Film
Asterix: The Mansions of the Gods
A gleefully silly animated Asterix adventure where Caesar's latest scheme involves real estate: build a Roman suburb next to the indomitable Gallic village and assimilate them through property values and suburban tedium. Charming, anarchic, made for families but genuinely funny for adults who grew up with these characters.
Should you watch it?
Watch it if you love gentle, pun-heavy comic adventures where a familiar band of stubborn villagers gets to squabble, scheme and trade one-liners while the stakes stay cheerfully small.
Skip it if you want fresh surprises or a sharp, grown-up edge; this is a cosy, rather formulaic outing that leans on well-worn beats and familiar gags.
What it asks of you: Under ninety minutes and easy going, it moves at a brisk, chatty clip and needs little more than your attention for the jokes and the odd bit of slapstick.
Not sure? Find tonight's pick in a minute.
If you liked this
Asterix and the Big Fight1989
The film that established how to translate these comics to animation with real warmth. Genuinely inventive gags, proper character voices, and that perfect balance of slapstick and wit that makes Asterix work.
But The animation is noticeably dated now, and some of the humour lands harder on French audiences who know the cultural references cold.

How to Train Your Dragon2010
Modern family animation that respects your intelligence. The story moves with real purpose, the world-building is immersive, and it's genuinely thrilling without ever losing its humour or heart.
But It's earnest about the emotional beats in a way that might feel heavy if you just want pure comedy and chaos.

The Lego Movie2014
Anarchic, reference-packed, visually inventive comedy that treats its audience like they're in on the joke. Rapid-fire gags layered over genuine affection for its source material and the people watching.
But The relentless pace means some jokes land and immediately vanish; if you need time to breathe, it might exhaust you.

Not sure tonight? Get a pick in a minute, starting from Asterix: The Mansions of the Gods
The wildcard
Something you would not have found on your own.
Kipo and the Age of Wonderbeasts2020
Both centre on scrappy underdogs using cleverness and community to outwit bigger, seemingly unstoppable forces. Same DNA: brains over brawn, found family as the real victory, genuine affection for the characters underneath the comedy.
Netflix animated series that captures that same spirit of found-family adventure and problem-solving through ingenuity rather than brute force. Warm, funny, visually inventive, and genuinely moving. Each episode is bite-sized but satisfying.
But The post-apocalyptic setting is darker than Asterix in tone; it's optimistic but not euphoric, which might feel heavier than you want.

More like this (8)
Spirited Away2001
Animation as pure cinema: gorgeous, strange, transportive. A complete world with its own logic, tone, and visual language. Proof that animated features can be genuinely artful without sacrificing wonder.
But The pacing is deliberate and meditative; if you're used to Western animation's rhythm, it can feel slow.

Klaus2019
Hand-drawn animation that looks like oil painting come alive. A surprisingly moving film about loneliness and connection, with genuine warmth and visual beauty that rewards close attention.
But It's sincere in ways that undercut the comedy; not the anarchic fun of Asterix, but something more tender and melancholic.

Kung Fu Panda2008
Silly premise executed with real craft. The action sequences are genuinely inventive, the comedy lands for adults and kids separately, and it understands that heart and humour aren't opposites.
But Occasional moments of saccharine wisdom-dropping can feel like the film pausing to lecture you.

Shaun the Sheep Movie2015
Stop-motion comedy that proves you don't need dialogue to be funny. Visual gags are genuinely clever, the world is tactile and real, and the heart is never forced.
But No dialogue means it relies entirely on physical comedy; if slapstick isn't your thing, there's nothing else to hold you.

The Triplets of Belleville2003
Hand-drawn animation as jazz: rhythmic, surprising, visually sumptuous. A film that trusts your eye and your intelligence, with humour built into every frame and genuine oddness throughout.
But The story is deliberately thin and the pacing is experimental; it's as much an experience as a plot, which won't suit everyone.

Madagascar 3: Europe's Most Wanted2012
Pure visual chaos with heart underneath. The animation is gorgeous, the energy is infectious, and it's genuinely funny for multiple age groups without condescension.
But The plot is thin and the tone lurches between sincere and bonkers; some find that charming, others find it unfocused.

Redacted2007
Asterix works by subverting the official Roman narrative. Redacted examines how official narratives get constructed and disseminated until they become unquestionable. One does it through comedy and fantasy; the other through formal experiment and rage. Both ask: whose story gets told, and who benefits from the lie?
A documentary-style film (not an actual documentary) that deconstructs myth-making and propaganda. Uses fragmented forms—interviews, surveillance footage, drawings, found footage—to examine how stories get told and retold until truth disappears.
But It's difficult, experimental, and deeply unhappy. The opposite of escapism. Also made by De Palma as a direct political statement, which means it prioritizes anger over entertainment.

Grave of the Fireflies1988
Both are set in a time of occupation and resistance. Asterix chooses slapstick defiance; Fireflies shows us what happens when resistance isn't possible and the powerful simply win. Watching them back-to-back is watching two answers to the same question: what do you do when your world is under attack?
Animated film about two siblings trying to survive wartime Japan. Devastatingly beautiful, intimate, and human. Proves that animation can hold adult grief and complexity without kitsch or sentimentality.
But It's a profound meditation on death, suffering, and the failure of institutions to protect children. Not a film you watch for pleasure; you watch it because it matters, and it will hollow you out.

People
Cast
Roger CarelAstérix (voice)
Alexandre AstierLe centurion Oursenplus (voice)
Lionnel AstierCétautomatix (voice)
Serge PapagalliAbraracourcix (voice)
François MorelOrdralfabétix (voice)
Élie SemounCubitus (voice)
Guillaume BriatObélix (voice)
Lorànt DeutschAnglaigus (voice)
Alain ChabatSenator Prospectus (voice)
Géraldine NakacheDulcia (voice)
Florence ForestiBonemine (voice)
Laurent LafitteDuplicatha (voice)
Directing
- Alexandre AstierCo-Director
- Louis ClichyDirector
Writing
- Albert UderzoComic Book
- René GoscinnyComic Book
- Alexandre AstierDialogue
- Alexandre AstierScenario Writer
- Alexandre AstierWriter
Production
- Isabelle BoningreAssistant Production Manager
- Philippe BonyProducer
- Thomas ValentinProducer