Film
Werewolves Within
A scrappy horror-comedy about a small town snowed in together, paranoia mounting as a werewolf prowls outside. It's *Clue* meets creature feature: a locked-room mystery where the real monster might be the guy next to you, or actual teeth. Funny, kind-hearted, and unafraid to let its premise get silly.
Should you watch it?
Watch it if you like a whodunit-style creature feature where the jokes come from squabbling neighbours trapped together, and you enjoy a mystery that stays playful rather than grisly.
Skip it if you need your scares to be frightening rather than goofy, since this leans on broad gags and cheerful chaos more than dread.
What it asks of you: Around ninety-six minutes, it moves briskly through one snowbound setting, with the attention going to a crowd of characters you have to keep track of.
Not sure? Find tonight's pick in a minute.
If you liked this
Tucker and Dale vs. Evil2010
A horror-comedy that inverts genre expectations with genuine warmth; two working-class guys mistaken for killers by privileged college kids. Smart, hilarious, and proves the formula works when you root for everyone.
But The premise is fairly high-concept and requires you to buy into its central inversion quickly, which won't click for everyone immediately.

Knives Out2019
A locked-room mystery where the puzzle delights as much as the performances. Rian Johnson orchestrates tone and revelation with such precision that every reveal lands, and the cast is visibly having the time of their lives.
But At 130 minutes, it takes its time; if you need constant action or simple answers, the deliberate pacing may test your patience.

What We Do in the Shadows2014
A mockumentary about vampires sharing a Wellington flat, finding comedy in the mundane details of immortal life. Deadpan, inventive, and packed with sight gags that reward close attention. Pure joy.
But The humour is relentlessly dry and low-key; if you need laugh-track confirmation or broader comedy, this will feel like it's not trying.

Not sure tonight? Get a pick in a minute, starting from Werewolves Within
The wildcard
Something you would not have found on your own.
Attack the Block2011
Both pit a small community against an unknown threat and ask what we reveal about ourselves when we stop pretending to be civilized. Also: funny monsters, real stakes underneath the jokes.
South London teen gang members protect their housing estate from invading aliens. Sharply written, genuinely funny, and treats its young characters with respect rather than contempt. A sci-fi film that cares about community and belonging.
But The accents are thick and the slang is specific; if you need every line crystal-clear or expect alien-invasion spectacle, both will frustrate. It's low-budget by design.

More like this (8)
The Cabin in the Woods2012
A meta-horror film that deconstructs slasher tropes while being genuinely thrilling. It's clever without being smug, and the third act escalation is spectacular and earned.
But The premise spoiled in marketing somewhat undercuts discovery; devotees of straight horror may find the irony exhausting.

The Rental2020
A tense thriller about a weekend getaway that curdles into paranoia and suspicion. Dave Franco's directorial debut mines social anxiety and class resentment with a lean, unflinching hand.
But It prioritizes dread over catharsis, and builds to a bleak place. Some viewers want their thrillers to resolve cleanly, which this doesn't.

The Adam Project2022
A time-travel action-comedy where Ryan Reynolds plays off a younger version of himself; inventive premise, genuine father-son themes underneath the jokes, and surprisingly earnest about its emotional stakes.
But The plot mechanics get muddled and the stakes feel secondary to riffing. If you need tight screenplay logic, the third act won't satisfy.

Hunt for the Wilderpeople2016
A New Zealand hunt-in-the-bush comedy-drama about a gruff old man and an orphan kid on the run. Taika Waititi balances genuine warmth with comedy, and the landscape is a character itself.
But The tone shifts can feel jarring if you're expecting consistent genre; it's not quite thriller enough to thrill or funny enough to be pure comedy for some.

Ready or Not2019
A bride hunted for sport by her new in-laws at their mansion. Absurd premise played with straight-faced conviction, visually inventive, and the lead is likeable enough that you genuinely want her to survive.
But The satire about wealth and class is pretty blunt; if you prefer subtlety in your social commentary, the sledgehammer approach will feel obvious.

The Platform2019
A Spanish sci-fi thriller set in a vertical prison where food descends through levels. Dystopian, visually striking, and builds a mythology entirely from its premise. Thought-provoking and grotesque.
But It's grim, deliberately ugly, and doesn't offer easy answers or catharsis. The social allegory overpowers character depth, which frustrates viewers seeking emotional investment.

Let the Right One In2008
Both understand that the real horror in enclosed spaces is isolation and how loneliness makes us accept what we shouldn't. Also, both have genuine affection for their characters even as things turn dark.
A Swedish vampire film about a boy and the undead girl next door in 1980s suburban isolation. Genuinely haunting, patient with mood, and deeply moving—proof that horror can be art without losing teeth.
But It's meditative and sparse; if you're here for action or jump scares, you'll be disappointed. The pace is glacial and the endings are not reassuring.

Severance2022
Both trap people in a confined social space and watch how quickly they turn on each other when something unknowable is at play. Both find horror in the banal, and both know that paranoia is the real monster.
A miniseries about workers surgically split into two versions—one for work, one for life—with no memory crossing over. Unsettling sci-fi that becomes a thriller, gorgeously shot, and raises genuine questions about identity and consent.
But It's slow to reveal, deliberately disorienting, and ends on mysteries unsolved. If you need answers wrapped up or hate shows that demand you sit with dread, this is torture by design.

People
Cast
Sam RichardsonFinn Wheeler
Milana VayntrubCecily Moore
George BasilMarcus
Sarah BurnsGwen
Michael ChernusPete Anderton
Catherine CurtinJeanine Sherman
Wayne DuvallSam Parker
Harvey GuillénJoachim Wolfson
Rebecca HendersonDr. Ellis
Cheyenne JacksonDevon Wolfson
Michaela WatkinsTrisha Anderton
Glenn FleshlerEmerson
Directing
- Ryan HoneycuttAdditional Second Assistant Director
- Josh RubenDirector
- Lenny PayanFirst Assistant Director
- Chuck GirardScript Supervisor
- Anne Marie DenticiSecond Assistant Director
Writing
- Hervé MarlyOriginal Concept
- Philippe des PallièresOriginal Concept
- Mishna WolffScreenplay
Production
- Peter LombardiAssistant Accountant
- Brian C. MorganAssistant Location Manager
- Emer O'CallaghanCasting
- Gayle KellerCasting
- Briana DunlayCasting Associate
- Justus McLartyCo-Producer
- Gerard GuillemotExecutive Producer
- Jeffrey A. BrownLocation Manager
- Dennis LoringPayroll Accountant
- Andrew LiebermanProducer
- Benjamin WiessnerProducer
- Jason AltmanProducer
- Margaret BoykinProducer
- Natalie MetzgerProducer
- Sam RichardsonProducer
- Joseph LombardiProduction Accountant
- Jessica MayfieldProduction Coordinator
- Justus McLartyUnit Production Manager
Recommended by
Dog Soldiers, Big Ass Spider!, Nun of That, Bad Black, Cocaine Bear, Walking with Dinosaurs, The VelociPastor, Bhediya, Shriek If You Know What I Did Last Friday the 13th, A.R.O.G, Big Money Rustlas, Never Cry Werewolf