Film
Appleseed
Other titles called Appleseed: the 1988 film.
A sleek, motion-captured anime feature where a hardened soldier discovers her utopian new home is rotten at its core. Visually audacious—somewhere between anime and live-action—it's cerebral sci-fi about power, control, and the cost of peace. For fans of philosophical action and boldly experimental animation.
Should you watch it?
Watch it if you love dense, talky science fiction about cities, politics and cyborg bodies, and you don't mind gorgeous but stiff computer animation carrying big ideas.
Skip it if you want nonstop, character-light action, since much of the running time goes to explaining the setting and arguing over it, and the CGI faces can feel uncanny.
What it asks of you: Settle in for 105 minutes of mostly sober talk broken by bursts of gunfire, and keep your eyes on the screen, since the world is dense with detail that flies past.
Not sure? Find tonight's pick in a minute.
If you liked this
Ghost in the Shell1995
The definitive anime that asks what consciousness means when bodies are replaceable. Gorgeous, strange, endlessly quotable. If you loved Appleseed's visual ambition, this is essential.
But The philosophizing can overwhelm the plot, and the pacing feels deliberate to the point of glacial for some viewers.

Akira1988
A masterpiece of hand-drawn animation that spawned an entire aesthetic. Political, visceral, genuinely disturbing. Appleseed owes it everything about depicting power and corruption.
But The last act is deliberately oblique and experimental. Not everyone finds it rewarding rather than exhausting.

The Matrix1999
Corporate worlds hiding sinister truths; reality questioned; balletic action sequences. A spiritual sibling to Appleseed's blend of philosophy and spectacle, though far more accessible.
But Age has been kind to it visually, but the dialogue can sound dated and overwrought.

Not sure tonight? Get a pick in a minute, starting from Appleseed
The wildcard
Something you would not have found on your own.
Chappie2015
Both use cutting-edge motion-capture and visual effects as thematic language about the boundary between human and artificial—not just for spectacle, but to make you *feel* the uncanniness.
Neill Blomkamp's muddled but fascinating film about an AI gaining consciousness in a militarized South Africa. Shares Appleseed's motion-capture aesthetic, its anxiety about technology replacing humanity, and its belief that sleek visuals serve serious ideas.
But The film's politics are confused and the supporting characters are thinly drawn. It's frustrating precisely because it *almost* works.

More like this (8)
Blade Runner1982
The gold standard of 'what is human?' sci-fi. Moody, gorgeous, obsessively rewatchable. Appleseed is its spiritual descendant—slower and more political, but cut from the same cloth.
But The theatrical cut's voiceover is cheesy. The film itself is patient to the point of testing some viewers' patience.

Elysium2013
Matt Damon in a dystopian action thriller about a divided world and one soldier's disillusionment. Shares Appleseed's muscular physicality and skepticism about utopias built on exclusion.
But The class commentary is blunt and sometimes clumsy. Action overwhelms nuance.

Mobile Suit Gundam 0080: War in the Pocket1989
A compact, brilliant anime miniseries about war from a child's perspective. Shares Appleseed's questioning of narratives we're fed and the gap between ideology and reality.
But It's dated in appearance and assumes you care about Gundam continuity you might not have. Very slow for an action show.

Neon Genesis Evangelion1995
Astonishingly ambitious anime that deconstructs mecha and heroism. The final two episodes especially share Appleseed's willingness to break visual and narrative conventions in service of theme.
But The ending is deliberately unresolved and fragmentary. Many find it alienating rather than brilliant.

Code Geass: Hangyaku no Lelouch2006
Slick anime thriller about a tactical genius undermining an oppressive empire from within. Shares Appleseed's interest in idealism corrupted by power and the machinery of control.
But It's very long, melodramatic, and the later seasons lose focus. Also, some find the protagonist insufferable.

Paprika2006
A visually intoxicating anime feature about technology blurring reality. Joyful where Appleseed is stern, but equally fascinated by consciousness, identity, and the dangers of powerful tools.
But The narrative is deliberately dreamlike and surreal. If you want coherent plot over sensation, you'll be frustrated.

Perfect Blue1998
Both films use animation to explore questions about the self—what remains when your body, memory, or autonomy can be overwritten or controlled? Both make you question what you're seeing.
Satoshi Kon's psychological thriller about identity fractured by performance and technology. Animation that moves like live-action; a story about illusion and control. Visually disorienting and brilliant.
But It's a psychological horror-thriller, not an action film. Bleak and unsettling throughout. Some violence is genuinely disturbing.

Metropolis2001
Both films are obsessed with the visual representation of an artificial created class and the moral cost of a society built on their oppression. Both see utopia as a lie told by the powerful.
Osamu Tezuka's manga animated into a gorgeous, tragic story about class division and robot uprisings. Political and visually stunning. A reminder that anime has been asking these questions about artificial beings and oppression for decades.
But The story is simpler and sadder than Appleseed. Some find the messaging heavy-handed and the pacing old-fashioned, even for anime.

People
Cast
Ai KobayashiDeyunan (voice)
Asumi MiwaDeyunan (motion actor)
Jurota KosugiBuriareosu (voice)
Yuki MatsuokaHitomi (voice)
Yuzuru FujimotoUranosu (voice)
Takehito KoyasuHadesu (voice)
Mami KoyamaAtena (voice)
Miho YamadaNike (voice)
Toshiyuki MorikawaYoshitsune (voice)
Ryuji NakagiShichiken rô Erekutoryuon (voice)
Fumio MatsuokaShichiken rô Oionosu (voice)- Hirotake NagataShichiken rô Kadomosu (voice)
Directing
- Shinji AramakiDirector
Writing
- Shirow MasamuneComic Book
- Haruka HandaScreenplay
- Tsutomu KamishiroScreenplay
- Shinji AramakiStoryboard
Production
- Hideki GotoExecutive Producer
- Fumihiko SoriProducer
- Hidenori UekiProducer
- Hiroe TsukamotoProducer
- Naoko WatanabeProducer
- Nobu YamamotoProducer
Recommended by
Bubblegum Crisis, Black Magic M-66, Patlabor 2: The Movie, Street Fighter II: The Animated Movie, Iron Man: Rise of Technovore