Film
The Triplets of Belleville
A nearly wordless French cartoon about an ancient grandmother, her asthmatic dog and a trio of geriatric jazz singers chasing down mobsters who've kidnapped her cyclist grandson. It's grotesque, tender, jazzy and strange — hand-drawn animation with the timing of silent comedy and none of the sentimentality you'd expect. For people who want their cartoons weird and adult.
If you liked this
The Illusionist2010
Sylvain Chomet's other masterpiece — same near-silent storytelling, same melancholy undertow, but this time a fading magician and a young girl in 1950s Edinburgh instead of cyclists and gangsters.
But It's slower and sadder, with almost no comic relief. If you wanted more chase and mayhem, this won't give it.4

Wallace & Gromit: The Curse of the Were-Rabbit2005
A dog who's smarter than his owner, painstaking stop-motion craft, and visual gags stacked on visual gags — the same DNA of loving a mute animal sidekick doing the actual thinking.
But Much gentler and more British-cosy than Triplets' grimy surrealism — no mobsters, no menace, just village-fete stakes.

Fantastic Mr. Fox2009
Stop-motion with a jazzy, needle-drop-heavy score and a dry, adult wit hiding inside a kids'-movie shape — Wes Anderson doing his own version of sophisticated cartoon comedy.
But Anderson's deadpan is a different flavour of funny — cooler and more arch than Chomet's warm grotesquerie.

The wildcard
Something you would not have found on your own.
Mon Oncle1958
Chomet built Triplets' visual-comedy grammar directly on Tati's — near-wordless storytelling, exaggerated bodies, gags told in wide shot. This is the source.
Jacques Tati's classic comedy of a bumbling uncle adrift in modern, mechanised Paris — told almost entirely through physical gags and sound design rather than dialogue. Chomet has openly cited Tati as his blueprint, and it shows.
But It's black and white, slow by modern standards, and its satire of 1950s modernity will feel distant to some viewers.

More like this (8)
Kirikou and the Sorceress1998no page yet
Another wildly distinctive, non-Hollywood animated style — this one drawing on West African storytelling and folklore, with a boy hero and a genuinely inventive visual world.
But It's aimed more squarely at children and lacks the darkness and satire that gives Triplets its edge.
Persepolis2007
French animation for grown-ups, hand-drawn in stark black and white, telling a real coming-of-age story against the Iranian revolution — proof the medium can carry serious weight.
But It's memoir, not caper — no chase, no rescue mission, and a much more direct emotional register.

My Life as a Zucchini2016
French stop-motion with big-eyed, oddly proportioned characters and a tender heart under a rough subject — orphaned kids finding family — that mirrors Triplets' ugly-beautiful character design.
But Quieter and sadder, built for feeling rather than spectacle; there's no globe-trotting adventure here.

Waltz with Bashir2008
Animated documentary about war memory that proves, like Triplets, animation can go somewhere live action can't — stylised, haunting, unmistakably adult in subject and tone.
But This is heavy, real-world trauma, not comic exaggeration — a genuinely different emotional weight class.

Chico & Rita2010no page yet
A hand-drawn animated romance soaked in Cuban jazz and swooning colour — if the music-driven mood of Triplets got you, this leans all the way into it.
But It's a straight romance with none of the caper energy or grotesque humour Triplets thrives on.
The Red Turtle2016
Entirely wordless, hand-drawn, meditative — a Studio Ghibli co-production that pushes the 'animation without dialogue' idea to its purest, most stripped-back extreme.
But There's no comedy, no plot mechanics, no side characters — a very still, contemplative watch by comparison.

Mother2009
Strip away the accordion score and cartoon gangsters and Triplets is a story about a devoted older woman refusing to accept limits to save her family — Mother tells the same story straight, and much rawer.
Bong Joon-ho's ferocious Korean thriller about a mother going to extreme, increasingly unhinged lengths to clear her son of a murder charge. Same engine as Triplets — an older woman's rescue mission crosses every line — in a completely different, unsettling key.
But It's a real psychological thriller with genuine darkness and violence; nothing here is played for laughs.

A Sunday in Hell1977no page yet
Triplets' Tour de France sequences are already halfway to body horror; this real documentary shows you weren't wrong to laugh — professional cycling really does look like that.
A landmark documentary about the Paris-Roubaix cycling race, shot with astonishing intimacy — mud, blood, exhaustion, the sheer grotesque physical toll of professional cycling that Triplets exaggerates into cartoon absurdity.
But It's a straight sports documentary from the 1970s with no plot beyond the race itself — a big tonal jump from animated caper comedy.
People
Cast
Suzy FalkTriplet (voice)- Lina BoudreauTriplet (voice)
Betty BonifassiTriplet (voice)- Michèle CaucheteuxTriplet (voice)
Jean-Claude DondaGeneral Gaulle / Sports Commentators / Homeless (voice)- Mari-Lou GauthierTriplet (voice)
- Charles LintonAdditional Voice (voice)
- Monica ViegasMadame Souza (voice)
Michel RobinAdult Champion (voice)
Directing
- Sylvain ChometDirector
Writing
- Sylvain ChometLyricist
- Sylvain ChometScreenplay
- Sylvain ChometStoryboard
Production
- Colin RoseAssociate Producer
- Régis GheselbashAssociate Producer
- Viviane VanfleterenAssociate Producer
- Didier BrunnerProducer
- Viviane VanfleterenProducer
Recommended by
Ernest & Celestine, Mon Oncle, Yellow Submarine, The Illusionist, Baby Driver, Who Framed Roger Rabbit, Redline, Fantasia, Delicatessen