Film
Lucrezia Borgia
Abel Gance's 1935 portrait of the Borgia dynasty treats history as melodrama and moral ruin. It's visually rapturous—all sculptural shadows and operatic staging—but emotionally austere, never letting you forget these were real people trafficking in poison and power. For anyone who wants their Renaissance corrupt, gorgeously rendered, and fundamentally tragic.
Should you watch it?
Watch it if you enjoy courtly intrigue played as a family rot, with political scheming and bitter loyalties staged in heavy, theatrical period style rather than a brisk action history.
Skip it if you want a fast modern pace or strict historical accuracy, because its stately, operatic tempo and melodramatic plotting lean hard on period mannerism.
What it asks of you: Settle in for a compact ninety-three minutes, a patient, talky stretch where the dialogue and faces carry the weight and the mood stays formal and cool.
Not sure? Find tonight's pick in a minute.
If you liked this
The Leopard1963
Visconti's epic about Sicilian nobility adapting to a changing world shares Gance's painterly obsession with surfaces—costume, setting, faces—as indices of deeper moral decay. Hypnotic and formally audacious.
But It's nearly three hours of conversation and contemplation, not action. The pacing demands patience; many find it slow.

Caligula1979
Another despot's rise explored through the lens of absolute corruption within a single family. Tinto Brass commits fully to the decadence, excess, and psychological damage of unchecked power—operatic in its ugliness.
But Gratuitously explicit. The film's reputation for graphic content often overshadows its actual inquiry into tyranny and madness.

Dangerous Liaisons1988
Chess games played with sex and reputation in the 18th-century French court. The cold precision of aristocratic manipulation mirrors the Borgias' ruthlessness, but filtered through wit rather than poison.
But More polished and literary than brutal. If you want immediate visceral impact, this is too elegant by half.

Not sure tonight? Get a pick in a minute, starting from Lucrezia Borgia
More like this (5)
The Tudors2007
Another dynasty of murderous, sexually voracious power-brokers who remake faith itself to suit ambition. Henry VIII and the Borgias are separated by geography and time but spiritually twins—both consumed by dynastic hunger.
But Becomes increasingly uneven across four seasons. Later episodes trade historical complexity for soap-opera momentum.

A Prophet2009
Jacque Audiard traces the education of a young man in prison through ruthlessness, alliance, and the intoxicating corruption of power. The structure mirrors Cesare's rise—how to survive by becoming monstrous.
But It's set in modern prison rather than Renaissance palaces. The setting is deliberately unglamorous, which some find deflating.

The Name of the Rose1986
Medieval corruption within the church itself, where intellectual hubris and institutional power breed violence and secrecy. Sean Connery as a detective navigating theology and murder in a monastery full of secrets.
But Episodic and occasionally ponderous. The mystery doesn't always grip as tightly as the atmosphere does.

The Masque of the Red Death1964
Corman's Poe adaptation captures the same Gance-like visual lushness applied to aristocratic depravity. A prince hosting a masque while plague ravages his kingdom—decadence as moral bankruptcy.
But Stagey production values. Shot on a tight budget with painted sets; intentional artificiality won't appeal to everyone.

The Godfather Part II1974
Coppola splits the narrative between two generations of a crime dynasty, showing how ruthlessness is inherited and normalized. The Corleones are the modern Borgias: family first, morality nowhere.
But At over three hours, it demands commitment. Some find the intercutting between timelines frustrating.

People
Cast
Edwige FeuillèreLucrezia Borgia
Gabriel GabrioCésar Borgia
Maurice EscandeJean Borgia, Duke of Gandie
Roger KarlRodrigo Borgia, Pope Alexander VI
Aimé ClariondNiccollo Machiavelli
Philippe HériatFilippo, sculptor-lover
Jacques DumesnilGiannino Sforza, Duke of Milano- Max MichelAlfonse de Aragon
- Louis EymondCapt. Mario, officer-lover
- Jean FayTybald
René BergeronPietro
Gaston ModotFracassa
Directing
- Abel GanceDirector
Writing
- Alfred SchirokauerNovel
- Abel GanceWriter
- Henri VendresseWriter
- Léopold MarchandWriter