Film
Den of Thieves
A meat-and-potatoes heist thriller that spends two and a half unhurried hours letting Gerard Butler's boozy sheriff's deputy and Pablo Schreiber's disciplined crew circle each other before the actual Federal Reserve job even starts. It's macho, overlong, occasionally ridiculous, and has a genuinely good twist waiting at the end. Watch it for the plotting, not the dialogue.
If you liked this
Heat1995
The blueprint. Every professional-crew-versus-obsessive-cop movie made since is arguing with this one, including the one you just watched, and it earns every minute of its three hours.
But It's a slow, talky three hours before the guns come out, and you'll have seen its DNA copied a hundred times since.

Triple 92016no page yet
Dirty cops, an ex-military heist crew, and a plan to distract Atlanta PD by shooting one of their own. Same moral murk as Den of Thieves but meaner and faster.
But Stacked ensemble cast means some good actors barely register, and the plot has more moving parts than it can comfortably hold.
Training Day2001
For the idea that the badge might just be the biggest gang in town — Denzel Washington's corrupt detective makes Big Nick look almost restrained by comparison.
But It's a two-hander built entirely on one blistering performance; if you're not sold on Denzel's energy, there's not much else going on.

The wildcard
Something you would not have found on your own.
Rififi1955
Den of Thieves' meticulous, near-silent heist sequences are direct descendants of Rififi's famous wordless robbery — this is the source code, seventy years earlier and in another language.
A French heist film from 1955 built around a thirty-minute robbery sequence with no dialogue and no music, just craft. It invented the genre Den of Thieves is still playing in.
But It's black-and-white, in French, and moves at a patient old-world pace that will test anyone expecting modern action rhythms.

More like this (7)
The Town2010
Ben Affleck's Boston bank robbers get the same patient, procedural treatment — a crew you respect, a cop closing in, a heist that goes exactly as wrong as it should.
But The romance subplot slows the middle down, and it's a gentler, more earnest film than Den of Thieves' swagger.

End of Watch2012
David Ayer's found-footage-style LAPD patrol drama shares Den of Thieves' love of grimy, unglamorous cop culture and its writer's fingerprints on the genre.
But The shaky handheld gimmick is divisive, and it's a much smaller, more intimate film than the heist-movie scale you might want.

Widows2018
Steve McQueen takes the heist-crew formula and gives it to four women left holding their dead husbands' debts. Sharper, angrier, and more interested in what a heist actually costs.
But It's structurally busier and more political than a straight heist thriller, with subplots that some viewers find distract from the job itself.

Sicario2015
Swap bank robbers for cartels and you get the same queasy feeling that the people enforcing the law are barely distinguishable from the people breaking it.
But It's colder and more nihilistic than Den of Thieves, with far less catharsis and a deliberately bleak ending.

Baby Driver2017
If Den of Thieves' getaway sequences were the best part, here's ninety minutes of nothing but — a heist movie choreographed entirely to a killer soundtrack.
But It's stylish and slight where Den of Thieves is heavy and plotty; if you wanted grit and consequence, this is candy by comparison.

Logan Lucky2017
Same engine as Den of Thieves — a disciplined crew, a meticulous plan, a cop-shaped complication — dressed in overalls and comedy instead of tactical gear and machismo.
Steven Soderbergh restages the same careful-planning-then-everything-slightly-wrong heist structure as a comedy about West Virginia mechanics robbing a NASCAR speedway.
But If you want tension and violence, this deliberately deflates both — it's a heist film that wants to make you laugh, not grip your armrest.

Line of Duty2012
Den of Thieves flirts with the idea that its cops are barely better than the crew they're chasing; Line of Duty takes that idea seriously and spends whole seasons living inside it, in a completely different register and medium.
A British procedural about internal police corruption investigators, told across six-episode seasons with almost no action and enormous tension. The cops here might be the actual villains.
But It's slow, dialogue-heavy, and deeply British in its bureaucracy and jargon — nobody fires a gun for episodes at a time.

People
Cast
Gerard Butler'Big Nick' O'Brien
Pablo SchreiberRay Merrimen
O'Shea Jackson Jr.Donnie Wilson
50 CentEnson Levoux
Meadow WilliamsHolly
Maurice CompteBenny 'Borracho' Magalon
Brian Van HoltMurph Connors
Evan JonesBo 'Bosco' Ostroman
Mo McRaeGus Henderson
Kaiwi Lyman'Tony Z' Zapata
Dawn OlivieriDebbie O'Brien
Eric BraedenZiggy Zerhusen
Directing
- Christian GudegastDirector
- Carmen SorianoScript Supervisor
- Mari WilsonScript Supervisor
Writing
- Christian GudegastScreenplay
- Christian GudegastStory
- Paul T. ScheuringStory
Production
- Mark SussmanADR Voice Casting
- Patty ConnollyADR Voice Casting
- Daniel KaslowAssociate Producer
- Dorothy CantonAssociate Producer
- Jason BarhydtAssociate Producer
- John PapsideraCasting
- Emily BohbrinkCasting Assistant
- Blair FosterCasting Associate
- Kim A. WintherCasting Associate
- Adam FogelsonExecutive Producer
- Christian GudegastExecutive Producer
- D. Scott LumpkinExecutive Producer
- Danielle RobinsonExecutive Producer
- David HopwoodExecutive Producer
- Glenn D. FeigExecutive Producer
- Greg RenkerExecutive Producer
- Jamie MarshallExecutive Producer
- Meadow WilliamsExecutive Producer
- Oren AvivExecutive Producer
- Robert SimondsExecutive Producer
- Janella BersabalExtras Casting
- Patrick PeachLine Producer
- Alan SiegelProducer
- Gerard ButlerProducer
- Mark CantonProducer
- Tony GraziaProducer
- Tucker TooleyProducer
- D. Scott LumpkinUnit Production Manager
- Damien LubiakUnit Production Manager