Film
'71
'71 is a lean, brutal you-are-there thriller about a young English soldier separated from his unit and left alone in hostile Belfast during the Troubles. It's less war film than survival horror, all handheld dread and wrong turns, refusing easy sides. For anyone who wants their history lesson delivered as pure adrenaline, with moral rot creeping in at the edges.
If you liked this
Bloody Sunday2002
Greengrass's docudrama covers the same conflict from the other side of the barricade, tracking a civil rights march that curdles into massacre in real time. Same queasy immediacy, same refusal to hand you a clean hero.
But Deliberately unglamorous and grim, closer to journalism than thriller — it wants to inform as much as grip you.

Hunger2008
Steve McQueen's austere debut follows Bobby Sands' hunger strike with the same unflinching physical presence '71 has, trading chase for stillness and starvation. A gut-punch about the same conflict from inside its cells.
But Slow, wordless, and unbearably bleak — this asks for patience '71 never does.

Black Hawk Down2001
Soldiers scattered across a hostile city as night falls, every street corner a threat — this is '71's chaos scaled up to a whole platoon, same fog-of-war terror on a bigger canvas.
But Longer, louder, and far less interested in moral complexity than in pure combat spectacle.

The wildcard
Something you would not have found on your own.
Odd Man Out1947
Same city, same premise — a lone man adrift and hunted through hostile Belfast streets in a single night — filmed nearly seventy years before '71, before the Troubles even had that name.
Carol Reed's noir masterpiece sends a wounded IRA man stumbling through Belfast's rain-slicked streets after a robbery goes wrong, hunted through one long, doom-laden night. It's the blueprint '71 is quietly rewriting.
But Stagey by modern standards, heavy with 1940s dialogue and studio artifice rather than location grit.

More like this (8)
The Hurt Locker2008
Another study in a soldier alone with his nerves, strung tight by everyday dread rather than firefights. Kathryn Bigelow makes tension a physical sensation, the same way '71 does.
But Episodic rather than a single chase — you're watching a mood more than a plot unfold.

Green Room2016
Trap some outsiders in hostile territory with people who want them dead and let the geography do the work — this punk-club siege has '71's exact claustrophobic logic, just with skinheads instead of paramilitaries.
But Much gorier and pulpier — it wants to make you flinch, not think.

Sicario2015
A newcomer thrown into a conflict whose rules he doesn't understand, surrounded by men who've already made their compromises. Same sick feeling of being a pawn in someone else's war.
But Cooler and more controlled than '71 — the dread here simmers rather than sprints.

Dunkirk2017
A young soldier separated from command, alone amid chaos, trying simply to survive rather than win — Nolan strips war down to pure animal fear, much like '71 does.
But More impressionistic and less character-driven; you're swept along rather than gripped by one man's face.

The Crying Game1992no page yet
An IRA volunteer's unraveling loyalties and a captured soldier's fate get tangled together in this Troubles-era drama, all moral murk and shifting sympathy — the political turns devastatingly personal.
But Its famous twist has been so discussed it may land with less force now, and the pacing is more theatrical than kinetic.
Five Minutes of Heaven2009no page yet
Liam Neeson and James Nesbitt confront the long aftermath of a Troubles-era killing, showing what '71's single night curdles into decades later. Quieter, sadder, about consequence rather than escape.
But Talky and confrontational rather than tense — this is a chamber drama, not a chase.
I, Dolours2018no page yet
'71 shows the Troubles from a frightened outsider's glimpse; this shows the same era from deep inside the cause, in the actual voice of someone who lived and killed for it.
A posthumous confession from real-life IRA bomber Dolours Price, filmed shortly before her death, dramatized and intercut with her own unflinching testimony about violence, belief, and its cost.
But No chase, no tension score — it's talk and reenactment, demanding you sit with guilt rather than watch it resolved.
Good Vibrations2012no page yet
Set in the identical streets and years as '71, it's proof the Troubles weren't only dread and ambush — a register flip from siege thriller to defiant, joyful comedy about the same divided city.
The true story of Terri Hooley, who opened a punk record shop on Belfast's most bombed street and insisted music mattered more than sides. Same rubble, same checkpoints, entirely different spirit.
But Broadly comic and warm-hearted where '71 is grim — some will find the tonal whiplash hard to square with the history.
People
Cast
Jack O'ConnellGary Hook
Sean HarrisCaptain Sandy Browning
Paul AndersonSergeant Leslie Lewis
Sam ReidLt. Armitage
Sam HazeldineC.O.
Barry KeoghanSean Bannon
Charlie MurphyBrigid
Richard DormerEamon
Killian ScottQuinn
Babou CeesayCorporal
David WilmotBoyle
Martin McCannPaul Haggerty
Directing
- Yann DemangeDirector
- Adam LockFirst Assistant Director
- Sylvia ParkerScript Supervisor
Writing
- Gregory BurkeWriter
Production
- Jina JayCasting
- Dan MacRaeExecutive Producer
- Danny PerkinsExecutive Producer
- Hugo HeppellExecutive Producer
- Leslie FinlayExecutive Producer
- Lizzie FranckeExecutive Producer
- Mark HerbertExecutive Producer
- Sam LavenderExecutive Producer
- Tessa RossExecutive Producer
- Robert HowLine Producer
- Helene LensznerLocation Manager
- Angus LamontProducer
- Robin GutchProducer
- Rebecca DaviesProduction Manager
Recommended by
Derry Girls, Hunger, In the Name of the Father, Bloody Sunday, The Foreigner, Odd Man Out, Belfast