Film

In the Grey

Name: In the Grey
Genre: Action, Thriller
Released: 2026
Cast: Henry Cavill, Jake Gyllenhaal, Eiza González, Carlos Bardem, Michael Vu

A glossy, high-body-count heist thriller where Henry Cavill and Jake Gyllenhaal play black-ops specialists sent to rob a dictator of his stolen billions. Expect slick set pieces, double-crosses, and two very good-looking men trading gunfire and one-liners. It's for anyone who wants their action loud, their morality simple, and their runtime under two hours.

TMDb rating

7.6

If you liked this

The Gray Man2022

Same DNA — covert operatives, globe-trotting violence, a plot that exists mainly to get from one set piece to the next — and it's genuinely one of the better Netflix action bets of recent years.

But Story is thinner than the action, and you'll clock every beat coming a mile off.'

Extraction2020

Chris Hemsworth as a mercenary on an impossible rescue job, anchored by one of the best sustained action sequences of the streaming era. Pure adrenaline, minimal fuss.

But Plot is barely there — it's a delivery mechanism for stunts, and it knows it.

Triple Frontier2019

Ex-special-forces buddies team up for one last score in South America, and greed complicates everything. Grittier and more morally interested than the average heist movie.

But Slower pace than you'd expect, with more brooding than gunfire in the back half.

The wildcard

Something you would not have found on your own.

Rififi1955

Every beat In the Grey runs on — the crew, the plan, the betrayal — was essentially written here first, seventy years before drones and dictators got involved.

The French film that basically invented the modern heist movie — assemble the crew, plan the job, watch it unravel — including a wordless, half-hour robbery sequence that's still breathtaking.

But Black and white, subtitled, and paced like the fifties — patience required if you're used to modern editing.

Mission: Impossible - Fallout2018

The gold standard for this kind of globe-spanning, double-crossing spectacle — impeccably staged, genuinely thrilling, Cruise doing his own everything.

But It's part six of a franchise; you'll want at least a passing familiarity to catch the callbacks.

Den of Thieves2018

A sprawling, macho heist-cop standoff with Gerard Butler that takes its time building tension before a properly satisfying final robbery.

But Overlong at 140 minutes, and the testosterone is turned all the way up.

Ambulance2022no page yet

Jake Gyllenhaal again, this time in a Michael Bay heist-gone-wrong that turns into a citywide chase — chaotic, exhausting, a lot of fun if you surrender to it.

But Bay's aerial-drone camera style is dizzying, and the tone swings wildly between grim and absurd.

Red Notice2021no page yet

Glossy, star-stuffed heist caper with Dwayne Johnson, Ryan Reynolds and Gal Gadot chasing priceless artifacts across the globe — light, breezy, undemanding.

But Leans hard into quips over stakes; if you want tension, this isn't it.

Bullet Train2022no page yet

Same genre engine — mercenaries, a valuable prize, everyone double-crossing everyone — but cranked into stylised, cartoonish overdrive on a runaway train.

But The self-aware quirkiness and constant flashbacks might grate if you want something played straight.

The Man from U.N.C.L.E.2015

Cavill again, this time as a suave Cold War spy in a stylish, gadget-heavy caper with real wit and a killer sixties aesthetic.

But It's more comedy of manners than adrenaline rush — don't expect the same body count.

Widows2018

Same structural engine — an elite crew under pressure pulling off an impossible job for money that isn't theirs — but stripped of style and swagger to show the human wreckage underneath.

Steve McQueen's heist drama follows women forced to finish their dead husbands' criminal job — tense, political, and far more emotionally serious than the genre usually allows.

But Almost no glossy action; it's slow-burn character work with a heist bolted on, not the reverse.

Kaleidoscope2023no page yet

Same premise — a team goes after a fortune stolen or hidden by a powerful man — but the heist-thriller mechanics become the actual shape of the show, not just its plot.

A Netflix heist miniseries you can watch in any episode order — each viewer effectively assembles their own version of the robbery, which is a genuinely clever gimmick that pays off.

But The scrambled structure is a novelty that can undercut suspense, and some viewing orders land flatter than others.