Film
Ambulance
Other titles called Ambulance: the 2016 series (BBC One), the 2016 film.
Michael Bay's kinetic heist thriller about two adoptive brothers—a broke veteran and a charming career criminal—who rob a Los Angeles bank and spend the film's 136 minutes careening through the city in an ambulance, pursued by cops and feds. It's relentlessly propulsive, visually excessive, and genuinely concerned with its characters even as explosions light up the frame. For people who want stakes, spectacle, and a little emotional weight underneath the chaos.
Should you watch it?
Watch it if you like your heist movies loud, kinetic and fully committed, and don't mind a runaway ambulance chase that treats physics as a suggestion.
Skip it if you tire of noise for its own sake, since at over two hours the volume rarely drops and the characters are more sketched than felt.
What it asks of you: Settle in for a long, unrelenting ride where the pace seldom eases and the camera rarely sits still, so clear an evening and bring your full attention.
Not sure? Find tonight's pick in a minute.
If you liked this
Heat1995
Mann's masterpiece about cops and criminals locked in eternal pursuit finds the humanity in both sides. Like Ambulance, it's a technical showcase built on genuine character tragedy and moral complexity beneath the gunfire.
But It's three hours long and deliberately paced. If you need constant motion, the slow-burn investigation sequences might test your patience.

Baby Driver2017
Edgar Wright's heist film uses rhythm and music to choreograph action instead of just piling on explosions. It shares Ambulance's desire to make every frame sing while delivering real character arcs and genuine stakes.
But The stylization can feel precious. Some find the needle-drops and visual wit distracting rather than energizing.

Den of Thieves2018
Ayer's LA crime thriller has that same brother-from-another-mother dynamic between cop and criminal, with Gerard Butler and O'Shea Jackson Jr. delivering unglamorous, sweaty intensity. The cat-and-mouse game feels earned.
But It's brutal and bleak without much breathing room. The tone is relentlessly grim, which some find exhausting.

Not sure tonight? Get a pick in a minute, starting from Ambulance
The wildcard
Something you would not have found on your own.
Unhinged2020
Both films take a single day of escalating desperation and let it explode across their runtime with kinetic, almost musical control. Both find something almost tragic in men pushed past breaking point.
Russell Crowe's road-rage thriller is 90 minutes of pure kinetic tension—one chaotic day that spirals into increasingly insane stakes, shot with the kind of grimy, naturalistic energy Bay brings to Ambulance. It's trashy and effective.
But It's genuinely mean-spirited and cynical in ways that might feel punishing rather than thrilling. And Crowe's performance is deliberately unhinged in a way that won't land if you're looking for nuance.
More like this (8)
The Town2010
Affleck's Boston heist-thriller nails the thing Ambulance attempts: making criminals sympathetic without excusing them, while delivering genuine suspense and emotional devastation. The bank robbery sequences are masterful.
But Slower burn than Ambulance. Character work takes precedence over spectacle, which means less constant motion.

Uncut Gems2019
The Safdie Brothers' claustrophobic thriller about desperation and escalating stakes shares Ambulance's sense that normal rules don't apply anymore. It's relentlessly tense and Adam Sandler's performance is extraordinary.
But It's intentionally exhausting and anxiety-inducing. The constant pressure and frantic editing make it almost painful to sit through.

Wind River2017
Sheridan's crime thriller about tribal police investigating murders has that same sense of brothers working together against impossible odds, with real stakes and emotional weight. Slow-burn but devastating.
But It's quiet and meditative where Ambulance is loud. The pacing will feel glacial if you're coming from an action film.

Hell or High Water2016
Two brothers commit crimes out of desperation while a cop pursues them through Texas. Sharp dialogue, genuine character arcs, and that same question: how far will family take you? The tension builds beautifully.
But Western-tinged and deliberately paced. If you need explosions and shaky-cam energy, this will feel too controlled.

Triple Frontier2019
Neuville's heist film about special forces operatives pulling one last job has Ambulance's DNA: brotherhood tested by crime, technical precision, and characters trying to justify terrible choices for justifiable reasons.
But It never quite finds its rhythm. The film wants to be both intimate and epic, and sometimes it's neither.

Savage2023
A taut crime thriller with genuine character work and the sense that desperation drives decent people to indecent acts. The stakes feel real and the action sequences have weight.
But It's a smaller film than Ambulance with less budget. Some sequences feel under-cooked compared to Bay's maximalist approach.

Tangerine2015
Both films use Los Angeles as a character and both compress intense, character-driven drama into a single-day framework where the landscape becomes as important as the plot. Both find beauty in chaos.
Shot on iPhones, this Los Angeles crime film follows two trans sex workers across one chaotic day hunting through the city. It has Ambulance's energy and momentum—the camera never stops moving—but with documentary-style urgency and genuine heart.
But The aesthetic is deliberately rough and unpolished. The LA you see here is lived-in and ugly, not cinematic. If you want glossy spectacle, this rejects it entirely.

The Inspection2022
Both films examine the bond between brothers (biological or found family) and ask whether that bond can justify moral compromise. Both suggest the answer is painfully complicated.
Jeremy Pope's Marine recruit is beaten down by a system designed to break him. It's a military drama—not an action film—but it captures something Ambulance cares about: what desperation does to brotherhood, and when loyalty becomes complicity.
But It's slow, painful, and punishing. The film demands you sit with suffering rather than celebrating action. Some will find it exhausting rather than cathartic.

People
Cast
Jake GyllenhaalDanny Sharp
Yahya Abdul-Mateen IIWill Sharp
Eiza GonzálezCam Thompson
Garret DillahuntCaptain Monroe
Keir O'DonnellFBI Agent Anson Clark
Jackson WhiteOfficer Zach
Olivia StambouliahLieutenant Dhazghig
Moses IngramAmy Sharp
Colin WoodellEMT Scott
Cedric SandersOfficer Mark
A MartinezPapi
Jesse GarciaRoberto
Directing
- Michael BayDirector
Writing
- Joel EricksonDialogue
- Lars Andreas PedersenOriginal Film Writer
- Laurits Munch-PetersenOriginal Film Writer
- Chris FedakScreenplay
Production
- Denise ChamianCasting
- Liz LudwitzkeCasting
- John Powers MiddletonExecutive Producer
- Laeta KalogridisExecutive Producer
- Mark MoranExecutive Producer
- Michael KaseExecutive Producer
- Rene EzraExecutive Producer
- Tomas RadoorExecutive Producer
- Tracey NybergExecutive Producer
- Bradley J. FischerProducer
- Ian BryceProducer
- James VanderbiltProducer
- Michael BayProducer
- William SherakProducer