Film
City of Angels
City of Angels is a glossy, string-laden weepie about an angel who falls for the surgeon he's supposed to be shepherding into the next world, and the cost of choosing flesh over eternity. It's Los Angeles shot like heaven's waiting room — golden light, aching score, Nicolas Cage doing wide-eyed wonder. Watch it if you want a good cry and don't mind your metaphysics played completely straight.
If you liked this
Ghost1990
The template for every 'love that outlasts death' weepie that followed — Swayze's spirit trying to reach Demi Moore from the other side hits the same ache City of Angels does, with more genuine tears and less soft focus.
But The pottery-wheel earnestness and Whoopi Goldberg comic relief now play more camp than they did in 1990.

Meet Joe Black1998no page yet
Same year, same premise almost — Death himself takes human form and falls for a mortal woman, and Brad Pitt plays the same wide-eyed newcomer-to-flesh wonder Cage does, just colder and stranger.
But Three hours long for a premise that's essentially one idea stretched thin, and the pace shows it; patience required.
Always1989
Spielberg's underrated ghost romance has a dead pilot guiding the woman he loved toward a new life — gentler, funnier, and more generous about letting go than City of Angels ever manages.
But Firefighting subplot and the 80s sheen date it a little, and the whimsy can tip into corny.

The wildcard
Something you would not have found on your own.
A Guy Named Joe1944
It's the structural ancestor of City of Angels — a dead man watching over the woman he loves, forced to choose between holding on and letting go — filtered through wartime drama instead of theology.
A dead WWII pilot is assigned to guide the woman he loved toward a new man, and has to learn to let her go — this is the actual bones of the guardian-angel-in-love story, decades before anyone dressed it in trench coats and clouds.
But Black-and-white wartime melodrama with all the stiff-upper-lip conventions of its era; the pace and mores feel very 1943.

More like this (8)
What Dreams May Come1998no page yet
Robin Williams chases his wife through the afterlife in a film that takes heaven and hell as seriously — and paints them as beautifully — as City of Angels takes its clouds and rooftops.
But Visually intoxicating but emotionally heavier and stranger than a casual rental; grief sits at its center, not romance.
Sleepless in Seattle1993
Same star, same yearning-across-distance ache, minus the wings — Meg Ryan convinced two people are meant for each other before they've even met, which is basically City of Angels without the theology.
But Pure comfort-watch romcom; if you wanted the fantasy and fatalism, this trades it for radio call-ins and Cary Grant references.

Michael1996no page yet
John Travolta's scruffy, cigarette-smoking angel is the tonal opposite of Cage's Seth — funnier, filthier, more human — but the question of whether the divine can love mortally is the same one.
But Broad comedy and road-trip shenanigans; don't expect anything as hushed or reverent as City of Angels.
Return to Me2000no page yet
A heart transplant quietly links a widower to the woman who carries his late wife's heart — smaller and warmer than City of Angels, but built on the same idea that love can survive the body's end.
But Modest and low-key where City of Angels goes for the sweeping gesture; some will find it slight.
Somewhere in Time1980
Christopher Reeve travels back through time to love a woman he's only seen in a photograph — the doomed, impossible-love machinery is nearly identical, just swapped from heaven to history.
But Slow, soft-focus 1980 pacing and a plot mechanism that asks for total suspension of disbelief.

Only You1994no page yet
A woman chases the man she believes fate has chosen for her across Italy — lighter and sillier than City of Angels, but built on the same faith that romance can be written in the stars.
But Featherweight where City of Angels wants to be profound; go in wanting fluff, not metaphysics.
Your Name.2016
Same engine as City of Angels — lovers separated by a metaphysical divide, one bending reality itself to reach the other — but rendered in anime instead of Hollywood fog machines.
Two teenagers swap bodies across time and distance, falling for someone they've never properly met, in an animated Japanese film so gorgeous and heartbreaking it's been called this generation's most beautiful romance.
But Animated and subtitled, with a sci-fi/folklore logic that asks more patience and attention than a straightforward live-action weepie.

The Lovely Bones2009no page yet
It takes the film's central image — an unseen soul tethered to a world it can't touch — and drops the romance to sit with real loss, the darker question City of Angels only flirts with.
A murdered girl watches her family and killer from a shimmering afterlife, unable to intervene — the same 'invisible witness to the living' ache as City of Angels, but pointed at grief and injustice instead of romance.
But Genuinely upsetting subject matter — a child's murder — handled with a dreamy visual style some found tonally uncomfortable.
People
Cast
Nicolas CageSeth
Meg RyanMaggie
Dennis FranzMessinger
Andre BraugherCassiel
Colm FeoreJordan
Robin BartlettAnne
Joanna MerlinTeresa
Sarah DampfSusan
Rhonda DotsonSusan's Mother
Nigel GibbsDoctor
John PutchMan in Car
Lauri JohnsonWoman in Car
Directing
- Brad SilberlingDirector
- Michele Panelli-VenetisFirst Assistant Director
- Dianne DreyerScript Supervisor
- Matt RebenkoffSecond Assistant Director
- Eric TigniniSecond Second Assistant Director
Writing
- Peter HandkeOriginal Film Writer
- Richard ReitingerOriginal Film Writer
- Wim WendersOriginal Film Writer
- Dana StevensScreenplay
Production
- Mark B. JohnsonAssistant Location Manager
- Alan GlazerAssociate Producer
- Jeff LevineAssociate Producer
- David RubinCasting
- Scott FrenchCasting Assistant
- Ronna KressCasting Associate
- Douglas SegalCo-Producer
- Kelley Smith-WaitCo-Producer
- Arnon MilchanExecutive Producer
- Charles NewirthExecutive Producer
- Robert CavalloExecutive Producer
- Ken HaberLocation Manager
- Lauren RossLocation Manager
- Steve DayanLocation Manager
- Charles RovenProducer
- Dawn SteelProducer
- Jan GarnerProduction Accountant
- Douglas V.R. ShellowProduction Secretary
- Allegra CleggUnit Production Manager