Television series
Cross
A crime thriller centred on a forensic psychologist detective investigating DC's worst killers. Aldis Hodge brings intelligence and gravitas to James Patterson's signature hero. Smart procedural with genuine stakes—the investigations matter, and so does the family drama anchoring them. For viewers who want their detective shows to think as hard as they punch.
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MINDHUNTER2017
Pioneering FBI agents develop criminal profiling by studying serial killers' psychologies. Methodical, tense, and built on the same principle as Cross: understanding the killer's mind is the real investigation.
But Slower pacing than typical crime TV. The second season loses momentum, and the show remains unresolved.

The Fall2013
A detective hunts an intelligent serial killer across Northern Ireland with psychological depth and moral complexity. Intimate in scale, gripping in execution, and genuinely unsettling without cheap tricks.
But Very dark and relentless. The killer is charismatic in disturbing ways, which some find difficult to sit with.

Luther2010
Idris Elba as a brilliant detective consumed by cases and his own psychology. High-stakes crime procedural with a protagonist whose mind is as much the subject as the murders he investigates.
But Lurches into melodrama by season three. The relationships feel overwrought compared to the early sophistication.

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The wildcard
Something you would not have found on your own.
Hannibal2013
Both centre on brilliant professionals using psychology to hunt killers while their own minds become the real battlefield. Both understand that proximity to darkness changes you.
A forensic psychologist (FBI profiler) chases a serial killer—except the killer is his psychiatrist. Baroque, beautiful, and psychologically vicious. Visual language of a film, mind games of a thriller. Utterly unique.
But Increasingly surreal and abstract. Later seasons prioritize aesthetics over plot. Requires patience for slow-burn psychological horror.

More like this (7)
The Wire2002
Crime epic that treats a city like a character. Methodical, intelligent, and genuinely interested in how institutions and individuals collide. A masterclass in procedural storytelling.
But Slow burn. First season takes real commitment. No hand-holding; you're expected to follow the threads.

Broadchurch2013
A small-town murder investigation where everyone is a suspect. Psychologically intricate, with David Tennant delivering a masterclass in controlled tension and emotional constraint.
But Relentlessly grim. The second season repeats beats from the first. Some find it more depressing than rewarding.

The Killing2011
Danish noir about detectives pursuing a murder through institutional and personal chaos. Atmospheric, patient with character, and genuinely invested in the cost of obsession.
But Very long investigation across twenty episodes per season. Slow to some, methodical to others. Subtitles required.

Dexter2006
Serial killer masquerading as forensic analyst hunts other killers. Darkly compelling, with a protagonist whose psychology is always the core. Early seasons are genuinely inventive.
But Notoriously declines in quality. Later seasons lose the spark. The original ending is widely disliked.

Murder One1995
One murder investigated across an entire season with novelistic depth. Pioneering legal thriller that respects the audience's patience and intelligence. Daniel Benzali commands every scene.
But Slow by modern standards. A legal procedural rather than a detective show. Second season shifts format and loses momentum.

Zodiac2007
A forensic investigation where the mind of the investigator matters as much as the mind of the killer. Both understand that obsession is the occupational hazard of understanding darkness.
Fincher's procedural obsession wrapped around the hunt for the Zodiac killer. Methodical, unglamorous detective work—spreadsheets and leads and dead ends. Intelligence as the engine, not a flourish.
But No cathartic ending. The investigation remains unsolved. Three hours of meticulous frustration.

Memories of Murder2003
The killer's psychology is less important than what the investigation reveals about the investigators themselves. Both ask: what does hunting monsters do to the hunter?
A Korean procedural about detectives hunting a serial killer during military dictatorship. Beautifully constructed, darkly funny, psychologically acute. One of cinema's great investigations.
But In Korean with subtitles. Ends ambiguously—the resolution is internal, not external. Some find the tonal shifts jarring.

People
Cast
Writing
- Ben WatkinsCreator
Production
- Ben WatkinsExecutive Producer
- Bill BostExecutive Producer
- Bill RobinsonExecutive Producer
- Craig SiebelsExecutive Producer
- Dana GoldbergExecutive Producer
- David EllisonExecutive Producer
- James PattersonExecutive Producer
- Jim DunnExecutive Producer
- Patrick SantaExecutive Producer
- Sam ErnstExecutive Producer
- Aldis HodgeProducer