Film
The ABCs of Death
- Horror
- Very dark
- Strange
- Dip in and out
A 26-chapter horror anthology where each letter gets a different director interpreting death however they see fit. Wildly uneven by design—some segments are genuinely brilliant, others bewildering or repellent. It's a showcase reel for international genre talent, less a film than a festival in your living room. For people who want wild swings and don't mind the crashes.
If you liked this
V/H/S2012
Another anthology that nails the found-footage format with inventive kill scenarios and genuine scares. Different directors, similar energy—shorter segments that mostly hit hard and leave.
But It's messier than a single narrative, and some segments are more effective as concepts than execution. Takes patience.

Trick 'r Treat2007
Interconnected Halloween horror stories with real style and bite. Darkly funny, genuinely unsettling, directed with flair. Proves anthology horror can be more than just a gimmick.
But The interweaving plot might feel gimmicky if you're not in the mood for it. Older effects work.

Creepshow1982
Seminal horror anthology with comic-book visual style and A-list direction (Romero and Cronenberg). Stories are genuinely creepy and the film respects its own pulp origins.
But Eighties production values; some segments are stronger than others. The framing device is corny.

Not sure tonight? Get a pick in a minute, starting from The ABCs of Death
The wildcard
Something you would not have found on your own.
Requiem for a Dream2000
Both use modular storytelling as a form itself—the structure isn't packaging, it's the point. Each chapter gets its own visual and tonal language.
Aronofsky's four-part descent into addiction, each segment a different type of hell. Like ABCs, it's divided chapters with different visual languages—but they build toward something genuinely shattering rather than episodic. Proves anthology structure can serve thematic unity.
But Deeply nihilistic and punishing to watch. Not entertainment; it's an experience designed to wreck you. Not rewatchable for most people.

More like this (7)
XX2017
Four horror segments directed entirely by women, each with distinct style and vision. Clever, unsettling, often beautiful. Proves anthology horror doesn't need 26 chapters to feel complete.
But Some viewers find the segments overly arty or slow. Shorter runtime means less room to build tension in some cases.

Southbound2015
Desert-set horror anthology with seamless storytelling across segments. Visually striking, genuinely eerie mythology. Directors collaborate rather than compete, which makes it feel whole.
But Slower burn than ABCs; if you want immediate shocks, you'll get frustrated early on. Deliberately cryptic.

Holidays2016
One horror segment per major holiday. Clever premise with real scares and genuine emotion. Directors include feature filmmakers (Kevin Smith, Adam Egypt Mortimer). Consistent quality.
But Uneven tones across chapters; some feel more like dark comedy than horror. Scattered pacing.

Nightmare Cinema2018
Five segments in a haunted movie theater, each mining a different era of horror cinema. Beautifully shot, meta without being exhausting, real dread underneath.
But Requires some film knowledge to appreciate the references. Slower and more atmospheric than visceral.

Tales of Halloween2015
Ten bite-sized Halloween horror stories, fast-paced and playful. Doesn't take itself too seriously; feels like a party where everyone's sharing ghost stories.
But Very short segments mean minimal character development. Wildly uneven quality; some are barely sketches.

Stories We Tell2012
Both question the authority of the director—each segment a different interpretation of the same material, each equally 'true.' ABCs does this accidentally; Haneke does it as the entire point.
Michael Haneke's structured narrative anthology exploring how stories change depending on who tells them. Deliberately formal, intellectually daring, about death and family secrets told across overlapping timelines. Experimental without being pretentious.
But Slow, austere, deliberately obscure about what's real. For viewers patient with ambiguity; others will find it frustrating and distant.

The Animatrix2003
Like ABCs, it's a collection of auteurs operating in a shared universe without unified vision. Also proves that uneven anthology work can still be worth your time if the peaks are high enough.
Nine anime shorts set in the Matrix universe, each with wildly different animation styles and tonal registers. Some are brilliant sci-fi, others are pure style. Shows how anthology format can be a laboratory for visual experimentation.
But Anime; if that's not your medium, you're out immediately. Quality varies wildly. Some segments feel like deleted scenes rather than standalone stories.

People
Cast
Ingrid Bolsø BerdalFrau Scheisse (voice)
Erik AudéBeat Down Dude (segment "D is for Dogfight")
Iván GonzálezBobo (segment "X is for XXL")
Kyra ZagorskyLainey (segment "V is for Vagitus")
Peter PedreroHooded Man (segment "S is for Speed")- Dallas MalloyFemale Boxer (segment "D is for Dogfight")
Lee HardcastleDad (segment "T is for Toilet") (voice)- Lucy ClementsLulu (segment "S is for Speed")
- DarenziaRoxanne (segment "S is for Speed")
Arisa NakamuraYoshie (segment "F is for Fart")
Matías OviedoBruno (segment "Cycle")
Chems DahmaniA Bad Guy (segment "X is for XXL")
Directing
- Cristóbal Braun MesplesAssistant Director
- Adam WingardDirector
- Adrián García BoglianoDirector
- Anders MorgenthalerDirector
- Andrew TrauckiDirector
- Angela BettisDirector
- Banjong PisanthanakunDirector
- Ben WheatleyDirector
- Bruno ForzaniDirector
- Ernesto Díaz EspinozaDirector
- Hélène CattetDirector
- Jake WestDirector
- Jason EisenerDirector
- Jon SchneppDirector
- Jorge Michel GrauDirector
- Kaare AndrewsDirector
- Lee HardcastleDirector
- Marcel SarmientoDirector
- Nacho VigalondoDirector
- Noboru IguchiDirector
- Simon RumleyDirector
- Srđan SpasojevićDirector
- Thomas Cappelen MallingDirector
- Ti WestDirector
- Timo TjahjantoDirector
- Xavier GensDirector
- Yoshihiro NishimuraDirector
- Yudai YamaguchiDirector
- Haroldo MuñozScript Supervisor
Writing
- Ant TimpsonIdea
- Adrián García BoglianoWriter
- Bruno ForzaniWriter
- Hélène CattetWriter
- Jake WestWriter
- Jon SchneppWriter
- Kaare AndrewsWriter
- Lee HardcastleWriter
- Nacho VigalondoWriter
- Noboru IguchiWriter
- Simon BarrettWriter
- Simon RumleyWriter
- Srđan SpasojevićWriter
- Ti WestWriter
- Timo TjahjantoWriter
- Yoshihiro NishimuraWriter
- Yudai YamaguchiWriter
Production
- Oliver LinsleyExecutive Producer
- Tom QuinnExecutive Producer
- Andrea Quiroz HérnandezProducer
- Andrew StarkeProducer
- Ant TimpsonProducer
- Camila MendezProducer
- Chris FergusonProducer
- Chris SergiProducer
- Christopher WhiteProducer
- Claire JonesProducer
- Douglas NaborsProducer
- Francis O'TooleProducer
- Julie Lind-HolmProducer
- Lino P. StavoleProducer
- Nahikari IpiñaProducer
- Petter LindbladProducer
- Rob CotterillProducer
- Simon BoswellProducer
- Yoshihiro NishimuraProducer