Film
The Rental
A paranoia thriller that traps two couples in an oceanside rental where comfort curddles into dread. Dave Franco's directorial debut mines tension from surveillance anxiety and the casual racism that erupts when strangers share space. It's claustrophobic and nasty in ways that linger.
Should you watch it?
Watch it if you enjoy slow-building paranoia where a nice house and friendly hosts gradually feel wrong, and you'd rather sit with unease than be jolted by scares.
Skip it if you want a lot of plot momentum or a fast-moving thriller; much of the first half is two couples talking, bickering and drinking, and the tension arrives in a slow creep.
What it asks of you: Around ninety minutes of patience, with a long setup, a handful of tense stretches, and an atmosphere that stays uneasy rather than letting you off the hook.
Not sure? Find tonight's pick in a minute.
If you liked this
Funny Games2008
Michael Haneke's remake strips away plot decoration to ask: why do we want to watch people suffer? Two intruders terrorise a family in a lake house. Brilliant, deliberate cruelty.
But It's genuinely punishing to watch. Haneke wants you uncomfortable and guilty. Some see it as cynical manipulation rather than critique.

Barbarian2022
A rental mix-up spirals into something vast and stomach-turning. Keeps finding new depths of wrongness. Best watched knowing as little as possible.
But Tonally messy—oscillates between comedy and body horror in ways that don't always cohere. Third act divides viewers sharply.

Alone2020
Woman on the run from a predator in the Pacific Northwest wilderness. Tense, economical, propulsive. Measures its violence carefully.
But Pretty straightforward survival thriller with familiar beats. Won't surprise you structurally, though it executes with competence.

Not sure tonight? Get a pick in a minute, starting from The Rental
The wildcard
Something you would not have found on your own.
Lamb2021
Both trap characters in contained spaces where trust dissolves and the ordinary world becomes hostile. Both use domestic space as a site of creeping wrongness.
Icelandic couple find a newborn in the mountains and keep it. Biological horror meets folkloric dread. Utterly singular—a film that shouldn't work but does.
But Profoundly weird and bleak. Gorgeous but alienating. Requires tolerance for slow pacing and ambiguity about what you're watching.

More like this (6)
The Wailing2016
Na Hong-jin's masterpiece: a Korean village gripped by illness and suspicion. Ambiguous, layered, visually ravishing. Paranoia as a philosophical condition.
But Nearly three hours. Deliberately oblique about what's actually happening. Demands engagement rather than answering questions.

A Dark Song2016
Woman and occultist in an isolated Irish house attempting a dangerous ritual. Slow-burn atmosphere, genuine emotional depth beneath the dread.
But Glacially paced. More interested in character and spiritual anguish than conventional scares. Requires patience most thrillers don't ask for.

Come True2020
Teen volunteers for a sleep study that becomes nightmarish. Gorgeous, disorienting visual language. Existential body-horror more unsettling than gore.
But Narrative is secondary to mood and imagery. Ending is deliberately cryptic. Some find it frustratingly abstract.

Creep2014
Mark Duplass hires a videographer for the day; what unfolds is a masterclass in unease. Mark gives a performance that's charming and deeply wrong. Lean, focused, nasty.
But Found-footage format. Very low budget. The charm-to-threat ratio only works if you buy Duplass's performance entirely.

The Vast of Night2019
Two teenagers in 1950s New Mexico investigate a mysterious signal. Gorgeous Technicolor palette, retro aesthetic. Radio drama meets sci-fi mystery.
But Slower than it looks. Radio monologues can feel static. More interested in atmosphere than payoff.

Memories of Murder2003
Both explore how suspicion poisons community. Both suggest that not all mysteries are meant to be solved, and the search for answers can be as destructive as the original crime.
Bong Joon-ho's serial killer procedural set in 1980s South Korea. Masterpiece of mood, tension, and moral ambiguity. Every frame is deliberate. Changes the way you see detective stories.
But Slow-burn mystery with an enigmatic ending that frustrates viewers needing resolution. Long at 132 minutes. Requires active attention.

People
Cast
Dan StevensCharlie
Alison BrieMichelle
Sheila VandMina
Toby HussTaylor- Connie WellmanApartment Owner

- Chase BarkerBackground
Jovani RidlerBackground
Directing
- Dave FrancoDirector
- Nick GrauFirst Assistant Director
- Nic BirdsallSecond Assistant Director
- Jeremiah KelleherSecond Second Assistant Director
Writing
- Dave FrancoScreenplay
- Joe SwanbergScreenplay
- Dave FrancoStory
- Joe SwanbergStory
- Mike DemskiStory
Production
- Michael HeimlerExecutive Producer
- Sean DurkinExecutive Producer
- Ben StillmanProducer
- Christopher StorerProducer
- Dave FrancoProducer
- Elizabeth HaggardProducer
- Joe SwanbergProducer
- Teddy SchwarzmanProducer
- Vince JolivetteProducer
- Steven WeismanProduction Manager
- Steven WeismanProduction Supervisor
Recommended by
Knock at the Cabin, Silent House, Werewolves Within, Killing Ground, Relevant, Await Further Instructions, Visiting Hours, The Morning After, No Exit, The Shelter, Bytet