Film
Damn Yankees
- Comedy
- Fantasy
- Stage-musical adaptation
- Light-hearted
A glossy 1958 musical adaptation of the Broadway smash: a middle-aged Senators fanatic trades his soul to the Devil for a shot at winning the pennant. It's buoyant, cynical about American ambition, and showcases Gwen Verdon's electrifying dance numbers. Peak mid-century entertainment—lightweight but crafted with real skill and oddly dark underneath.
Should you watch it?
Watch it if you love old-fashioned musicals where the song-and-dance numbers are the main event and a wry, wisecracking devil steals every scene he's in.
Skip it if you find 1950s studio musicals stagey and slow, or you want a fast, modern pace; the numbers stop the story cold and the baseball is more backdrop than drama.
What it asks of you: About 111 minutes of patience for a bright, theatrical style, with the story moving in bursts between big musical set pieces and quieter book scenes.
Not sure? Find tonight's pick in a minute.
If you liked this
Singin' in the Rain1952
The gold standard of movie musicals: pure joy, dazzling choreography, and a story that trusts its dancers to carry the emotional weight without apology.
But If you're allergic to unironic earnestness and tap shoes, the relentless cheer might wear you down.

The Music Man1962
Another Broadway adaptation with infectious optimism, a con-man protagonist, and Robert Preston's manic charm. Captures small-town Americana with affection and humor in equal measure.
But Running over two hours, it moves at a deliberate pace. The sentimentality can feel cloying if you're not in the mood.

Guys and Dolls1955
A cynical love story hidden inside a Runyonesque caper, with Sinatra and Brando finding surprising chemistry. The film version expands the scope of the stage show beautifully.
But Brando seems uncomfortable in musicals and it shows. The gender politics are dated and occasionally grating.

Not sure tonight? Get a pick in a minute, starting from Damn Yankees
The wildcard
Something you would not have found on your own.
Faust1926
Both are American takes on the Faustian pact, but where Damn Yankees plays it for laughs and reassurance, Faust treats it as cosmic tragedy. One is vaudeville, one is cathedral.
F.W. Murnau's silent masterpiece: a German Expressionist retelling of the Faustian bargain in images of startling beauty and psychological depth. No dialogue, pure visual storytelling of staggering power.
But Silent film requires patience and attention. The 1920s style and pacing will alienate viewers expecting narrative momentum.

More like this (8)
Seven Brides for Seven Brothers1954
A genuinely inventive musical with a dark undertone—frontier life, rough men, acrobatic dancing. The barn-raising sequence is a masterpiece of choreography and pure cinema.
But The courtship subplot involves kidnapping played for laughs. The plot logic collapses if you examine it for three seconds.

It's Always Fair Weather1955
Cynical, smartly made, about male friendship and disillusionment. Gene Kelly, Dan Dailey, and Michael Kidd create something genuinely modern underneath the jazz-age trappings.
But Less polished than other MGM musicals, with an acerbic tone that some find depressing rather than charming.

Silk Stockings1957
Cole Porter score, Fred Astaire and Cyd Charisse together, and a Cold War romance that's both satirical and surprisingly touching. Sophisticated and fleet on its feet.
But The satire of Soviet communism feels thin by design. If you need political substance, you won't find it here.

The Band Wagon1953
A backstage musical-within-a-musical with Astaire and Cyd Charisse. Self-aware, witty, and contains the magnificent 'Dancing in the Dark' sequence that justifies cinema itself.
But The plot is deliberately slight and the pacing occasionally stalls. Some numbers feel like variety-show filler.

Kiss Me Kate1953
Shakespeare meets the chorus line: a Taming of the Shrew adaptation set in a theatrical production. Howard Keel's power and the Cole Porter songs carry genuine dramatic weight.
But The backstage drama can feel dated and shrill. The film version flattens some of the stage show's energy.

Cabin in the Sky1943
An earlier film musical with a spiritual bargain at its core—a man's soul contested between good and evil. Ethel Waters is magnificent; the score is gorgeous and haunting.
But Produced during a period of Hollywood segregation; it exists in that complicated historical context. The pacing drags in spots.

Ball of Fire1941
Both feature a Faustian bargain—selling your soul or selling your body—presented as comedy, but with an undertow of real anxiety about ambition, desire, and what you'll sacrifice for them.
A screwball comedy about a stripper (Barbara Stanwyck, glorious) taking refuge with seven absent-minded professors. Sexually charged, intellectually playful, with a darkly cynical view of American morality hiding under the comedy.
But The dated slang takes work to parse. The sexual politics, while progressive for 1941, are now quaint and sometimes uncomfortable.

Pennies from Heaven1981
Both films use the musical form to explore desire and escape in America, but Pennies from Heaven shows what Damn Yankees carefully avoids: that the fantasy and the ordinary world cannot coexist peacefully.
A Depression-era musical fantasy where a sheet-music salesman's inner life explodes into elaborate dance sequences. Steve Martin and Bernadette Peters navigate between gritty realism and Busby Berkeley-style escapism, creating something uniquely haunting.
But It's fundamentally bleak—sex, poverty, desperation—interrupted by beautiful artifice. The tonal whiplash between fantasy and reality destroys most viewers' good mood.

People
Cast
Tab HunterJoe Hardy
Gwen VerdonLola
Ray WalstonMr. Applegate
Russ BrownBenny Van Buren
Shannon BolinMrs. Meg Boyd
Nathaniel FreySmokey
James KomackRocky
Rae AllenGloria Thorpe- Robert ShaferJoe Boyd
Jean StapletonSister Miller
Bob FosseMambo Dancer (uncredited)- Herschel GrahamBaseball Game Spectator (uncredited)
Directing
- George AbbottDirector
- Stanley DonenDirector
Writing
- Jerry RossLyricist
- George AbbottScreenplay
- George AbbottTheatre Play
Recommended by
Angel Heart, All That Money Can Buy, Easter Parade, It Happens Every Spring, Cinderfella, Oh, God! You Devil, Roustabout, Three for the Show