Film
28 Years Later: The Bone Temple
- Horror
- Very dark
A science-fiction horror sequel set 28 years after viral apocalypse, where a brilliant doctor navigates impossible relationships while a young survivor faces a terrifying antagonist. Blends intimate character drama with large-scale existential dread. For fans of intelligent genre cinema that refuses easy answers.
Should you watch it?
Watch it if you want grim, unsettling horror where the dread comes from people and their strange rituals more than from jump scares, and you don't mind a story that grows stranger the longer it runs.
Skip it if you need fast, clean scares or a tidy plot, since this one is slow, gory and deliberately messy, leaning on sprawling ideas that may frustrate anyone wanting clarity.
What it asks of you: Settle in for about a hundred and nine minutes of mostly grim, unhurried scenes, with violence arriving in bursts and your attention rewarded more than your nerves.
Not sure? Find tonight's pick in a minute.
If you liked this
The Road2009
A father and son navigate a post-apocalyptic wasteland with devastating emotional precision. Relentlessly dark but profoundly human—the kind of survival story that actually makes you feel something.
But Unrelentingly bleak and deliberately slow. There are no moments of comfort, which is the point, but endurance is required.

Annihilation2018
Scientists enter a shimmering, impossible zone where nature has become alien and beautiful and wrong. Cerebral sci-fi horror that trusts you to sit with mystery rather than demanding answers.
But Deliberately ambiguous and philosophically unsettling. Some audiences find the lack of clear resolution frustrating rather than haunting.

Children of Men2006
Infertility has made humanity desperate and violent. A government operative protects a woman carrying hope. Long takes, no music, breathtaking tension—feels like watching history collapse in real time.
But Minimal dialogue and crushing tone mean it requires active attention. Not a comfortable film, and it doesn't offer traditional catharsis.

Not sure tonight? Get a pick in a minute, starting from 28 Years Later: The Bone Temple
The wildcard
Something you would not have found on your own.
Stalker1979
Both explore how apocalypse or transformation strips away the false self and forces confrontation with what you actually are. Intimate human dramas inside massive existential frameworks.
Men enter a mysterious zone where desire becomes literal. A Soviet philosophical meditation on yearning, faith, and what we actually want versus what we think we want. Glacially paced but unforgettable.
But Andrei Tarkovsky's films move at their own tempo—this is 163 minutes of deliberate shots, long silences, and no conventional plot. Patience isn't optional.

More like this (8)
Y: The Last Man2021
A plague kills every male on Earth except one teenager. Explores what society becomes, how power rewrites itself, how survival tests everything you thought you believed. Thoughtful and strange.
But The show was cancelled after one season. If unresolved endings feel like a betrayal, this will sting, though what airs is coherent and worth watching.

A Cure for Wellness2017
A man investigating a wellness facility discovers something impossibly wrong beneath the idyll. Gorgeous, unsettling, and genuinely weird—body horror and mystery wrapped in a fever dream.
But Two and a half hours of mounting dread with a deeply strange ending. The pacing demands patience and the plot asks you to follow dream logic.

The Leftovers2014
Seventy million people vanish inexplicably. Nobody knows why. A town tries to live with the impossible. Emotionally devastating, weirdly funny, and utterly original. Television at its most ambitious.
But Deliberately refuses to explain its central mystery. Some viewers find the ambiguity rewarding; others find it maddening. Also genuinely distressing at times.

Under the Skin2014
Scarlett Johansson drives a van and watches people from the shadows. Hypnotic, alien, and wrong in ways that accumulate. Minimal dialogue, maximum mood—pure cinema.
But Experimental and slow with long sequences of observation. If you need plot momentum and dialogue to stay engaged, this will test you.

Altered Carbon2018
A 300-year-old mind is downloaded into a new body in a corrupt future city. Noir sensibility meets cyberpunk grimdark. Visually stunning and morally complex—what does consciousness mean if you can just move it?
But Dense worldbuilding and serialized storytelling require commitment. Season two declines noticeably, and it's cancelled, so invest knowing the end is unfinished.

Sunshine1999
A spaceship crew ventures toward a dying sun to reignite it. Begins as hard sci-fi problem-solving and becomes something far stranger and more metaphysical. Visually magnificent and philosophically ambitious.
But The tonal shift in the final act divides audiences sharply. Some find it transcendent; others feel it abandons the premise it carefully built.

Raised by Wolves2020
Both balance small-scale human relationships against vast sci-fi stakes. Both ask what it means to survive and build meaning when the world has already ended. Both unafraid to be strange.
Two androids raise human children on a strange planet after Earth's war over religion destroys everything. Nightmarish and magnificent—body horror, mythology, and genuine mystery woven through intimate family dynamics.
But Cancelled after two seasons with the narrative left sprawling. The show prioritizes atmosphere and weirdness over plot resolution, which frustrated many viewers.

The Platform2019
Both about systems that consume individuals, about characters trying to survive or change something larger than themselves, about how apocalypse reveals what society actually values.
A vertical prison where every level shares food down from above. Gradually revealed as parable about systems, complicity, and whether individual morality means anything in structural horror. Spanish cinema at its most pointed.
But Graphic body horror and visceral depravity. It's deliberately, relentlessly ugly, and the message never lets you forget it. Not entertaining—important.

People
Cast
Ralph FiennesDr. Kelson
Alfie WilliamsSpike
Jack O'ConnellSir Jimmy Crystal
Erin KellymanJimmy Ink
Chi Lewis-ParrySamson
Connor NewallJimmy Shite
Maura BirdJimmy Jones
Ghazi Al RuffaiJimmy Snake
Robert RhodesJimmy Jimmy
Emma LairdJimmima
Sam LockeJimmy Fox
Gareth LockeHunter
Directing
- Nia DaCostaDirector
- Emily ThomasFirst Assistant Director
- Lucy HatherleyScript Supervisor
- Gianpiero VannucciSecond Assistant Director
Writing
- Alex GarlandWriter
Production
- Joanne SmithAssociate Producer
- Des HamiltonCasting
- Leah HarrisonCasting
- Bryony ChaplinCo-Producer
- Cillian MurphyExecutive Producer
- Alex GarlandProducer
- Andrew MacdonaldProducer
- Bernard BellewProducer
- Danny BoyleProducer
- Peter RiceProducer
- Fin BainStreet Casting
- Bryony ChaplinUnit Production Manager