Film
Good Vibrations
Richard Dormer embodies Terri Hooley, the Belfast record-shop owner and label founder who became the unlikely godfather of Northern Irish punk. It's a portrait of stubborn idealism surviving through sectarian violence and economic collapse, funny and heartbreaking in equal measure. For anyone who loves music, small acts of defiance, or stories about people who refused to let their corner of the world stay grey.
Should you watch it?
Watch it if you love music films about scrappy people who refuse to quit, with Belfast's punk scene, a sharp Northern Irish wit and a story that feels like it was lived rather than assembled.
Skip it if you want a tight, fast-moving plot; this is loose and episodic, following a stubborn optimist through setbacks, and its energy can feel more like a shrug than a drive.
What it asks of you: Settle in for just under two hours of easygoing, often funny storytelling that lingers on the rhythms of a particular place and time, with the Troubles hanging in the background.
Not sure? Find tonight's pick in a minute.
If you liked this
24 Hour Party People2002
Danny Boyle's semi-fictionalized account of Manchester's Factory Records founder Tony Wilson: a chaotic visionary building a label and a scene against the odds, shot through with dark comedy.
But Deliberately unreliable and digressive; deliberately chaotic. Not everyone finds it easier to follow than to admire.

Control2007
Anton Corbijn's stark b&w portrait of Joy Division's Ian Curtis, another young man at the centre of a music scene that promised escape but delivered darkness. Musically and cinematically extraordinary.
But Bleak. Deliberately slow-paced in places, and structured around tragedy rather than triumph.

Sing Street2016
Dublin teenagers forming a band in the 1980s to woo a girl: sweet, funny, and suffused with genuine love for how music saves young lives in economically grim places.
But Deliberately nostalgic and earnest. Some will find it saccharine where others find it moving.

Not sure tonight? Get a pick in a minute, starting from Good Vibrations
The wildcard
Something you would not have found on your own.
A Respectable Trade1998
Non-fiction companion to the same story—same people, same music, same moment, but approached as journalism rather than cinema.
Northern Irish documentary series examining the country's relationship with rock music, including Good Vibrations era figures. Direct, local context; the thing itself reflected in contemporary eyes.
But Regional documentary rather than dramatic film; minimal production value. You have to want the history more than the spectacle.

More like this (5)
The Commitments1991
Alan Parker's fizzing ensemble film about working-class Dublin souls trying to form a soul band. Chaotic energy, real music, deep affection for its characters and their world.
But Feels of its era in ways some will find dated; the emotional stakes are deliberately kept light.

Love & Mercy2015
John Cusack and Paul Dano as Brian Wilson at different ages; an intimate portrait of creative genius wrestling with mental illness and producing something transcendent.
But Slower and more interior than you might expect; less 'rock biopic spectacle' and more psychological study.

I Wanna Hold Your Hand1978
Robert Zemeckis's scrappy, joyful comedy about Beatlemania in 1964: captures the anarchic euphoria of youth discovering rock music as salvation and identity.
But Lightweight and deliberately silly; period-specific humor that doesn't always age well, and the charm is all the point.

Backbeat1994
Ian Hart and Stephen Dorff as Stuart Sutcliffe and John Lennon in Hamburg: moody, visually striking account of pre-fame Beatles and the art-school idealism that shaped them.
But Slow-burn coming-of-age story about the character no one remembers; more interested in mood than momentum.

Once2007
Same director as Sing Street, but in a different register entirely—where that was collective and enthusiastic, this is private and aching. Both argue that music is not entertainment, it is survival.
John Carney's luminous Dublin film about two musicians busking and falling into each other. Almost entirely dialogue-free; the songs themselves do the talking. Pure, quiet, devastatingly moving.
But Deliberately minimal and unhurried. For many, almost too quiet and small; the entire emotional weight sits on the music and the glances between two people.

People
Cast
Richard DormerTerri Hooley
Jodie WhittakerRuth
Karl JohnsonGeorge Hooley
Michael ColganDave Hyndman
Liam CunninghamDavy
Dylan MoranPat
Ruth McCabeMavis Hooley
Mark RyderGreg Cowen
Killian ScottRonnie Matthews
Kerr LoganFeargal Sharky
Adrian DunbarAndy
Andrew SimpsonGetty
Directing
- Glenn LeyburnDirector
- Lisa Barros D'SaDirector
Writing
- Colin CarberryScreenplay
- Glenn PattersonScreenplay
Production
- Georgia SimpsonCasting
- Charlotte WallsExecutive Producer
- Gary LightbodyExecutive Producer
- Joe OppenheimerExecutive Producer
- Jonny QuinnExecutive Producer
- Nathan ConnollyExecutive Producer
- Nigel ThomasExecutive Producer
- Rebecca O'FlanaganExecutive Producer
- Robert WalpoleExecutive Producer
- Andrew EatonProducer
- Bruno CharlesworthProducer
- Chris MartinProducer
- David HolmesProducer