Film
The Tunnel
Other titles called The Tunnel: the 1935 film, the 2011 film, the 2013 series (Sky Go).
- Dystopian sci-fi
- Thriller
- Very dark
A twelve-minute Norwegian sci-fi thriller set in an overpopulated future. A family stuck in traffic approaching a mysterious tunnel discovers something profoundly unsettling about their world. Quietly dreadful and conceptually ruthless, it works as both social commentary and genuine horror. Best experienced without knowing what's coming.
Should you watch it?
Watch it if you like short science fiction that builds dread through ordinary family small talk, where the unease sits in the background rather than in the plot.
Skip it if you want a story with a clear plot and answers, since this is mostly a mood piece that asks you to sit with questions it never fully resolves.
What it asks of you: Brief and deliberately unhurried, it runs about twelve minutes and wants your full attention for every quiet shot, with little explained along the way.
Not sure? Find tonight's pick in a minute.
If you liked this
Arrival2016
Gorgeous alien-contact sci-fi that prioritizes emotional stakes and linguistic mystery over spectacle. The ending will rewire how you think about time and loss.
But Slow-burn pacing and a deliberately oblique narrative structure might feel withholding if you want propulsive plot momentum.

Annihilation2018
A shimmer of strangeness creeping into a familiar world. Hypnotic, unsettling, visually stunning sci-fi that trusts viewers to sit with mystery and dread.
But The third act dives into abstraction and ambiguity that frustrated audiences wanting concrete answers.

Ex Machina2015
Confined, dialogues-driven sci-fi about artificial consciousness and power dynamics. Intellectually sharp and genuinely tense, with an ending that stings.
But Heavy on monologues and philosophical debate; minimal action and a bleak worldview might feel cold.

Not sure tonight? Get a pick in a minute, starting from The Tunnel
The wildcard
Something you would not have found on your own.
Ghostland2018
Both are compact films about systemic horror hiding in plain sight, where the real terror isn't explained but revealed through structure and tone.
A French sci-fi horror film about trauma, abuse, and unreliable reality. Jarring tonal shifts, visceral body horror, and a structure that fractures your certainty about what you're watching.
But Grotesque and punishing. It uses shock and revulsion deliberately, and the non-linear narrative can feel punitive rather than illuminating.

More like this (7)
Blade Runner 20492017
Meditative, painterly sci-fi about humanity and memory. Visually transcendent, with a philosophical core that lingers far beyond its runtime.
But At nearly three hours, it moves slowly and obliquely. Requires patience with long silences and atmospheric contemplation over plot.

Under the Skin2014
An alien study of human surfaces and vulnerability set in Scotland. Hypnotic and deeply strange, it trusts ambient dread over explanation or dialogue.
But Cryptic, minimalist, almost no plot. If you need narrative clarity or character motivation spelled out, this will frustrate you.

A Dark Song2016
A woman hires an occultist for a ritual in an isolated house. Emotionally raw and intimate, it builds toward genuine transcendence beneath its genre trappings.
But Slow, repetitive, often mundane. The payoff requires faith in the first hour's quietness and emotional investment.

The Fountain2006
Darren Aronofsky's ambitious meditation on love, death, and eternity across three timelines. Visually breathtaking and deeply, movingly strange.
But Deliberately cryptic, emotionally exhausting, and structurally demanding. Can feel pretentious or impenetrable on first viewing.

Solaris1972
Andrei Tarkovsky's philosophical masterpiece about consciousness and memory orbiting an alien ocean. Slow cinema at its most profound and hypnotic.
But Nearly three hours of deliberate pacing, long takes, and philosophical rumination. Demands active engagement; won't hold your hand.

Triangle2009
A lean nautical horror-thriller with a premise that folds in on itself. Tightly plotted, genuinely disorienting, and worth rewatching immediately after.
But Low budget shows in places, and the timeloop logic can feel exhausting rather than clever depending on your patience.

White of the Eye1987
Both suggest that the true horror is baked into the structures we move through—family, transit, architecture—not external threat but systematic entrapment.
Donald Cammell's underseen psychological thriller about suburban menace and marital paranoia. Gorgeously shot, morally claustrophobic, and genuinely unsettling in ways that feel urgent and modern.
But Erratic pacing, elliptical plot, and a detached style that prioritizes mood over clarity. Can feel indulgent or scattered.

People
Cast

- Siri Helene Müller-OsborneJeannette
- Max AmundsenPeter


Directing
- André ØvredalDirector
- Tom GulbrandsenFirst Assistant Director
- Maja StorbekkenScript Supervisor
Writing
- Alice GlaserNovel
- André ØvredalWriter
Production
- Jannecke BervelCasting
- Tomas KværnerCasting
- Arild KarlsenCo-Producer
- Erik SchøienCo-Producer
- Janne HjeltnesCo-Producer
- Lars Erik HansenCo-Producer
- Torgeir BuschCo-Producer
- Torgeir SandersCo-Producer
- Espen SkjørdalPost Production Coordinator
- Khalid MaimouniPost Production Producer
- John Einar HagenProducer
- Janne HjeltnesProduction Manager