testimony, and never loses sight of the animal's intelligence.
But Once you know the central argument, subsequent viewings feel repetitive. The emotional manipulation is deliberate and heavy-handed.

The Blue Planet2001
Narrated by Attenborough, a pioneering look at ocean ecosystems from the surface to the abyss. Technically groundbreaking for its time and genuinely revelatory about what lives below.
But The sound design is relentlessly serene in ways that can feel patronizing. Some of the science has been superseded.

Our Planet2019
A recent Attenborough series on global biodiversity with cinematography that's often breathtaking. Episode by episode, it's beautifully made nature television.
But The climate anxiety becomes increasingly explicit, which some find important and others find heavy-handed. It's more plea than analysis.

Stalker1979
Both investigate how humans respond to the unknown—the rational impulse to control nature, and the terror of discovering we cannot. Both are ultimately about acceptance.
Tarkovsky's slow, hypnotic science-fiction film about a guide leading people into a mysterious zone. Formally daring, philosophically dense, it unfolds like a dream and rewards patience with genuine awe.
But 163 minutes of deliberate, meditative pacing. If you're watching for plot or excitement, you will be bored. Some prints are poorly restored.

Possession1981
Both use an alien creature as the central image of what happens when human systems fail—here, the body and the marriage; in Cane Toads, the ecosystem. Both ask what we invited in and what we've become because of it.
Andrzej Żuławski's fractured, operatic horror-drama about a marriage imploding while a tentacled creature lurks in the apartment. Visually baroque and emotionally raw in ways that feel almost too honest.
But Bewilderingly surreal, poorly subtitled in most versions, and deliberately repulsive in its practical effects. The narrative logic is intentionally unstable.

People
Cast
- Tip ByrneSelf
- Glen IngramSelf
- H.W. KerrSelf
Directing
- Mark LewisDirector
Writing
- Mark LewisWriter
Production
- Tristram MiallExecutive Producer
- Ian AdkinsProduction Manager