Film
Lawless
A Depression-era crime film about three moonshiner brothers in Virginia fighting a corrupt Chicago lawman. Beautifully shot, violent, and steeped in period atmosphere, it's a classical American crime story with the texture of a Western and the moral complexity of Greek tragedy. For anyone who loves criminal underdogs and moral ambiguity.
Should you watch it?
Watch it if you like prohibition-era crime stories where the violence is brutal and sudden, the brothers' loyalty to each other matters more than the money, and a dusty Virginia setting feels like a character in itself.
Skip it if you want brisk plotting and clear heroes; this one lingers on silences and slow dread, and its bloodshed lands hard enough to make you flinch rather than cheer.
What it asks of you: Settle in for just under two hours of patient build-up, then sharp bursts of ugly violence; it rewards close attention to faces and glances more than to dialogue.
Not sure? Find tonight's pick in a minute.
If you liked this
The Godfather1972
The foundational model for organized crime storytelling: family loyalty, territorial warfare, and the seduction of power. Lawless owes it everything. If you loved one, you'll recognize the DNA immediately.
But At over three hours, it demands patience. Some find its pacing glacial, and the scope can feel heavy rather than gripping.

Hell or High Water2016
Modern Texas bank robbers versus a Texas ranger, with the same Depression-era desperation and moral clarity. Lean, beautifully composed, and driven by excellent performances and chemistry between leads.
But More of a procedural than a character study. Some viewers find it slight despite its technical excellence.

Winter's Bone2010
Appalachian rural crime, female lead searching for her father in a world of drugs and violence. It has Lawless's regional specificity and moral stakes, but with fiercer social observation and a protagonist you can't look away from.
But Deliberately unglamorous and bleak. There's very little light here, and the pace is slow-burn rather than propulsive.

Not sure tonight? Get a pick in a minute, starting from Lawless
The wildcard
Something you would not have found on your own.
Wise Blood1979
Both explore rural American criminality and spiritual corruption in the Depression South, but Wise Blood treats the absurdity as ontological rather than tragic—it's the same country, inverted in register.
John Huston's Southern Gothic adaptation set in Depression-era Tennessee, about a con-man preacher and spiritual emptiness in rural America. The same landscape and moral desolation as Lawless, but filtered through dark comedy and surrealism.
But Genuinely strange and alienating. The tone is brittle, the characters unsympathetic, and Huston's direction is deliberately off-putting. It's a challenging watch.

More like this (7)
Miller's Crossing1990
Prohibition-era Irish and Italian gangs in conflict, written and directed by the Coen Brothers. Dense with wit, stunning visuals, and performances that crackle. Crime as style and tragedy as philosophy.
But It's heavily stylized and can feel theatrical. The dialogue is mannered, and some find it more clever than emotionally involving.

There Will Be Blood2007
A patriarch building an empire through violence and will, set in early 20th-century California. Masterfully acted and shot, it shares Lawless's sense of America as violent and opportunistic beneath its promises.
But Slow, deliberately paced, and driven more by mood and performance than plot. Its ambition can read as pretension.

Moonlight2016
Three chapters across a character's life, exploring masculinity, survival, and connection. Shot with extraordinary beauty, it's a different kind of American story about men with limited choices.
But It's a character study without plot momentum. Very slow, very quiet, and some find the structure frustrating.

Out of the Furnace2013
Steel country, revenge, working-class damage. Christian Bale and Woody Harrelson in a story about men destroyed by circumstance and choice. Raw and genuinely brutal in ways that stay with you.
But Bleak without uplift, and the plot mechanics sometimes feel manipulative. The tone can be uneven.

The Drop2014
Tom Hardy (Lawless's Forrest) in a Brooklyn crime story about a man quietly damaged and dangerous. Smaller in scale but equally precise about violence, loyalty, and the weight of the past.
But Very slow and introspective. If you want action or momentum, you'll be disappointed. Hardy's quietness isn't for everyone.

The Ballad of Little Jo1993
Both use period settings (Western/frontier) to examine American male violence and power, but where Lawless dramatizes it, Jo interrogates it—same landscape, opposite inquiry.
A woman passes as a man to survive in the American West. Shot like a Western but structured as a feminist revision of American mythology. Maggie Chastain's character deserves this story—Jo gets one that's stranger and more intellectually honest.
But It's deliberately revisionist and somewhat didactic. Some find it too earnest, and the pacing is deliberate rather than dramatic.

The Night of the Hunter1955
Both center corrupt law enforcement in Depression America, but Night of the Hunter makes the corruption mythic and supernatural—it's the same story told as folk horror rather than crime drama.
Charles Laughton's only directorial feature: a preacher with tattoos ('LOVE' and 'HATE') hunts two children in Depression-era America. Expressionist, visually extraordinary, morally savage. It's the nightmare version of what Lawless touches: the evil that hides behind American piety.
But Black and white, expressionist style, and deeply weird. It can feel stagy or overly designed. Some viewers find it too theatrical for its own good.

People
Cast
Shia LaBeoufJack Bondurant
Tom HardyForrest Bondurant
Gary OldmanFloyd Banner
Guy PearceCharlie Rakes
Jason ClarkeHoward Bondurant
Jessica ChastainMaggie Beauford
Mia WasikowskaBertha Minnix
Dane DeHaanCricket Pate
Lew TempleDeputy Henry Abshire
Chris McGarryDanny- Tim TolinMason Wardell
Marcus HesterDeputy Jeff Richards
Directing
- John HillcoatDirector
Writing
- Matt BondurantNovel
- Nick CaveScreenplay
Production
- Francine MaislerCasting
- Cassian ElwesExecutive Producer
- Jason BlumExecutive Producer
- Douglas WickProducer
- Lucy FisherProducer
- Megan EllisonProducer
- Michael BenaroyaProducer
Recommended by
Logan Lucky, Prohibition, The Place Beyond the Pines, Shotgun Stories, Bedlam, True History of the Kelly Gang, A Tale of Love and Darkness, Jazbaa, Dreamland, Harry Brown, Four Brothers, Bad Turn Worse, Gangster Squad, Live by Night