Television series
The Blacklist
A globe-trotting FBI thriller built entirely around Raymond Reddington, ex-government asset turned world's most wanted criminal, who walks into headquarters and offers up a rotating gallery of terrifying names in exchange for protection. Case-of-the-week plots orbit a slow-burn mystery about who Reddington really is and what he wants with young profiler Elizabeth Keen. Stylish, pulpy, occasionally ridiculous, always watchable — comfort food for people who like their comfort food armed.
If you liked this
Prison Break2005
Michael Scofield's meticulous plan to break his brother out of prison delivers the same pleasure of watching a mastermind stay ten steps ahead of everyone, including the audience, twist after gleeful twist.
But The mythology sprawls into diminishing returns by later seasons, and the plotting occasionally asks you to suspend an enormous amount of disbelief.

Person of Interest2011
A mysterious benefactor feeds a small team names of people about to be involved in violence, mixing case-of-the-week thrills with a slow-building conspiracy that eventually swallows the whole show.
But The early seasons play it fairly straight procedural before the sci-fi elements take over, which some viewers find a jarring gear change.

White Collar2009
The closest cousin to Reddington's arrangement: a charming con artist works off his sentence by helping the FBI catch criminals smarter than they are, with genuine warmth between captor and captive.
But It's lighter and breezier than Blacklist, with lower stakes and none of the operatic menace — comfort viewing rather than thriller.

The wildcard
Something you would not have found on your own.
Whitey: United States of America v. James J. Bulger2014
Reddington's whole premise — a criminal who trades secrets for protection from the government he once served — is basically a heist-movie fantasy of what James "Whitey" Bulger actually did for decades, and this documentary shows how grim that arrangement really was.
The true story of a Boston crime boss who spent years as an FBI informant while running a criminal empire — the real, uglier version of Reddington's arrangement, with actual bodies and no redemption arc.
But It's a dense, talky courtroom documentary with none of the show's stylish shootouts — this is about corruption, not caper.

More like this (8)
Alias2001
Sydney Bristow's double life as a double agent inside a shadowy organisation delivers the same glossy mythology-heavy pleasures, complete with a father figure whose loyalties you're never quite sure of.
But Early-2000s effects and fashion date it badly, and the mythology gets so tangled even the writers seemed to lose track.

The Americans2013
Swap flashy spy gadgetry for a devastatingly patient character study of two Soviet sleeper agents raising a family in suburban Virginia — the same moral murk, played dead serious and superbly.
But It's slow-burn prestige drama with none of Blacklist's pulpy momentum; patience is required, and it rarely lets you off the hook with humour.

Homeland2011
A CIA analyst convinced a returning war hero has been turned by the enemy spins out into years of paranoid, high-stakes political thriller with the same taste for reversals and hidden agendas.
But Later seasons wander far from what made the first two so gripping, and the plotting can strain credulity.

242001
Real-time ticking-clock tension and a government agent who'll break every rule to stop the next catastrophe — pure adrenaline procedural thriller with the same appetite for outrageous twists.
But The format gimmick wears thin over multiple seasons, and Jack Bauer's methods have aged into something more uncomfortable than thrilling.

Burn Notice2007
A blacklisted spy stuck doing odd jobs for Miami's criminal underbelly brings the same charm-forward, wisecracking energy to morally grey work, minus the operatic scale.
But It's much lighter and more episodic, closer to a summer caper show than a serialized thriller with real stakes.

Scandal2012
Olivia Pope fixes Washington's dirtiest secrets while orbiting a web of political conspiracies and impossible loyalties, delivering the same soap-opera-meets-thriller cocktail with even faster dialogue.
But It leans harder into melodrama and romance than crime plotting, so the thriller mechanics take a backseat.

The Prisoner1967
Both shows hinge on a man who knows too much sitting inside an organisation that may be using him as much as he's using it — The Prisoner just asks that question with more existential dread and far fewer gunfights.
A British agent resigns and wakes up in a surreal village designed to extract why — hours of paranoid, philosophical spy fiction that asks who's really controlling whom, decades before Blacklist made that its whole engine.
But It's slow, theatrical, and deliberately baffling by design; anyone wanting answers or modern pacing will find it maddening.

Archer2009
Strip out the moral weight and Reddington's globe-hopping operation of handlers, aliases and impossible missions is basically the plot engine of Archer — same gears, dialed all the way into farce.
The same globe-trotting spy-agency machinery — handlers, secret identities, a rotating cast of eccentric operatives — rebuilt as a filthy, brilliantly written animated comedy that never once takes itself seriously.
But If you want your spy drama to actually be a drama, a cartoon full of jokes about drinking and workplace dysfunction won't scratch that itch.

People
Cast
Writing
- Jon BokenkampCreator
- Amanda Kate ShumanExecutive Story Editor
- Brandon MargolisExecutive Story Editor
- Brandon SonnierExecutive Story Editor
- Brian StudlerExecutive Story Editor
- Jason GeorgeExecutive Story Editor
- Kelli JohnsonExecutive Story Editor
- Taylor MartinExecutive Story Editor
- Aiah SambaStory Editor
- Amanda Kate ShumanStory Editor
- Brandon MargolisStory Editor
- Brandon SonnierStory Editor
- Marisa TamStory Editor
- Noah SchechterStory Editor
- Sam ChristopherStory Editor
- Taylor MartinStory Editor
Production
- Alejandro EspinozaAssociate Producer
- Bonnie FinneganAssociate Producer
- Breanna MosleyAssociate Producer
- Katrin L. GoodsonAssociate Producer
- Zee HatleyAssociate Producer
- Allison Glock-CooperCo-Executive Producer
- Bill RoeCo-Executive Producer
- Daniel KnaufCo-Executive Producer
- Dawn DeNoonCo-Executive Producer
- Elizabeth BenjaminCo-Executive Producer
- Gerrit Van Der MeerCo-Executive Producer
- J.R. OrciCo-Executive Producer
- Jace AlexanderCo-Executive Producer
- James SpaderCo-Executive Producer
- Jim CampolongoCo-Executive Producer
- John C. KelleyCo-Executive Producer
- John ZinmanCo-Executive Producer
- Jonathan FilleyCo-Executive Producer
- Jonathan ShapiroCo-Executive Producer
- Laura A. BensonCo-Executive Producer
- Lukas ReiterCo-Executive Producer
- Mike OstrowskiCo-Executive Producer
- Patrick MassettCo-Executive Producer
- Richard HeusCo-Executive Producer
- Sean HennenCo-Executive Producer
- T CooperCo-Executive Producer
- Vincent AngellCo-Executive Producer
- Wendy WestCo-Executive Producer
- Bonnie FinneganCo-Producer
- Breanna MosleyCo-Producer
- Brian StudlerCo-Producer
- Katrin L. GoodsonCo-Producer
- Laura A. BensonCo-Producer
- Noah SchechterCo-Producer
- Steven JacobsCo-Producer
- Zee HatleyCo-Producer
- Allison Glock-CooperConsulting Producer
- Chap TaylorConsulting Producer
- Daniel CeroneConsulting Producer
- Daniel VollConsulting Producer
- Dave ThomasConsulting Producer
- J.R. OrciConsulting Producer
- Jonathan ShapiroConsulting Producer
- Josh BermanConsulting Producer
- Kim NewtonConsulting Producer
- Lukas ReiterConsulting Producer
- Peter NoahConsulting Producer
- T CooperConsulting Producer
- Taylor MartinConsulting Producer
- Vincent AngellConsulting Producer
- Carla KettnerExecutive Producer
- Daniel CeroneExecutive Producer
- Daniel KnaufExecutive Producer
- J.R. OrciExecutive Producer
- James SpaderExecutive Producer
- Joe CarnahanExecutive Producer
- John DavisExecutive Producer
- John EisendrathExecutive Producer
- John FoxExecutive Producer
- Jon BokenkampExecutive Producer
- Laura A. BensonExecutive Producer
- Lukas ReiterExecutive Producer
- Michael W. WatkinsExecutive Producer
- Sean HennenExecutive Producer
- Anthony SparksProducer
- Brandon MargolisProducer
- Brandon SonnierProducer
- Katrin L. GoodsonProducer
- Kristen ReidelProducer
- Laura A. BensonProducer
- Taylor MartinProducer
- Zee HatleyProducer
- Brandon MargolisSupervising Producer
- Brandon SonnierSupervising Producer
- Jim CampolongoSupervising Producer
- Sean HennenSupervising Producer
Recommended by
24, The Mentalist, The Equalizer, Person of Interest, Nikita