Film

All the Money in the World

Ridley Scott's tense kidnapping thriller set in 1973 Rome, where a desperate mother battles her billionaire father-in-law's miserliness to save her teenage son. A study in greed and love told through cat-and-mouse tension and moral reckoning. For anyone who loves procedural crime drama with real historical stakes.

TMDb rating3.2

Should you watch it?

Watch it if you like grounded true-crime thrillers that treat money and family loyalty as a slow, cold-blooded negotiation, with a patient eye for period detail.

Skip it if you need brisk pacing or a lighter touch, since this is a sober, heavy story about cruelty and greed that rarely lets the mood relax.

What it asks of you: A measured, unhurried build across roughly two hours and twelve minutes, with few big set pieces and long stretches of quiet dread that rarely lighten.

Not sure? Find tonight's pick in a minute.

If you liked this

Zodiac2007

Fincher's methodical thriller about obsession and pursuit, with the same meticulous procedural tension and moral complexity. Two men circling each other across years, with the viewer caught between them.

But It's slow, deliberately paced, and refuses easy answers. The ending will frustrate you if you want closure.

Zodiac poster

Tinker Tailor Soldier Spy2011

A cold-war spy thriller that prizes intelligence and patience over action. Like All the Money, it's about the unseen battle—who knows what, who moves first, the geometry of power plays.

But Deliberately opaque and atmospheric. If you need every plot point spelled out, you'll find it slow and withholding.

Tinker Tailor Soldier Spy poster

A Most Wanted Man2014

John le Carré adaptation with the same grey-zone morality and institutional gamesmanship. Intelligence agencies, wealth, the question of who really wins. Quiet, sharp, and deeply intelligent.

But Talky and cerebral rather than thrilling. The plot is secondary to the ideas it explores.

A Most Wanted Man poster

Not sure tonight? Get a pick in a minute, starting from All the Money in the World

The wildcard

Something you would not have found on your own.

Serpico1973

Both are 1970s-set true crimes about one person against an institution that should protect them—and usually doesn't.

Released the same year Getty III was kidnapped—a true-crime procedural from the era, about a cop fighting corruption inside his own system. Both films about individuals versus machines bigger than themselves, both urgent and immediate.

But Filmed on gritty 70s stock, it looks older than All the Money despite being from the same moment. The pacing is slower than modern thrillers.

Serpico poster
More like this (8)

Kidnapped1988

A genuinely harrowing true-crime thriller about the Lindbergh kidnapping. Similar structure, similar era, same question: how far will wealth go to protect itself?

But Some of the 80s aesthetic hasn't aged gracefully. The pacing is more deliberate than modern audiences expect.

Kidnapped poster

The Two Popes2019

Two titans of power circling each other across years and continents. A dialogue-heavy, character-driven drama about legacy, faith, and what you're willing to sacrifice. Anthony Hopkins and Jonathan Pryce are extraordinary.

But It's essentially two old men talking. There's almost no plot, which some will find contemplative and others will find weightless.

The Two Popes poster

The Wolf of Wall Street2013

Another story about obscene wealth and the moral rot it creates. Scorsese's approach is noisier and more exuberant, but the engine is identical: money as a kind of madness.

But Aggressively stylish and three hours long. Its celebration of excess will alienate you if you don't find the critique underneath the spectacle.

The Wolf of Wall Street poster

Murder on the Orient Express2017

Also a 2017 period thriller about wealth and power colliding. Poirot assembling secrets in an enclosed space. Elegant procedural work with a stellar cast doing their best.

But Kenneth Branagh's vanity project borders on self-parody. The plot twists feel more TV than cinema.

Murder on the Orient Express poster

The Banker2020

True story of two Black financiers in 1950s America navigating systemic racism and wealth. Similar themes of legacy, class, and what institutions protect. Well-acted and engaging.

But The direction is workmanlike and it hits its emotional beats a little too obviously. Competent rather than inspired.

The Banker poster

The Bling Ring2013

Sofia Coppola's cool, observant take on privilege and emptiness. A different angle on wealth obsession—not power but glamour as intoxicant. Detached and unsettling.

But Its refusal to judge or explain the criminals' behaviour will feel like moral emptiness to some. Very slow, very controlled.

The Bling Ring poster

A Prophet2009

Both are about the economics of coercion—what do you trade to stay alive when you're powerless? Both use procedural realism to explore systemic cruelty.

A French prison thriller about a young man surviving by learning the hidden rules of a closed world. Like All the Money, it's about economic systems within systems—prison economy, ransom economy—and the leverage that buys survival.

But It's in French, and it's brutal and depressing in ways that don't offer conventional catharsis. Some scenes of violence are hard to watch.

A Prophet poster

Possession1981

Both are about watching someone you love be held hostage—emotionally or literally—by forces you cannot control or understand. Both use the kidnap/possession as metaphor for intimacy itself.

Andrzej Żuławski's hallucinatory Berlin thriller about a marriage collapsing into metaphysical horror. Totally different register from All the Money, but identical DNA: intimate betrayal spiralling into public violence, wealth and power as instruments of control, the camera as a weapon.

But It's experimental, sometimes incoherent, and genuinely disturbing. The 80s avant-garde will feel self-indulgent if you're not prepared for it. Not a thriller in the conventional sense.

Possession poster

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