Film
Don Jon
Don Jon is Joseph Gordon-Levitt's directorial debut, a frank comedy about a charming Jersey guy whose porn addiction wrecks his relationship with the woman of his dreams. It's smart about desire, loneliness, and the gap between fantasy and real connection. Funny, tender, and unafraid to be messy about sex.
Should you watch it?
Watch it if you enjoy a brisk, sharp-edged romcom that treats its hero's bad habits as funny until they start costing him something, and you like a lead who narrates his own life with cocky certainty.
Skip it if the sexual content is frank throughout, and if you find a story about porn habits more irritating than insightful, its smug first half will test your patience.
What it asks of you: Ninety minutes that move quickly and stay mostly in one man's head, shifting from broad laughs to something colder, asking you to keep up with its tonal turns.
Not sure? Find tonight's pick in a minute.
If you liked this
Trainwreck2015
Amy Schumer plays a commitment-phobic woman whose life spirals until she meets a guy who makes her reconsider. Like Don Jon, it's a romantic comedy that actually understands how people self-sabotage and uses humour to dig at real emotional damage.
But It's longer and broader than Don Jon, with more sketch-comedy detours. Some of the side plots feel less focused than the core relationship.

Her2013
Spike Jonze explores loneliness and intimacy through a man falling for an AI. Like Don Jon, it asks what we're really looking for when we say we want connection, and whether screens are substitutes or symptoms.
But It's meditative and slow where Don Jon is snappy. The premise, though clever, can feel distancing rather than immediate.

Crazy, Stupid, Love.2011
A marriage in freefall, a man learning to be someone new, and Ryan Gosling as a charming chaos agent. Structurally similar to Don Jon: it tracks how fantasy (of other people, of freedom) collides with the harder work of real love.
But Sweeter and less willing to sit in discomfort than Don Jon. It smooths some edges that make the other film sharper.

Not sure tonight? Get a pick in a minute, starting from Don Jon
The wildcard
Something you would not have found on your own.
Mulholland Drive2001
Both films are obsessed with the unreliable gap between how we see ourselves and relationships versus how they actually are.
David Lynch's fractured, obsessive film about a woman's fantasy of herself, her lover, and her life in LA. Like Don Jon, it's about how we construct narratives of connection and desire, but Lynch lets the fantasy collapse into something darker and more philosophical.
But Deliberately cryptic, demands active viewing, and doesn't resolve neatly. If you watch it hoping for clarity, you'll leave angry.

More like this (8)
Punch-Drunk Love2002
Paul Thomas Anderson's strangest romance, with Adam Sandler as a lonely, volatile guy who finds connection. It has Don Jon's interest in how damaged people approach intimacy, plus Anderson's formal risk-taking and unexpected tenderness.
But It's oblique and dreamlike, with long stretches of no plot. If you want a straight story, this will frustrate you.

Shame2011
Michael Fassbender in Steve McQueen's unflinching film about a man whose sexual compulsion has hollowed out his life. Like Don Jon but darker—it's the version where nobody learns anything and the cost is visible.
But Extremely bleak and sexually explicit in ways that are clinical rather than titillating. It's a film about addiction that feels like one.

Bumblebee2018
Not the Transformers you remember. Travis Knight's film about a lonely girl and a robot is sincere about connection and loneliness without being sarcastic. It has the same warmth Gordon-Levitt brings to Don Jon's family scenes.
But It's a big studio film that should be cynical but isn't, which some people find saccharine. If you hate earnestness, you'll hate this.

Fleabag2016
Phoebe Waller-Bridge's series about a manipulative, porn-addicted woman in London. It's Don Jon from the other side: funny, fast, broken in the same ways, asking the same questions about whether we can change.
But Only two seasons, and it ends on purpose. If you're looking for unlimited rewatching, this leaves you wanting more (which is the point, but still).

The Good Place2016
Starts as a comedy about ethics and the afterlife, but it's really about whether flawed people can grow and connect. Like Don Jon, it's fascinated by the gap between who we are and who we want to be, played entirely straight.
But The first season is lighter than later ones. If you want consistent tone, the tonal shifts might feel uneven.

Togetherness2015
Jay and Mark Duplass's HBO show about two couples trying to make marriage work in the real world. Messy, un-airbrushed, funny about loneliness even when you're coupled up. Spiritual cousin to Don Jon's honesty about desire and commitment.
But It's small-scale and doesn't have a big narrative engine. Some people find it slow; others call that realism.

First Reformed2018
Both are about men trapped by compulsive behavior they can't name as addiction, and the loneliness that drives it.
Paul Schrader's film about a pastor in spiritual crisis, starring Ethan Hawke. It has the same claustrophobic intensity as Don Jon—a man alone with his contradictions—but replaces sex with faith and existential dread as the addiction that won't let him live.
But It's bleak and philosophical where Don Jon is snappy. Some will find it glacial; others will find it punishing.

Stalker1979
Both explore the gap between desire and reality; both suggest that the wanting is the problem, not the object we want.
Andrei Tarkovsky's Soviet science-fiction film about desire itself. A man and woman move through a mysterious zone seeking something they're not sure exists. Completely different genre and era from Don Jon, but it shares an obsession with whether what we want can ever match what we're looking for.
But Nearly three hours, mostly people walking and talking. Shot in muted colors. If you want plot momentum or visual excitement, you will be bored.

People
Cast
Joseph Gordon-LevittJon Martello, Jr.
Scarlett JohanssonBarbara Sugarman
Julianne MooreEsther
Tony DanzaJon Martello, Sr.
Glenne HeadlyAngela Martello
Brie LarsonMonica Martello
Lindsey BroadLauren
Rob BrownBobby
Jeremy LukeDanny
Paul Ben-VictorPriest
Italia RicciGina
Amanda PerezLisa
Directing
- Joseph Gordon-LevittDirector
- Brian O'SullivanFirst Assistant Director
- Renetta G. AmadorScript Supervisor
- Chelsea DonisonSecond Assistant Director
Writing
- Joseph Gordon-LevittWriter
Production
- Nikos KaramigiosAssociate Producer
- Mary VernieuCasting
- Venus KananiCasting
- Nicolas ChartierExecutive Producer
- Ryan KavanaughExecutive Producer
- Tucker TooleyExecutive Producer
- Bruce Wayne GilliesLine Producer
- Peter WulffLocation Manager
- Ram BergmanProducer
- Diane WardProduction Coordinator