Film
Wimbledon
A charming romantic comedy about a washed-up British tennis player given one last shot at Wimbledon, where he falls for the daughter of his rival. It's a feel-good film that understands sport as a backdrop for self-discovery, blessed with genuine chemistry between leads and the kind of sunny confidence that makes you root for underdogs.
If you liked this
Notting Hill1999
Same director, same warmth, same knack for romantic comedy that feels lived-in rather than manufactured. Hugh Grant as a bemused Londoner trying to navigate love and circumstance—utterly effortless.
But The early 2000s rom-com formula shows its age. Some gags land softer than they did then.

DodgeBall: A True Underdog Story2004
Released the same year, it's a sports comedy with the same DNA: ridiculous stakes, genuine warmth, and a hero who doesn't quite believe in himself until someone shows him he should. Vince Vaughn and Ben Stiller make every scene sing.
But It swings hard for laughs. If you find it too broad or dated in its humour, nothing will change your mind.

Fever Pitch2005
Jimmy Fallon as a Boston Red Sox obsessive falling for Drew Barrymore. Sports comedy that actually understands obsession, and how love and fandom can coexist without one consuming the other. Genuinely sweet.
But The sports storyline wraps up almost incidentally. If you're here for the baseball, you'll feel short-changed.

Not sure tonight? Get a pick in a minute, starting from Wimbledon
The wildcard
Something you would not have found on your own.
Stalker1979
Both centre on a man confronting his aging decline and reckoning with what he truly wants. Wimbledon frames it as romantic comeback; Stalker asks whether we can ever actually reach what we desire.
Andrei Tarkovsky's philosophical meditation on desire and what we chase. On the surface: a guide leading two men through a mysterious zone. Underneath: a film about yearning, potential, and the gap between dreams and reality—the spiritual heart of Wimbledon, stripped of comedy.
But Deeply slow, deliberately difficult, shot in long meditative takes. This is not entertainment, it's an experience. Walking away frustrated is entirely possible.

More like this (8)
Invictus2009
Morgan Freeman and Matt Damon in a film about sport as metaphor for healing a divided nation. More serious than Wimbledon, but it shares the faith that sport can mean something beyond itself.
But It tips toward inspirational drama rather than entertainment. Can feel a touch earnest and preacherly.

Love & Basketball2000
A romance woven through two athletes' parallel journeys. It captures that rare thing: two characters who understand each other through sport, and how that creates a specific, unshakeable bond.
But Pacing drags in the second half. Some dialogue feels forced in its attempts to be profound.

Paddington2014
British warmth and charm in abundance. A film about an outsider winning people over through sheer decency and optimism. The same emotional logic as Wimbledon, just with a marmalade-loving bear.
But Aimed at children and families. Some adults find the saccharine-ness overwhelming, and that's fair.

The Princess Bride1987
Perfect romantic adventure that knows exactly what it is and nails the tone. Funny, romantic, slightly preposterous, entirely winning. The DNA is there: charm as a primary ingredient.
But Now deeply familiar. The famous lines have been quoted to death, which can feel like watching a comfort blanket rather than a discovery.

Breakfast at Tiffany's1961
Audrey Hepburn and a romance that unfolds amid glamour and eccentricity. It's styled differently than Wimbledon, but it shares that intangible quality: a film that seems to enjoy itself and wants you to enjoy it too.
But The racial caricature is genuinely offensive and indefensible. Some find it difficult to get past in 2024.

Couples Retreat2009
If you want that same breezy, ensemble romantic comedy vibe with beautiful locations and good-natured banter, this scratches the itch. Jon Favreau (who appears in Wimbledon) carries much of the charm here too.
But It's forgettable fluff. A few laughs and nothing that stays with you once the credits roll.

Drive2011
Same arc—washed-up, unmotivated man rekindled by connection to someone—but Refn's version is noir and existential where Wimbledon is sunshine and romantic. The inverse tone, identical emotional DNA.
A man who has stopped believing in himself is given a second chance. Ryan Gosling's driver moves through Los Angeles with quiet desperation, then purpose, in a film that's all mood and implication. Gorgeous, tense, utterly absorbing.
But Violent in ways that matter. Slow and methodical, not for thriller-watchers who want plot momentum. The ending leaves you hanging in uncertainty.

Harakiri1962
Stripped of sport and romance, it's the same story: an aging man's last chance to matter. Wimbledon asks if you can win back your life. Harakiri asks what you're willing to lose to try.
Masaki Kobayashi's masterpiece about a samurai facing the end of his career. A man returns to the place of his past to claim his dignity, only to discover the cost of pride and circumstance. Black and white, Japanese, absolutely devastating.
But It's a tragedy about suicide in feudal Japan. Not a date-night film. Harrowing, not heartwarming. This will damage you, not uplift you.

People
Cast
Kirsten DunstLizzie Bradbury
Paul BettanyPeter Colt
Sam NeillDennis Bradbury
Jon FavreauRon Roth
Bernard HillEdward Colt
Eleanor BronAugusta Colt
Nikolaj Coster-WaldauDieter Prohl
Austin NicholsJake Hammond
Robert LindsayIan Frazier
James McAvoyCarl Colt
John McEnroeJohn McEnroe
Chris EvertCourt Commentator Chris Evert
Directing
- Richard LoncraineDirector
- Richard WhelanFirst Assistant Director
- Beverly WinstonScript Supervisor
- Tamana BleasdaleSecond Assistant Director
- Martin KenzieSecond Unit Director
- Vicki AllenThird Assistant Director
Writing
- Adam BrooksWriter
- Jennifer FlackettWriter
- Mark LevinWriter
Production
- Joanna ColbertAdditional Casting
- Abigail BarbierADR Voice Casting
- Louis ElmanADR Voice Casting
- Sarah ShepherdAssistant Location Manager
- Tony DavisAssistant Production Coordinator
- Irene LambCasting
- Emily CraigCasting Assistant
- Rich MentoCasting Associate
- Michelle WrightExecutive In Charge Of Production
- David LivingstoneExecutive Producer
- Debra HaywardExecutive Producer
- Michele TandyFinance
- Penny ReifferFirst Assistant Accountant
- Adam RichardsLocation Manager
- Tarn HarperPost Production Accountant
- Eric FellnerProducer
- Liza ChasinProducer
- Mary RichardsProducer
- Tim BevanProducer
- Winnie WishartProduction Coordinator
- Sarah-Jane WrightProduction Executive
- Jeremy JohnsProduction Manager
- Sara DesmondProduction Manager
- Claire ToveyUnit Manager
Recommended by
The Wedding Date, He's Just Not That Into You, Mere Yaar Ki Shaadi Hai, Splendor, Laws of Attraction, Players