Film
Piercing
- Crime
- Psychological horror
- Thriller
- Very dark
A twisted psychological thriller about a businessman who books a hotel room with murderous intent, only to meet his match in an unpredictable sex worker. Piercing is a stylish, perverse cat-and-mouse game that swings between darkly comic and genuinely unsettling. It's for viewers drawn to transgressive cinema who don't need their antagonists redeemed.
Should you watch it?
Watch it if you enjoy a slow-burn chamber piece where a polished, controlled surface keeps cracking, and you like stylised dark humour that turns uneasy at the edges.
Skip it if you want the menace to be clear and the stakes steady, since it keeps shifting its footing and leans on cruelty for its shocks.
What it asks of you: Eighty-odd minutes, mostly confined to one hotel room, with long quiet stretches that reward patience and little relief between the jolts.
Not sure? Find tonight's pick in a minute.
If you liked this
You're Next2013
A home-invasion thriller that flips genre expectations by making the victim smarter and more capable than her attackers. Wickedly funny and visceral, with genuine surprises in its plotting.
But The found-footage elements and early 2010s indie-horror aesthetics feel dated now, and it relies on violence as its primary emotional currency.

Oldboy2003
A Korean masterpiece about obsession and revenge that matches Piercing's willingness to push moral boundaries. Visually stunning, structurally ingenious, and genuinely disturbing in ways that linger.
But Extremely violent and includes sexual assault. It's a difficult watch by design, and the plot hinges on a revelation that might feel manipulative.

American Psycho2000
A satire of masculine excess where a wealthy investment banker's murderous fantasies are indistinguishable from his everyday cruelty. Darkly hilarious and still sharp about status anxiety and performance.
But Some find the misogyny exhausting rather than critiqued, and the ambiguity about what's real won't satisfy viewers seeking narrative clarity.

Not sure tonight? Get a pick in a minute, starting from Piercing
The wildcard
Something you would not have found on your own.
Teeth2008
Both films feature predators meeting their match in an unexpected partner who refuses to play victim. The power dynamic inverts with each encounter, creating an unstable equilibrium that defines both films.
A B-movie about a woman with a medical condition that weaponizes her body against assault. It's transgressive body horror with a legitimate feminist rage underneath, audacious and occasionally hilarious.
But The premise is inherently grotesque, and it oscillates between horror and comedy in ways that don't always land. Very low-budget effects.

More like this (8)
A Cure for Wellness2017
A paranoid psychological thriller set in an isolated luxury spa where nothing is as it seems. Gorgeously composed and genuinely eerie, with a mounting sense of dread.
But Nearly three hours long, and the plot twists veer into body-horror and conspiracy territory that strains credibility in the final act.

Under the Skin2014
An art-house sci-fi thriller built on atmosphere and ambiguity rather than exposition. Scarlett Johansson gives a deliberately opaque performance that makes every scene feel dangerous.
But It's slow-burn to a fault, with minimal dialogue and long sequences of driving through Glasgow. Patience required; payoff not guaranteed.

A Dark Song2016
Two people locked in a room for a spiritual exorcism forms an unlikely intimacy. Quietly unsettling, gorgeously shot, and genuinely moving about grief and obsession.
But Extremely slow and deliberately sparse. If you need plot momentum or clear answers about what's happening, this will frustrate you.

The Killing of a Sacred Deer2017
A surgeon's family is terrorized by a mysterious teenager he hit with his car. Methodical, symmetrical, and deeply disquieting in its logic and tone.
But Yorgos Lanthimos's signature style—stilted dialogue, flat affect, mathematical cruelty—isn't for everyone. It's more puzzle than narrative.

We Need to Talk About Kevin2011
A fractured, color-coded portrait of a mother processing her son's violence. Tilda Swinton delivers one of her finest performances in a film that refuses easy sympathy.
But Depressing, difficult, and deliberately fragmented in structure. The subject matter—a school shooting—is bleak and never softened by catharsis.

Nocturnal Animals2016
A revenge thriller within a thriller, gorgeously designed and morally complicated. Tom Ford's direction is assured, and the dual narratives create constant friction.
But Self-conscious style can feel hollow, and the second half abandons subtlety. Some will find it overwrought rather than elegant.

Raw2017
Both explore transgression as a form of honesty—characters who act on impulses society demands they suppress. The filmmaking style is deliberately provocative, using extreme imagery not for shock value but as a form of emotional truth.
A Belgian coming-of-age body-horror film about a vegetarian vet student whose awakening appetite turns literal and cannibalistic. Genuinely striking cinema from Julien Ducournau, visceral and philosophically strange.
But Graphic depictions of flesh and blood without the dark comedy safety valve. It's austere and demanding, and some will find it pretentious provocation.

Uncut Gems2019
Both are 82-minute thrillers released in 2019 that use claustrophobic spaces and unpredictable partners as pressure cookers for moral ambiguity. Neither film judges its protagonist so much as observes them colliding with their own nature.
An Adam Sandler-led thriller about a jeweler and gambling addict spiraling through New York's underworld in real-time. Frenetic, funny, agonizing, and technically audacious in its refusal to let you breathe.
But The constant chaos and lack of musical score makes it exhausting by design. If you hate overstimulation or unresolved anxiety, it will feel like punishment.

People
Cast

Mia WasikowskaJackie
Laia CostaMona
Maria DizziaChevonne
Marin IrelandReed's Mother
Wendell PierceThe Doctor
Will BrillThe Bellhop- Paul NazakThe Old Man
Olivia BondThe Bunny Girl
Dakota LustickYoung Reed
Directing
- Nicolas PesceDirector
- Eric LaFranchiFirst Assistant Director
- Sam EvoyScript Supervisor
- Adam KelemanSecond Assistant Director
Writing
- Ryū MurakamiNovel
- Nicolas PesceScreenplay
Production
- Alexandra ThurmondAssociate Producer
- Brighton McCloskeyCo-Producer
- Al DiExecutive Producer
- Avi SternExecutive Producer
- Emilie GeorgesExecutive Producer
- Max BornExecutive Producer
- Naima AbedExecutive Producer
- Phil HoeltingExecutive Producer
- Sean DurkinExecutive Producer
- Antonio CamposProducer
- Jacob WassermanProducer
- Josh MondProducer
- Schuyler WeissProducer
- Brennan BergerProduction Accountant
- Dan O'BrienProduction Office Coordinator