Film
A Little Princess
Alfonso Cuarón's lush, painterly adaptation of Frances Hodgson Burnett's novel relocates Sara Crewe's ordeal to WWI-era New York, framing her father's absence and Miss Minchin's cruelty inside a story-within-a-story about imagination as survival. It's gorgeously shot, unashamedly sincere, and works equally well as a bedtime film for children or a quiet gut-punch for adults who remember being small and powerless.
If you liked this
The Secret Garden1993
From the same producing stable and the same well of Victorian-Edwardian children's literature: an orphaned girl finds wonder and healing inside a repressive great house full of secrets.
But Slower and more melancholic throughout, with less overt magic and a chillier emotional register than Sara's story.

Matilda1996
A tyrannical headmistress, a small girl with an enormous inner life, and the satisfying spectacle of imagination and wit finally winning against cruelty.
But Broader, more cartoonish comedy and outright telekinetic fantasy make it less delicate than Sara's quieter magic.

Anne of Green Gables1985
An imaginative orphan transforms bleak circumstances into wonder through sheer force of storytelling, across a gorgeously detailed period miniseries with real room to breathe.
But Considerably longer and slower-paced, set in rural Canada rather than wartime New York, with no fantasy elements at all.

The wildcard
Something you would not have found on your own.
Roma2018
Same director revisiting the class hierarchies and domestic service structuring Sara's world, but told from the servant's side, stripped of magic and comfort.
Cuarón's own later, harder masterpiece turns the camera on the woman who actually runs a household like Sara's—rendered in aching, exquisite black-and-white.
But No fantasy, no comforting glow of childhood; it's slow, adult, and quietly devastating rather than uplifting.

More like this (8)
Little Women1994
Sisterhood, hardship, and creativity handled with the same lavish period craftsmanship and emotional sincerity, from almost exactly the same moment in family filmmaking.
But An ensemble family drama rather than one girl's isolation, and grounded entirely in reality with no fantastical framing.

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe2005
Children sent away during wartime lean on imagination to survive uncertainty, blending genuine historical hardship with full-blown fantasy escape.
But Much bigger in scale and more adventure-driven, trading Sara's intimate drama for epic battles and talking lions.

Hugo2011
An orphaned child protagonist, a visually intoxicating world built from clockwork and imagination, and a director with the same appetite for gorgeous, tactile detail.
But More interested in the history and mechanics of early cinema than in a girl's emotional survival or female friendship.

Bridge to Terabithia2007
Imagination as genuine refuge from grief and hardship, treated with total sincerity and visual invention that respects how seriously children feel things.
But Takes a darker turn partway through that catches some viewers off guard if they're expecting pure whimsy.

Paddington2014
Kindness and imagination used as armor against an unkind world, visually playful and big-hearted without ever curdling into saccharine sentiment.
But Contemporary, comedic, and much lower-stakes—there's no real cruelty here, just gentle misunderstanding.

Annie1982no page yet
An orphan facing down a cruel guardian with unshakable optimism, wrapped in glossy production values and a wish-fulfillment ending that lands every time.
But Full musical numbers and a much broader, brassier tone than the hushed magic of Sara's world.
The Innocents1961
Both hinge on whether a child's story-making is a gift or a danger—one film insists it's a gift, this one isn't nearly so sure.
The same imposing English house, the same friction between a child's vivid inner world and a controlling adult's authority—except here the imagination might be haunted rather than heroic.
But Genuinely unsettling gothic horror, black-and-white and slow-burning, with no guarantee anything ends well.

Grave of the Fireflies1988
The same premise as Sara's—a child clinging to imagination while a parent is away at war—but it shows what happens when the story doesn't bend toward comfort.
An animated Japanese classic about children left alone by war, holding onto imagination and stubborn hope to survive—right up until the story refuses to let hope be enough.
But Widely considered one of the saddest films ever made; there is no rescue coming, and it will stay with you.

People
Cast
Liesel MatthewsSara Crewe
Eleanor BronMiss Minchin
Liam CunninghamCapt. Crewe / Prince Rama
Rusty SchwimmerAmelia Minchin
Vanessa Lee ChesterBecky
Rachael BellaBetsy
Camilla BelleJane
Kelsey MulrooneyLottie- Lauren BlumenfeldRosemary
Vincent SchiavelliMr. Barrow
Time WintersFrances (Milkman)
Arthur MaletCharles Randolph
Directing
- Alfonso CuarónDirector
- Cynthia UpstillScript Supervisor
- Bo WelchSecond Unit Director
Writing
- Frances Hodgson BurnettNovel
- Elizabeth ChandlerScreenplay
- Richard LaGraveneseScreenplay
Production
- Jill Greenberg SandsCasting
- Dalisa CohenCo-Producer
- Alan C. BlomquistExecutive Producer
- Amy EphronExecutive Producer
- Barry LevinsonExecutive Producer
- Mark JohnsonProducer
- Robert P. CohenUnit Production Manager
Recommended by
The Railway Children, The Secret Garden, Charlotte's Web, My Girl