Film
Lords of Chaos
- Drama
- Very dark
Lords of Chaos chronicles the rise of Norwegian black metal in the early 1990s through the eyes of Euronymous, a charismatic teenager determined to make his band Mayhem the most evil and extreme act in metal. It's a grimy, visceral character study that treats its subjects seriously—not as cartoon villains, but as young men whose artistic ambition and mutual toxicity collided catastrophically. For fans of music documentaries, dark coming-of-age stories, and true crime told through drama rather than exposition.
Should you watch it?
Watch it if you are drawn to scene chronicles about young men chasing an idea so hard it curdles, and you don't mind watching the friendships rot in close-up.
Skip it if you want a tidy story with sympathetic heroes, since its interest in provocation and bloodshed is cold, sometimes numbing, and rarely eased by warmth.
What it asks of you: Just under two hours of slow, bleak build-up, long stretches of posturing before the mood lurches hard toward brutality; it wants your steady attention throughout.
Not sure? Find tonight's pick in a minute.
If you liked this
The Devil's Candy2016
A metal guitarist's family moves into a house with a sinister past. Like Lords of Chaos, it takes heavy music culture seriously and builds dread through character rather than jump scares. Understated and genuinely unsettling.
But Slower burn than you might expect, and the horror elements are secondary to the family dynamics. Not a visceral crowd-pleaser.

Sound City2013
Dave Grohl's documentary about the legendary LA recording studio and the musicians who shaped rock history. A love letter to the craft of making music and the strange alchemy of creative communities.
But It's long, reverential, and occasionally meandering. If you find yourself bored by recording anecdotes, you'll check out.

Alpha2018
A teenage boy becomes obsessed with ultra-violent white-supremacist ideology through an online community. Unflinching exploration of radicalization and how charisma and ideology entangle. Smartly made and genuinely disturbing.
But The subject matter is bleak and specific. Some viewers will find it exploitative rather than illuminating.

Not sure tonight? Get a pick in a minute, starting from Lords of Chaos
The wildcard
Something you would not have found on your own.
Metalhead2013
Both films treat metal fandom as a genuine emotional and philosophical commitment for their protagonists, not a costume or phase. Both show how music becomes a way to process darkness.
An Icelandic film about a teenage girl's obsession with heavy metal music after a family tragedy. It's a quiet, melancholic study of how music becomes a refuge and an identity. Shot in black and white, intimate and strange.
But The metal is almost secondary; it's really about grief and alienation. If you want scenes of metal culture, you'll be disappointed.

More like this (7)
A Prophet2009
A young man enters prison and rises through sheer intelligence and ruthlessness. Character-driven crime drama with the same intensity and moral complexity as Lords of Chaos—two men, escalating stakes, no easy heroes.
But French cinema pacing. Not conventionally exciting, and the political dimensions may feel abstract if you're just after thrills.

The Green Inferno2014
Eli Roth's cannibal horror film treats its violence with the same unflinching commitment to realism that Lords of Chaos brings to its subject. Genuinely transgressive without being irresponsible.
But Extremely graphic violence and gore. The provocative intent is the whole point, which won't appeal to everyone.

We Need to Talk About Kevin2011
A mother reckons with her son's capacity for violence and her own complicity. Structured like a fever dream, it asks uncomfortable questions about nature, nurture, and the people we become. Devastating and formally brilliant.
But Deliberately difficult. The non-linear structure and emotional weight can feel punishing rather than cathartic.

Come and See1985
A Soviet film following a young boy through the German invasion of Belarus. The most harrowing war film ever made—raw, uncompromising, and about how ordinary violence corrupts innocence. No flinching, no look away.
But Almost unbearably dark. It's a historical document of atrocity, not entertainment. Only watch if you're prepared to sit with genuine horror.

Nightcrawler2014
Jake Gyllenhaal as a manipulative freelance videographer in LA, pursuing violence and moral compromise for profit. Character study of a charismatic sociopath. Tense, well-shot, and morally corrosive.
But The nihilism can feel relentless. If you want catharsis or comeuppance, this isn't it.

Gomorrah2008
Italian crime drama set in Naples, following multiple characters caught in the Camorra underworld. Authentic, unglamorous, and structured like a novel. Shows how systems destroy individuals, not just how individuals behave badly.
But Ensemble cast and non-linear narrative mean it takes work to follow. Subtitled, and the regional politics may feel distant.

Dancer in the Dark2000
Both explore how artistic vision and obsession can isolate someone, and how beauty and darkness are often inseparable. Both feature protagonists who see the world through an aesthetic lens that protects and dooms them.
Lars von Trier's Dogme film starring Björk as a factory worker who lives for musical fantasy. A young woman's internal world collides brutally with reality. Formally audacious and heartbreaking, the songs are cathartic release and devastating irony.
But Wilfully depressing and stylistically jarring. The ending will wreck you. Not a film that lets you off easy.

People
Cast
Rory CulkinØystein 'Euronymous' Aarseth
Emory CohenKristian 'Varg' Vikernes
Jack KilmerPelle 'Dead' Ohlin
Sky FerreiraAnn-Marit
Valter SkarsgårdBård Guldvik 'Faust' Eithun
Anthony De La TorreJan Axel 'Hellhammer' Blomberg
Sam ColemanJon 'Metalion' Kristiansen
Jonathan BarnwellJørn 'Necrobutcher' Stubberud
Wilson Gonzalez OchsenknechtVarg's Driver
Lucian Charles CollierStian 'Occultus' Johannsen- Andrew LavelleGylve 'Fenriz' Nagell
- James EdwynKjetil 'Manheim'
Directing
- Jonas ÅkerlundDirector
- Andrasz JetFirst Assistant Director
Writing
- Didrik SøderlindBook
- Michael MoynihanBook
- Dennis MagnussonScreenplay
- Jonas ÅkerlundScreenplay
Production
- Dan HubbardCasting
- Abazar KhayamiCo-Executive Producer
- Andrew CoffingCo-Producer
- Emory CohenCo-Producer
- Jacqui EdenbrowCo-Producer
- Rory CulkinCo-Producer
- Adam ParfreyExecutive Producer
- Carlo DusiExecutive Producer
- Eddy MorettiExecutive Producer
- Natalie FarreyExecutive Producer
- Shane SmithExecutive Producer
- Vincent LandayExecutive Producer
- Håkon ØveråsLine Producer
- Judit SósLine Producer
- Danny GabaiProducer
- Erik GordonProducer
- Jack ArbuthnottProducer
- Jim CzarneckiProducer
- Ko MoriProducer
- Kwesi DicksonProducer