Film
One Last Thing
Other titles called One Last Thing: the film.
- Social drama
- Very dark
A 14-minute short film about a grieving man and a troubled girl who meet by chance and offer each other unexpected salvation. Quiet, emotionally precise, and unafraid to sit with pain—this is the kind of film that leaves you thinking for hours afterward. For anyone who believes cinema's greatest power lies in human connection rather than spectacle.
Should you watch it?
Watch it if you respond to compact character drama that trusts a single night and a couple of performers to carry grief and damage without explaining them.
Skip it if you need a story with room to breathe or a clear arc, since at fourteen minutes it offers one encounter and a mood rather than a fully built world.
What it asks of you: Fourteen minutes of close, uninterrupted attention with few distractions and little room to look away from raw emotion.
Not sure? Find tonight's pick in a minute.
If you liked this
Manchester by the Sea2016
A masterclass in depicting male grief without sentimentality. Casey Affleck's quiet despair mirrors the emotional register of watching someone grapple with unbearable loss, handled with genuine tenderness.
But Three hours of muted New England winter. There's no plot momentum to carry you—just accumulated sorrow, which some will find punishing rather than cathartic.

Moonlight2016
Three chapters of a life told through intimate, painterly moments. Like your film, it trusts the audience to feel profound connection without melodrama or explanation.
But Deliberately paced and oblique. If you need plot clarity or character exposition, the elliptical storytelling will frustrate rather than move you.

The Farewell2019
A young woman meets a dying relative and everything shifts. Balances humor and heartbreak with extraordinary grace, proving emotional authenticity doesn't require tragedy to dominate the screen.
But The tonal shifts between comedy and grief might feel uneven if you're looking for consistent emotional heaviness throughout.

Not sure tonight? Get a pick in a minute, starting from One Last Thing
The wildcard
Something you would not have found on your own.
Rabbit Hole2010
Both films understand that the deepest emotional moments are often the quietest ones, and that a young person and an older one can save each other simply by being present.
Nicole Kidman and Aaron Eckhart play parents whose child has died. Rather than wallow, it's about the strange, specific work of learning to live again—the small decisions, the moments of grace.
But Handles grief with such restraint it can feel cold if you're expecting catharsis. Some scenes feel airless, which is entirely the point and entirely hard to sit with.

More like this (8)
Arrival2016
A woman encounters something unknowable and must choose between two paths. Builds profound emotional stakes through restraint and philosophical patience—sci-fi that trusts your intelligence.
But Deliberately slow first act. The spectacle some crave from the genre takes a backseat to language, meaning, and interior transformation.

A Ghost Story2017
A ghost watches his widow grieve. Achingly inventive about how cinema can render the invisible tangible. Proves experimental form can deepen rather than obscure emotional truth.
But Genuinely strange pacing and visual choices. Some will find it precious; others will be moved to tears. There's little middle ground.

Minari2021
A Korean-American family chases a dream and fractures under the weight of it. Tender, funny, and uncompromising about how love and conflict coexist in the same breath.
But Quiet American indie sensibility. No dramatic crescendos, no tidy resolution—just the texture of living and trying.

The Son2022
A father tries to help his suicidal son and discovers he can't. Devastatingly honest about the limits of love and parental helplessness without ever becoming exploitative.
But Genuinely difficult to watch. If you're struggling with mental health, this will wound rather than illuminate.

Aftersun2022
A man takes his daughter on holiday while falling apart beneath the surface. Uses visual language—light, water, music—to suggest emotional depths never explicitly stated.
But Oblique and impressionistic. The emotional truth is woven into form rather than dialogue, which some will find evasive.

C'mon C'mon2021
An uncle and nephew spend time together while the world threatens to collapse. Shot in black and white, it finds unexpected tenderness in conversation and companionship.
But Conceptually ambitious in ways that don't always land. The philosophical framework can feel imposed rather than earned.

Hereditary2018
Both recognize that the worst damage happens in the spaces between people—in what goes unsaid, unheard, and unresolved. Both are about failure to connect, but one whispers and one screams.
A family unravels after a death. Yes, it's a horror film—but the horror is watching people fail to help each other, fail to communicate, fail to break generational cycles. Devastating in a totally different mode.
But Aggressively disturbing imagery and a third act that abandons realism. If you want subtle emotional drama, the genre language will feel like a betrayal.

The Kindergarten Teacher2018
Like your film, it's about what happens when two people at different life stages collide, but it explores the darker possibility—how connection can become corrosion when need goes unchecked.
A teacher becomes obsessed with a gifted student, blurring the line between protection and possession. An uncomfortable reversal of your setup—an older person's need consuming a younger one, rather than healing them.
But Unsettling and ethically murky. No villain, no clarity—just the slow creep of someone's good intentions rotting into something else entirely.

People
Cast
- Jack NoonanJerry
Stephanie HostonMolly
Ida DarvishJane
Directing
- Richie StarzecDirector
Writing
- Richie StarzecWriter
Production
- Martin ListerAssociate Producer
- Raj RawalExecutive Producer
- Matthew MarderProducer