Film

Logan Lucky

Name: Logan Lucky
Genre: Comedy, Crime, Action, Drama
Released: 2017
Cast: Channing Tatum, Adam Driver, Daniel Craig, Riley Keough, Katie Holmes

Steven Soderbergh's shaggy, sun-baked heist comedy follows two broke West Virginia brothers who enlist a jailed explosives expert (Daniel Craig, gloriously unhinged) to rob a NASCAR speedway's cash vault. It swaps Ocean's Eleven's tuxedos for overalls and plays everything at a lazy Southern drawl — funnier for going slow. Ideal for anyone who wants their heist movie warm-hearted, unpretentious, and a little bit dumb on purpose.

TMDb rating

6.7

If you liked this

Ocean's Eleven2001

Soderbergh's slicker, glossier take on the same heist-comedy engine — same director, same love of process and charm, just swapped denim for tuxedos and a casino for a speedway.

But If you wanted more Southern grit and less Vegas gloss, this might feel like the wrong side of the tracks.

Widows2018

A heist drama with real teeth — grief, race, and city politics wound into a plan four women execute with far less swagger and far more at stake.

But Considerably darker and angrier; don't expect the easy charm of Logan Lucky's Southern shrug.

Hell or High Water2016

Same dusty, hard-luck America, same brothers-against-the-system setup, but played as a lean modern Western instead of a comedy — desperation with a rifle instead of a punchline.

But It's tense and mournful rather than funny; go in expecting a thriller, not a caper.

The wildcard

Something you would not have found on your own.

Big Deal on Madonna Street1958

This is basically the great-grandfather of the 'hapless amateurs plan a heist and everything goes charmingly wrong' comedy that Logan Lucky descends from — same structural DNA, six decades earlier, in Italian.

Long before Soderbergh's crew fumbled through a speedway job, this Italian comedy nailed the formula: broke men, a big plan, and a heist that goes wrong in the funniest possible way.

But Black and white, subtitled, and slower by modern standards — it asks patience that Logan Lucky's momentum never does.

Snatch2000

Guy Ritchie's ensemble crime comedy trades the drawl for cockney patter but keeps the same pleasure in watching a dozen small schemes collide into one big mess.

But Faster, meaner, and more violent — less warmth, more whiplash editing and gangster menace.

The Italian Job2003

A glossy, purely fun heist caper with a great crew dynamic and a genuinely satisfying job well planned — the popcorn cousin of Logan Lucky's slow burn.

But It's slicker and shallower, with none of the class-conscious ache underneath Logan Lucky's jokes.

A Fish Called Wanda1988

A vintage heist-gone-wrong farce with a note-perfect ensemble, proof that this kind of loose, character-driven crime comedy has been delighting audiences for decades.

But British and broader in its slapstick; the humor is closer to sketch comedy than Southern deadpan.

Baby Driver2017

A stylish, music-driven heist thriller with real affection for its getaway driver hero — swap the twang for turntables and the comedy for cool.

But Slicker and more stylized, with less of Logan Lucky's shaggy, unhurried humor.

Lawless2012no page yet

Another Southern crime story about brothers protecting their own turf, just soaked in Prohibition-era menace instead of NASCAR sunshine.

But This one plays it straight and violent — no punchlines, no cons, just brutal family business.

Waking Ned1998

A small, warm-hearted comedy about ordinary people plotting a scheme to win money nobody thinks they deserve — same gentle, communal caper spirit.

But Far cozier and lower stakes; there's no robbery, no explosives, just village gossip and a lottery ticket.

American Animals2018

Same premise — ordinary people planning an elaborate theft for reasons that don't quite add up — but told as a documentary-drama hybrid where the real people involved sit down and admit how badly, and permanently, it went.

It takes the 'why would you actually try this' question Logan Lucky never has to answer seriously, blending real interviews with dramatized reenactment to devastating effect.

But There's no warmth or triumph here — it's an uncomfortable, guilt-soaked film about consequences that never let anyone off easy.

The Full Monty1997

Strip the crime out of Logan Lucky and you're left with its true engine: unemployed, dignity-starved men in a fading industrial town cooking up one audacious, humiliating scheme to get their lives back — this film runs on the exact same fuel, just without the getaway car.

It's the same underdog-plan-against-the-odds joy, minus the crime — unemployed steelworkers stripping for cash instead of robbing a speedway, funnier and sadder than it sounds.

But There's no heist mechanics or crime-thriller tension at all; if that's what you came for, this is a different kind of film.