Film
Somewhere in Time
A dreamy, unabashedly sentimental fantasy about a man who falls in love with a photograph of a woman from seventy years earlier and wills himself back through time to find her. John Barry's swooning score and the grand-hotel scenery do a lot of the work; this is a film to surrender to, not interrogate. For anyone who wants romance pitched at full, tearful volume.
If you liked this
The Time Traveler's Wife2009no page yet
The same engine as Somewhere in Time — love that has to fight physics to survive — but stretched across a whole marriage, with real stakes about what devotion costs when you can't control when you'll vanish.
But The novel's intricate structure gets simplified into straightforward melodrama, and some viewers find the power imbalance more unsettling than romantic.
Midnight in Paris2011
Woody Allen's whimsical comedy about a man who slips into the Paris of his dreams every midnight shares Richard's exact affliction: falling in love with an era he never actually lived in.
But It's light and funny where Somewhere in Time is earnest and swoony — if you want the ache, this will feel too breezy.

Titanic1997
Same doomed grandeur, same conviction that love matters more than time or death, and the same instinct for lavish period detail as the backdrop to heartbreak.
But It's three hours long and so culturally omnipresent you've probably absorbed the ending by osmosis already.

The wildcard
Something you would not have found on your own.
Berkeley Square1933no page yet
Richard Matheson cited this 1933 film, and the play it's based on, as the direct ancestor of his novel's premise — a man hypnotizing himself into the past for a woman he's fallen for through objects left behind.
This is where the whole idea comes from: a young American in London becomes so consumed by fascination with his ancestor's era that he wills himself back into the 18th century to find the woman waiting there.
But It's a creaky early-talkie, stagey and slow by modern standards, with none of Somewhere in Time's visual sweep.
More like this (8)
The Notebook2004
A love story that insists memory and devotion can outlast everything, even the mind itself, told with the same unembarrassed sincerity as Richard and Elise's romance.
But It's a tearjerker built for maximum crying, with little interest in subtlety once the machinery gets going.

Kate & Leopold2001no page yet
Flip the direction of travel — a 19th-century duke lands in modern New York — and you get the same fish-out-of-water tenderness, minus the tragedy, with genuine charm from its leads.
But It trades Somewhere in Time's melancholy for rom-com cheerfulness, so the stakes feel lower and the ending is a lot happier.
Ghost1990
Love refusing to accept the separation death demands, told with the same conviction that devotion can bend reality itself, plus one of the great weepy soundtracks of its decade.
But The supernatural mechanics are goofier than hypnosis, and the comic relief occasionally undercuts the tragedy.

Peggy Sue Got Married1986no page yet
Kathleen Turner travels back into her own past instead of someone else's, giving you the same time-slip wonder but with a wry, adult perspective on what you'd actually do once you got there.
But It's a comedy at heart, more interested in nostalgia and regret than romantic transcendence.
The Lake House2006no page yet
Two people fall in love through letters across a two-year time gap, chasing the same idea that love can exist outside normal time if you want it badly enough.
But The time-travel logic is famously wobbly, and the chemistry is quieter — less swoon, more puzzle-solving.
Sleepless in Seattle1993
No time travel here, just the same faith that two people can be fated for each other before they've even met — romantic destiny as its own kind of magic.
But It's a much lighter, funnier film with none of the melancholy or period lushness that makes Somewhere in Time distinctive.

La Jetée1962
Same bones as Somewhere in Time — obsession with an image of a woman from another time, time travel as an act of longing rather than science — rendered as austere, melancholic art-house sci-fi instead of lush romance.
A 28-minute French science-fiction film, told almost entirely in still photographs, about a man obsessed with a woman glimpsed before catastrophe, pulled backward and forward through time by the force of that memory alone.
But It's experimental and largely wordless in a way we don't expect films to work, and its ending is bleak rather than swooning.

Vertigo1958
Both hinge on a man falling into trance-like fixation on a woman connected to the past, using clothes, portraits, and places to summon her — Vertigo simply refuses to tell you it's romantic.
Hitchcock's masterpiece about a man who becomes dangerously fixated on a woman tied to a place and a past he can't let go of, forever unsure whether what he loves is real or his own projection.
But It's cold and unsettling where Somewhere in Time is warm — this treats obsession as sickness, not destiny.

People
Cast
Christopher ReeveRichard Collier
Jane SeymourElise McKenna
Christopher PlummerWilliam Fawcett 'W.F.' Robinson
Teresa WrightLaura Roberts
Bill ErwinArthur Biehl
George VoskovecDr. Gerald Finney- Susan FrenchOlder Elise
John AlvinArthur's Father
Eddra GaleGenevieve- Audrey BennettRichard's Date [1972]
William H. MacyCritic [1972]- Laurence CovenCritic [1972]
Directing
- Jeannot SzwarcDirector
- Burt BluesteinFirst Assistant Director
- Ulla BourneScript Supervisor
- Lorraine SennaSecond Assistant Director
Writing
- Richard MathesonNovel
- Richard MathesonScreenplay
Production
- Steve BickelAssociate Producer
- Jennifer ShullCasting
- Stephen DeutschProducer
- Britt LomondUnit Production Manager
Recommended by
The Mummy, City of Angels, The Ghost and Mrs. Muir, Midnight in Paris, Frequency