Film
The Italian Job
A glossy, good-natured heist remake that swaps London fog for California sunshine and hands the getaway to a fleet of Mini Coopers doing things Minis really shouldn't. Wahlberg's crew — Statham's wheelman, Norton's turncoat, Theron's safecracker — execute a plan built for maximum swagger over plausibility. It's frictionless, funny fun: competence-porn for people who want their crime cool and consequence-free.
If you liked this
Ocean's Eleven2001
The gold standard for this exact vibe: a stacked, grinning cast pulling off an impossible job with more style than sense. If you liked watching charming people be smug and correct, this is the mothership.
But It's slicker than it is clever, and if you've seen it a dozen times already, there's nothing new here.

The Town2010
Ben Affleck's Boston heist thriller trades LA gloss for grimy, working-class stakes — same love of a well-drilled crew, but with real dread underneath the getaway cars.
But It's heavier and more emotionally serious than The Italian Job; don't expect the same breeziness.

Heat1995
The professional heist crew as tragedy rather than comedy. De Niro and Pacino circling each other while a team executes jobs with terrifying precision — the genre's most respected entry.
But It's three hours long and takes itself very seriously; no wisecracks, no fun car chase, just consequence.

The wildcard
Something you would not have found on your own.
Rififi1955
Every 'watch the professionals do the job in total silence' beat in modern heist cinema traces back here — the seriousness underneath the fun.
The French noir that essentially invented the modern heist film's centerpiece: a long, wordless, agonisingly tense robbery sequence that every slick heist movie since — including this one — is quietly indebted to.
But Black and white, subtitled, and mournful rather than fun; there's no wisecracking crew or victory lap.

More like this (8)
Baby Driver2017
If the getaway sequences were your favourite part, this is basically an entire film built out of that scene, choreographed to a killer soundtrack with real driving craft.
But Thinner on plot and character than a full heist film — it's mood and momentum more than story.

Fast Five2011
The Fast saga's pivot into full heist-ensemble mode, with a crew, a vault, and a getaway that turns physics into a suggestion. Pure loud, grinning spectacle.
But Zero interest in subtlety or plausibility — if you wanted craft over chaos, this overshoots.

Now You See Me2013
Heist mechanics dressed up as stage magic, with the same pleasure in watching a plan you don't fully understand click into place at the end.
But The twists lean more on misdirection than logic — fun in the moment, shakier on rewatch.

The Bank Job2008no page yet
A British heist based on a real, still partly mysterious 1971 robbery, with grubbier stakes and a sharper sense of who actually gets hurt when a job goes sideways.
But Less flash, fewer quips — it plays more like a thriller than a caper.
Inside Man2006
Spike Lee's bank-heist puzzle box, with Denzel Washington and Clive Owen playing a slow, smart game of chess instead of a chase — the plan is the whole show.
But It's talkier and more procedural; if you came for cars and stunts, this is a different pace entirely.

Logan Lucky2017
Soderbergh's own hillbilly riff on the heist he basically reinvented with Ocean's Eleven — same structural pleasure, transplanted to NASCAR country with a lot of warmth and dry humour.
But The Southern-fried tone and slower burn won't hit the same if you want LA slickness and speed.

La Casa de Papel2017
Same DNA of nicknamed specialists and one impossible job, but blown up into a serialized, emotionally maximalist format the film never has room for.
A Spanish series that takes the same 'crew with codenames pulls off an outrageous plan' engine and stretches it across dozens of hours of betrayal, romance, and increasingly operatic stakes.
But It's a soap opera with a heist attached — melodramatic, long, and demands real patience with subtitles.

Set It Off1996
Same LA setting and ensemble-heist structure, but it asks what the job actually costs the people forced into it — the fun version's shadow twin.
Four women in Los Angeles, driven to robbery not by cool but by desperation and friendship — the same city, the same heist bones, with all the glamour stripped away.
But It's angry and sad where The Italian Job is playful; there's no victorious getaway to root for.

People
Cast
Mark WahlbergCharlie Croker
Charlize TheronStella Bridger
Edward NortonSteve
Seth GreenLyle
Jason StathamHandsome Rob
Yasiin BeyLeft Ear
Donald SutherlandJohn Bridger
Olek KrupaMashkov
Boris Lee KrutonogYevhen- Fausto CallegariniItalian Guard
- Stefano PetronelliGarbageman / Thug
- Fabio ScarpaGarbageman / Thug
Directing
- Alex Corven CaroniaAssistant Director
- F. Gary GrayDirector
- Doug MetzgerFirst Assistant Director
- Rebecca RobertsonScript Supervisor
- Brian StewardSecond Assistant Director
- Timothy R. PriceSecond Second Assistant Director
- Alexander WittSecond Unit Director
- Kenny BatesSecond Unit Director
- Marco ZanonThird Assistant Director
Writing
- Troy Kennedy MartinOriginal Film Writer
- Donna PowersScreenplay
- Wayne PowersScreenplay
Production
- Paul GiorgiAccountant
- Barbara HarrisADR Voice Casting
- Kyra KowasicArt Department Production Assistant
- Rino BonavitaAssistant Accountant
- Chris BaughAssistant Location Manager
- Gretel TwomblyAssistant Production Coordinator
- Stefano Dalla LanaAssistant Production Manager
- Fabrizio CeratoAssistant Unit Manager
- Lynsey Shmukler JonesAssociate Producer
- Sheila JaffeCasting
- Tiziana KinkelaCasting Assistant
- Meg MormanCasting Associate
- Eric FellnerExecutive Producer
- James DyerExecutive Producer
- Tim BevanExecutive Producer
- Wendy JaphetExecutive Producer
- Jennifer BenderExtras Casting
- Anna BradleyExtras Casting Assistant
- Laura J. FoxFirst Assistant Accountant
- Nicola MarzanoKey Set Production Assistant
- Guido CerasuoloLine Producer
- Nicola CatulloLocation Assistant
- Billy ArrowoodLocation Manager
- Matteo GottardisLocation Production Assistant
- David HickeyPayroll Accountant
- Sarah OgletreePost Production Coordinator
- Donald De LineProducer
- Tish JohnsonProduction Accountant
- Geneviere AndersonProduction Assistant
- B. Ted DeikerProduction Coordinator
- Andrew GoseProduction Executive
- Enrico BallarinProduction Manager
- Claudia CimminoProduction Secretary
- Matthew J. BirchProduction Supervisor
- Kristine BochumSecond Assistant Accountant
- Laura CappatoUnit Manager
- James DyerUnit Production Manager
Recommended by
Ocean's Eleven, Logan Lucky, Ant-Man, Baby Driver, Fast Five, La Casa de Papel, Sneakers, Now You See Me, The Fast and the Furious