Television series
The Loudest Voice
A prosthetic-heavy Russell Crowe disappears into Roger Ailes, the Nixon operative who reinvented cable news as a nightly grievance machine and, in doing so, remade American politics. It's angry, propulsive, occasionally over-egged television — part media history, part reckoning with the women he crushed on the way up. Best for anyone who wants the receipts behind Fox News's rise, not a balanced hearing.
If you liked this
Bombshell2019
The same newsroom, the same year Ailes fell, told from the other side of the desk — Kidman, Theron and Robbie as the women who brought him down.
But Covers ground you'll have just watched, from a more sanitized, star-vehicle angle.

Succession2018
If you liked watching one ruthless old man bend a media empire to his ego, this gives you a whole dynasty of them, funnier and even more venomous.
But No real-world catharsis here — it's fiction, and nobody ever quite faces consequences.

Vice2018
Christian Bale vanishes into another real-life power broker under prosthetics, with the same interest in how quiet men build machines that run the country from the shadows.
But Adam McKay's fourth-wall-breaking, jokey style is a big tonal swing from Loudest Voice's straighter drama.

The wildcard
Something you would not have found on your own.
A Face in the Crowd1957
Elia Kazan's film essentially predicts the entire Ailes project — media performance curdling into political control — with unnerving precision, six decades early.
Andy Griffith, cast wildly against type, plays a folksy TV personality who discovers he can turn charisma into political power — the Ailes playbook, written and filmed decades before Fox News existed.
But Black-and-white, stagey by modern standards, and its warnings can feel almost quaint until they don't.

More like this (8)
Fosse/Verdon2019
Another Showtime limited series built entirely around a towering, difficult, transformative lead performance and the people who paid the price for his genius.
But Show business instead of politics — the stakes are personal and artistic, not national.

American Crime Story2016
A prestige limited series that treats a real, recent tragedy with the same seriousness and structural ambition, jumping through time to build a portrait rather than a straight biopic.
But Different world entirely — fashion and celebrity, not cable news and the GOP.

Mrs. America2020
Cate Blanchett's Phyllis Schlafly is Ailes' spiritual cousin — another architect of modern conservative media strategy, seen through a sharp, multi-perspective ensemble.
But More talky and political-history-minded, with less of the tabloid scandal momentum.

Confirmation2016
A tighter, earlier true story of harassment allegations colliding with raw political power, and how institutions close ranks around the powerful man.
But A TV-movie budget and pace next to Loudest Voice's fuller six-hour treatment.

The Comey Rule2020no page yet
Another Showtime limited series wrestling with the Trump-era collision of institutions, ego and media, with Jeff Daniels doing the heavy lifting this time.
But Drier and more procedural — less interested in psychology, more in the paper trail.
Frost/Nixon2008
Goes back to the Nixon-era media playbook Ailes himself helped invent, with Frank Langella's Nixon as a fascinating echo of the disgraced men this world keeps producing.
But Cooler and more theatrical — a two-hander interview drama, not a sprawling character study.

Weiner2016
Same engine as Loudest Voice — hubris, media spectacle, self-destruction — but stripped of prosthetics and reenactment, so the collapse feels unbearably real.
Fly-on-the-wall documentary access to a real politician's public collapse in real time, cameras rolling through humiliation he can't stop inviting.
But Squirmingly intimate and occasionally exhausting — there's no dramatic shaping, just a man's downfall in unedited real time.

UnREAL2015
Same moral architecture as Ailes' newsroom — a manipulative image-maker exploiting women to build a product — just relocated to reality TV's grubbier, campier register.
A pulpy, blackly comic drama about producers manufacturing narratives on a reality dating show, run by a toxic boss who grooms and exploits the women beneath him.
But Trashier and soapier by design — this is a Lifetime series, not a Showtime prestige drama, and it revels in that.

People
Cast
Production
- Gabriel ShermanCo-Executive Producer
- Jennifer StahlCo-Executive Producer
- Kerry OrentCo-Executive Producer
- Laura EasonCo-Executive Producer
- Alex MetcalfExecutive Producer
- Jason BlumExecutive Producer
- Jeremy GoldExecutive Producer
- Kari SkoglandExecutive Producer
- Liza ChasinExecutive Producer
- Marci WisemanExecutive Producer
- Padraic McKinleyExecutive Producer
- Russell CroweExecutive Producer
- Tom McCarthyExecutive Producer
- Agatha BarnesProducer
- John Harrington BlandSupervising Producer
Recommended by
The Dropout, American Crime Story, Page One: Inside the New York Times, Bombshell, Mrs. America, Confirmation, Weiner, Client 9: The Rise and Fall of Eliot Spitzer, The Morning Show