Film

All Good Things

A dark true-crime thriller built around the unsolved 1982 disappearance of Kathleen Durst, filtered through the relationship between a privileged man and the woman who vanished. It's intimate and unsettling, moving between tenderness and menace as it pieces together what might have happened. For viewers drawn to real mystery and the psychology of couples under pressure.

TMDb rating3.1

Should you watch it?

Watch it if you like true-crime stories told as a slow, uneasy love story, where the question of who this man really is matters more than any single jolt.

Skip it if you need a brisk thriller, since this one lingers over its slow courtship and hushed unease, and the romance can feel thinly sketched beside the case.

What it asks of you: Settle in for a patient, mostly low-key pace across roughly one hundred minutes, with dread building in small, deliberate moves rather than sudden jolts.

Not sure? Find tonight's pick in a minute.

If you liked this

Memories of Murder2003

A masterwork about obsession and uncertainty: two detectives pursuing a serial killer in 1980s South Korea, never quite grasping the whole truth. Methodical, haunting, and structurally similar in how it withholds final answers.

But Subtitled, and the pacing is slow and deliberate—this asks patience rather than offering constant momentum.

Memories of Murder poster

The Girl on the Train2016

An unreliable narrator piecing together a neighbourhood mystery, tangled in relationships and doubt. It shares the claustrophobic feeling of being trapped in one perspective that may be deceiving you.

But The plot twists rely heavily on contrivance; some viewers find the mechanics too visible.

The Girl on the Train poster

Zodiac2007

Fincher's patient obsession film about the hunt for the Zodiac killer, built on atmosphere and psychological exhaustion. No real resolution, just the wear of chasing ghosts—thematically aligned with what *All Good Things* reaches for.

But Nearly three hours and relentlessly grim, with a finale that some find anticlimactic rather than tragic.

Zodiac poster

Not sure tonight? Get a pick in a minute, starting from All Good Things

The wildcard

Something you would not have found on your own.

Phantom Thread2017

Both films use the tension between love and control as their engine, showing how devotion can curdle into something sinister when power becomes unbalanced.

A meticulous portrait of control and codependency between a famous dressmaker and a woman who enters his life. It's not a mystery, but it explores the same claustrophobic intimate spaces and the slow accumulation of dread within a relationship.

But Essentially plotless—it's pure mood and power dynamics, which some find glacially paced and emotionally distant.

Phantom Thread poster
More like this (8)

Mystic River2003

Three men haunted by childhood trauma investigate a murder in Boston. It understands how the past contaminates the present and how suspicion corrodes relationships—a close cousin to the emotional architecture here.

But Heavy and sometimes predictable; the tragedy can feel more operatic than intimate.

Mystic River poster

In the Cut2003

Jane Campion's unsettling film about a woman drawn into a murder investigation and a dangerous romance. Intimate, sensual, and genuinely disturbing about desire and doubt twined together.

But Sexually explicit and morally murky in ways that some find exploitative rather than exploratory.

In the Cut poster

Rebecca1940

Hitchcock's masterpiece about a woman haunted by her husband's first wife. Psychological, gothic, and obsessed with the past and what it means to live alongside a mystery you can't solve.

But The pacing and style are from another era; contemporary viewers sometimes find it slow or overwrought.

Rebecca poster

Nocturnal Animals2016

Tom Ford's lurid neo-noir about a woman reading her ex-husband's revenge novel. It mirrors the structure of *All Good Things*—present-day unease reflected in darker narrative layers.

But Stylistically cold and sometimes feels more like an exercise in mood than earned emotion.

Nocturnal Animals poster

The Killing2011

A Danish crime series where a detective pursues a murder through seasons of investigation, politics, and dead ends. It understands that real cases don't resolve neatly and that obsession destroys as much as it illuminates.

But Glacially paced and emotionally austere; the Danish tone can read as monotonous to some viewers.

The Killing poster

Shutter Island2010

Scorsese and DiCaprio in a psychological mystery where the investigation itself becomes unreliable. The mood and the paranoia match what *All Good Things* achieves.

But The twist is widely known now, and the film's power depends on not seeing it coming.

Shutter Island poster

The Jinx: The Life and Deaths of Robert Durst2015

*All Good Things* dramatizes the story *The Jinx* documents—watching both is like seeing a crime through a funhouse mirror, then through clear glass.

An HBO documentary series where you watch Robert Durst himself confess to crimes on camera, surrounded by the real evidence and real consequences. Intimate, terrifying, and far more morally complex than any dramatization.

But The man at its centre is charismatic and unsettling; some viewers find the access to him troubling rather than illuminating.

The Jinx: The Life and Deaths of Robert Durst poster

The Godfather Part II1974

Both films argue that the corruption of intimacy—whether in a marriage or a family—is a kind of murder that leaves no body, only absence.

A three-hour epic that cuts between past and present, showing how men become the people who disappear women and children. Michael's arc is about the slow death of conscience—the same trajectory *All Good Things* traces in miniature.

But It's long, densely plotted, and demands attention; it rewards obsessive viewers more than casual ones.

The Godfather Part II poster

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