Film
Plus One
- Romantic comedy
- Light-hearted
A charming romantic comedy about two perpetually single friends who become each other's wedding dates for a summer of nuptials. It's light and warm, built on genuine chemistry and the pleasure of watching two people discover what they've been missing. For anyone who loves the idea that sometimes the best love story is the one hiding in plain sight.
If you liked this
When Harry Met Sally...1989
The template for this exact story—can male and female friends really avoid romance? It's witty, beautifully acted, and genuinely moving in ways that feel earned rather than sentimental.
But It's 35 years old and the pacing is deliberately slow. If you need constant action or modern comedy rhythms, it may feel stately.

Forgetting Sarah Marshall2008
A similar ensemble warmth and a protagonist learning to open up emotionally. It's funny without being smug, and the secondary relationships matter as much as the main one.
But The humor skews broader and cruder in places. If you prefer gentler comedy, this occasionally swings for the fences in ways that don't land.

Love, Simon2018
Another teen-adjacent rom-com about discovering your person was there all along. It has genuine heart, excellent supporting characters, and understands why falling for your best friend is terrifying.
But It's a high school story, which means some emotional beats read as smaller stakes. The coming-of-age framing might feel slight if you're looking for adult complications.

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The wildcard
Something you would not have found on your own.
Seeking a Friend for the End of the World2012
Both explore how the right person at the wrong time (or circumstance) is different from the right person full stop. Both understand that sometimes you have to stop running from what's right in front of you.
Two lonely strangers road-tripping toward apocalypse. It has the same bittersweet recognition that connection matters more than circumstances, but it swings toward genuine melancholy and stakes that feel real. The friendship becomes everything.
But It's quieter and sadder than Plus One, with an ending that doesn't resolve neatly. This is romance for people who understand that sometimes timing breaks you.

More like this (8)
The Proposal2009
Ryan Reynolds and Sandra Bullock have the exact chemistry Jack Quaid and Maya Erskine do—two people sparring their way toward each other. It's frothy but genuinely funny and surprisingly tender.
But It relies heavily on romantic comedy beats you'll see coming a mile away. There's not much here to surprise you structurally.

27 Dresses2008
Katherine Heigl as someone who's always in service to others' happiness finally demanding her own. The banter is excellent and it nails the specific loneliness of being everyone's reliable friend.
But It's a very 2008 rom-com, which means the plotting can feel contrived and some jokes haven't aged brilliantly. The movie also asks you to accept some pretty convenient coincidences.

Crazy, Stupid, Love.2011
A larger ensemble cast doing romantic comedy work, with genuine vulnerability underneath the humor. Steve Carell's storyline alone has more depth than most rom-coms manage.
But The structure is busier than Plus One, juggling multiple perspectives. If you prefer a tight two-character focus, this might feel scattered.

My Best Friend's Wedding1997
Julia Roberts realizing her feelings for her best friend at the worst possible moment. It understands the panic of nearly missing your life, and the supporting cast is wonderfully drawn.
But It's built on misunderstandings and meddling that feel dated. The central premise relies on behavior that reads as manipulative rather than romantic now.

Set It Up2018
Two broke assistants scheme to set up their demanding bosses—and fall for each other in the process. It's sweet, funny, and knows exactly what it is without apology.
But If you're tired of the 'let's trick two people into romance' plot, this doesn't reinvent it. It's comfortable and familiar to the point of predictability.

Hitch2005
Will Smith as a romance coach navigating his own feelings; it's about learning that vulnerability matters more than strategy. The film has warmth and genuine wisdom underneath the charm.
But It's broader and more willing to indulge in spectacle than Plus One. Some of the comedy lands on caricature, and it plays things a bit too safe.

Tiny Furniture2010
Both understand that the person you need isn't always the person you thought you wanted. Both are fundamentally about two people recognizing each other as the answer to a question they didn't know they were asking.
Lena Dunham's debut about an aimless post-college woman finding direction through an unexpected connection. It's unglamorous, funny-sad, and utterly genuine about what it feels like to be stuck and then suddenly unstuck. Nothing is resolved in a bow.
But It's deliberately understated in ways that might feel aimless. The comedy is dry and observational; there are no setup-punchline gags, and some viewers find that frustrating.

Daria1997
Both know that the scariest love story isn't the one that breaks you—it's the one that asks you to let someone who already knows you completely be your person. Both make vulnerability the whole point.
A TV movie that captures two friends navigating attraction and panic with perfect deadpan precision. It's smart without trying, and it understands that the best relationships start as friendships. The emotional honesty is shattering.
But It's animated, which puts some off. It's also deliberately low-stakes and quiet—nothing explodes, no one yells. If you need dramatic confrontations and climactic moments, this won't deliver.

People
Cast
Jack QuaidBen King
Maya ErskineAlice Mori
Beck BennettMatt
Ed Begley Jr.Chuck King
Rosalind ChaoAngela Mori
Tom YiMitch Mori
Jessy HodgesAmanda
Brianne HoweyJess Ramsey
Perrey ReevesGina
Scarlett BerminghamMaggie
Victoria ParkLily Mori
Tim ChiouNate
Directing
- Andrew RhymerDirector
- Jeff ChanDirector
- JP QuicquaroFirst Assistant Director
- Mazzin ChaudhariSecond Assistant Director
- A.J. PitreSecond Second Assistant Director
Writing
- Andrew RhymerWriter
- Jeff ChanWriter
Production
- Lindsey WeissmuellerCasting
- Neely EisensteinCasting
- David DevriesCo-Producer
- JP QuicquaroCo-Producer
- Lisa SteenCo-Producer
- Rashonda JoplinCo-Producer
- Amee DollemanExecutive Producer
- Ben StillerExecutive Producer
- Dan WeinsteinExecutive Producer
- Harris McCabeExecutive Producer
- Jackie CohnExecutive Producer
- James ShortExecutive Producer
- John ShortExecutive Producer
- Michael SchreiberExecutive Producer
- Milan ChakrabortyExecutive Producer
- Nicholas WeinstockExecutive Producer
- Stu PollardExecutive Producer
- Andrew RhymerProducer
- Deborah LieblingProducer
- Greg BeauchampProducer
- Jeff ChanProducer
- Jeremy ReitzProducer
- Ross PutmanProducer