Film
Nocebo
- Supernatural mystery
- Folk horror
- Very dark
A fashion designer's undiagnosed illness spirals into psychological torment when a Filipino caregiver introduces folk remedies and supernatural suggestions. Nocebo is an unsettling slow-burn thriller that uses sickness as a metaphor for guilt, gaslighting, and the power of belief itself. Eva Green is magnetic in her unravelling—you won't look away, but you'll feel queasy the whole time.
Should you watch it?
Watch it if you like slow-burn psychological puzzles where a sickroom drama tilts into folklore and dread, and you don't mind the rules staying blurry.
Skip it if you want the scares to arrive on schedule, since this is a measured, talky build with long stretches of marital friction and waiting-room frustration.
What it asks of you: Ninety-six minutes of unhurried, murky atmosphere that keeps you guessing and wants patience with its slow, uneasy logic rather than jolts.
Not sure? Find tonight's pick in a minute.
If you liked this
The Wailing2016
A Korean masterpiece about a woman's mysterious illness that may or may not be supernatural, blending folk horror with genuine psychological dread. It shares Nocebo's refusal to offer easy answers.
But Nearly three hours long, deliberately ambiguous in ways that frustrate rather than satisfy, and demands active attention throughout.

Mulholland Drive2001
Hitchcockian paranoia meets psychological collapse in a film about a woman losing her grip on reality. Like Nocebo, it's beautifully shot, deeply unsettling, and obsessed with delusion versus truth.
But Deliberately fragmented and cryptic. No clear resolution. Rewarding for some, infuriating for others.

Goodnight Mommy2015
Austrian horror about a mother's post-surgery appearance that unsettles her children into believing something is wrong with her—or with reality itself. Shares Nocebo's interest in perception weaponized against the mind.
But Graphic body horror. A twist that will either devastate you or feel like betrayal. Not for the squeamish.

Not sure tonight? Get a pick in a minute, starting from Nocebo
The wildcard
Something you would not have found on your own.
A Dark Song2016
Both use folk practice and supernatural belief as a lens to examine grief, guilt, and the power of another person's conviction to remake your reality.
An Irish woman hires an occultist for a private exorcism in her home. Where Nocebo uses folk superstition as violation, this treats it as potential redemption. Both explore how belief shapes reality and trauma.
But Glacial pacing. No plot in the traditional sense. Sincere spirituality without judgment can feel tedious to skeptics.

More like this (8)
Stoker2013
Park Chan-wook's American debut: elegant, sensual, and deeply disturbing. An outsider enters a household and poisons it from within—psychologically rather than literally. That same slow contamination.
But Glacially paced. The eroticism makes some uncomfortable. More interested in mood than plot momentum.

The Babadook2014
Psychological horror about a widow and her son that works as both literal monster movie and metaphor for grief. Sharp, intelligent, and genuinely frightening in ways that linger.
But The third act shifts tone significantly. Some find it too bleak; others wanted more monster.

Shutter Island2010
Scorsese's reality-warping thriller about a man investigating a disappearance while his own mental state crumbles. High-stakes unreliable narration and period atmosphere make it endlessly rewatchable.
But The twist is divisive—some call it cheap, others think it's the entire point. Extremely dark thematically.

Tusk2014
Kevin Smith's demented body horror about a man transformed into something inhuman. Grotesque, obscene, and oddly committed to its nightmare logic. For those who want Nocebo's body dread cranked to 11.
But Deeply unpleasant. Justin Long being tortured for two hours. Nearly incoherent at points. Smith's worst film according to many; cult object according to others.

The Machinist2004
Christian Bale wastes away in this noir about a man whose reality fractures under insomnia and guilt. Nocebo-adjacent in its exploration of how the mind manufactures illness and dissolution.
But Relentlessly bleak. Watching an actor destroy himself physically is uncomfortable. The twist relies on withholding information the audience should have known.

Spider-Man2002
Cronenberg's quiet demolition of a man's reconstructed past. Like Nocebo, it questions whether what we're seeing is truth or the unreliable palace of memory. Hypnotic and deeply sad.
But Deliberately obscure and slow. The payoff is minimal. Requires patience and sympathy for its protagonist that some won't give.

Inheritance2017
Both understand that the most poisonous contamination comes from the past, and that a caregiver or outsider can weaponize a family's own guilt against them.
Danish psychological horror miniseries about inherited trauma and a family poisoned by secrets. Like Nocebo, someone enters a household and their presence unravels what was hidden. Deeply intelligent about cycles of abuse.
But Subtitled. Slow-building. The horror is mostly emotional and atmospheric, not visceral. Ends ambiguously about what's supernatural and what's psychological.

Teeth2008
Both use the body as a battleground where belief, psychology, and biology become indistinguishable. Both ask: who controls what your body does?
Audacious body horror about a young woman discovering she has teeth where she shouldn't. Pure genre provocation, but genuinely explores violation and bodily autonomy. Like Nocebo, it weaponizes the female body as both victim and weapon.
But Literally about castration anxiety. Graphic genital horror. The feminist message can read as exploitation. Transgressive for its own sake to some, necessary to others.

People
Cast
Eva GreenChristine
Mark StrongFelix
Chai FonacierDiana
Billie GadsdonBobs
Anthony FalconJomar
Cathy BeltonLiz
Angie FerroOngo
Carla MartinezWealthy Lady- Angelo ParagosoFactory Supervisor
- Lawrence AgoncilloYoung Diana
- Raquel RegaladoDiana's Mother
Directing
- Fiona FreyneAssistant Director Trainee
- Lorcan FinneganDirector
- Jonathan ShawFirst Assistant Director
- Mara Paulina Adlawan MarasiganFirst Assistant Director
- Eva KellyScript Supervisor
- Ren'z EstacioScript Supervisor
- Neil GuerinSecond Assistant Director
- Punky TaguinesSecond Assistant Director
- Adrian Brian SpillettThird Assistant Director
Writing
- Garret ShanleyScreenplay
Production
- Jessica HeeryAssistant Location Manager
- Stelle LagudaAssociate Producer
- Julie HarkinCasting
- Nathan TothCasting
- Bianca BalbuenaCo-Producer
- Bradley LiewCo-Producer
- Aram TertzakianExecutive Producer
- Bastien SirodotExecutive Producer
- Bianca BalbuenaExecutive Producer
- Bradley LiewExecutive Producer
- Celine HaddadExecutive Producer
- Charles DorfmanExecutive Producer
- Cloé GarbayExecutive Producer
- David GilberyExecutive Producer
- Lorcan FinneganExecutive Producer
- Marlon VogelgesangExecutive Producer
- Maxime CottrayExecutive Producer
- Nate BolotinExecutive Producer
- Nick SpicerExecutive Producer
- Mary McCarthyLine Producer
- Patti LapusLine Producer
- Brunella CocchigliaProducer
- Emily LeoProducer
- Mary ZapataProduction Assistant
- Donal SheehanProduction Coordinator
- Maki SarmientoProduction Manager
- Sinead BarryProduction Manager
Recommended by
The Dissident, His House, Frontline, The Duel, The Exorcist: Martyrs, The Surrogate, Lies in Plain Sight